Fashion & lifestyle

B-Corp and Fashion

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From overproduction to B-Corp: are brands missing the point of meaningful work?


Ove the past few days, it has emerged that Chloé became a B-Corp. Of course, people welcomed the news with applause. Maybe there were just a few perplexed comments on social media.

Now they are a Benefit Corporation: B-Corp. What does it mean?
Beyond their for-profit business, they want to maximise their positive impact on society and the environment.

What’s the point of becoming a B-Corp in fashion?
The Chloé’s collection shown in Paris was far away from the past magic. Indeed, all the luxury beauty outlined by the former designer, Natacha Ramsey-Levy, was gone.

The new guidance follows a more American way of working that embeds marketing at the brand’s core. We saw a collection peppered with the latest marketing trends – diversity, eco-friendly and ethical themes. And not that those values are wrong, indeed we share them entirely. But we question the fact that they sound like pure marketing.

Anyhow, it will be nice to witness how they’ll manage the actual overproduction model with an eventual lower production level. And see what happens with prices too.

The purpose of a fashion brand


What seems clear is that brands go from overproduction to the B-Corp losing sight of the real point of the work. What makes it a worthy effort.

The scope of an evolved fashion brand is to make beautiful collections, keeping in mind that the only way to obtain this goal is by respecting people involved in the production chains and the planet. Hence, paying proper wages and reducing pollution as much as possible.

Beautiful collections are the expression of good design and meaningful creative ideas. Therefore, the moment we make a respectful work representing a positive vision, all this beauty of thought must translate into outstanding products.

If the style is bland, meaning is lost. Even though the intentions are noble, assuming they are not only marketing tools, in the Chloé fashion show, there is no substance.

To be purpose-oriented is fine, but please don’t forget you are making fashion.
Keep beauty alive–don’t kill the dream.

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People Don’t Read

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In a world of images, words demand too much effort


People don’t read. Don’t ask people to read. Please, just don’t. In the fashion field, there’s no need to dig deep into socio-cultural-economic aspects. Customers don’t want to know more. Instead, bombard them with shopping prompts. Continuously. Endlessly. But do not involve them in a piece that makes them stop and think. Just push them to buy! In fact, it’s a profitable engagement, a language they truly appreciate.

People want images. If you put them in front of words, they are forced to stop, read and reflect. That takes some time, and it is annoying.

Just show them images, let them click on the buy-now button, and they’ll be fine with it. Why question things? Just follow along. Accept. Consume. Repeat.

Social media absorbs the attention, you start scrolling for a few minutes, and you end up eaten up by an endless stream of superficial information. There, there’s no need to read. Indeed you can stop at the titles or just a few words.

But you are well-targeted and, most of all, you are going to shop. Yes, there’s nothing else people want.

people don't read, image of reading a book


However, the pattern is not new. Pavlov experimented on this behaviour with dogs, he showed them the trigger and got the reaction. Indeed, this conditioned reflex works well with humans too. Brands know the game and accordingly shaped the world for us.

From ‘cogito ergo sum’, corporations worked to embed ‘shop ergo sum’. By influencing our brains and behaviour, they did a great job.

Why?
Because people don’t read. They don’t like reading, as they don’t like thinking.

For instance, if you want to ponder a little, do you know that funny thing called accessible luxury? How about ethical businesses when brands still produce in places where human rights do not exist?

But no, do not search for discussion or sharing ideas. There’s no need to understand fashion context. Keep it superficial, feed them with products. And, please, don’t be too refined.

There’s no need to think. Stick to your well-known pattern.
Don’t read. Don’t choose. Just shop!

Unless you realise you can choose – to read.

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Decoding the Sexy Trend

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Empowerment or outdated cliché?


From New York to Milano and Paris runways, the sexy trend was one of the most prominent themes for next Spring/Summer 22.

Cut-out tops and pants, catsuits, ultra-mini skirts, mid-riff – covering the body just enough and leaving little to the imagination. If still there’s something to imagine, considering the quality of images shared on social media. In that context, the appreciation of freedom stops at the possibility of showing themselves naked.

Ironically, we first wondered if designers knew that, during the pandemic, people put on weight. But don’t feel sad, if you want to wear your catsuit you have about four months to get in perfect shape!

However, keeping irony aside, let’s analyse the meaning of the style proposal that came out as the designers’ favourite.

Fashion journalists reported this trend as an expression of joy, a celebration for a much-awaited return to social life. After more than a year in lockdown, people mainly wore jumpsuits or pyjamas. Now they are eager to enjoy dinners and parties. So the night out mood is on.

SS22: the sexy trend and its meaning


Although we understand the desire for sociality, we believe the sexy trend hides a much different motivation. The way a designer can portray evening style doesn’t necessarily imply promoting a hooker outfit.

We disagree with this pre-packed story. And so, we try to see it from a different socio-cultural-economic perspective.

We read the sexy trend as the trite vision of a woman dressed up to have a hold on a man. Does it sound new to you? To us, it seems so status quo.

It is old as the story of the universe. And, what’s more? It sells! Indeed marketers use sex to sell anything and everything. Furthermore, at this specific moment, the urgent need is to make money to cover the economic losses caused by the pandemic. Money, easy and fast.

So, here you are, served with the sexy doll. The same old perpetuated stereotype as the most accessible short-term benefit.

What a breath of fresh air – we might say!

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The High-Neck Sweater by Plantation

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Organic Japanese cotton and timeless design


Today we are introducing another staple of the new collection: The High-Neck Sweater by Plantation1982, from Japan.

All the pieces included in our Fall/Winter selection are easy to match and offer various styling possibilities. The design may look simple at first glance, but details are never left to chance. Indeed, they are all very well curated – that is the point of good design.

The material is 100% cotton, with an exceptionally soft hand. And its ripple structure is swollen like a tube, replacing the usual rib structure.

the high-neck sweater
The High-Neck Sweater
Plantation1982


The collar is slightly higher than the bottleneck so that it covers the neck fully, but it does not have a hold feeling like any typical high neck. Its design adds style while leaving the body free to move.

Furthermore, the vertical texture of the fabric makes it difficult to pick up the lines of your body and underwear. As a result, this garment is extra comfortable to wear.

The high-neck sweater is the perfect piece for the seasonal transitions, but it is easy to use as an inner for cardigans or jackets too. So you feel its softness in contact with the skin.

Also, the uneven border pattern expressed by the weaving gives a casual yet elegant impression. And the styling options are many. You can wear it with pants or skirts, depending on the need of the day. It can perfectly blend with casual or sporty outfits as with any more elegant look.

Now a note about the colour.
The base is dark green, an intense dark green, and the stripes are navy. This colour matching offers a soft and refined image.

Washed to give a unique texture, it’s an easy-care item. So, you can wash it by hand at home.

Perhaps you will buy lesser pieces, but you’ll take beautiful clothing that lasts over the years.
And you’ll love wearing them.

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The Fashion Debate

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Old systems, false progress, and mixed messages


The fashion debate that follows the shows navigates oscillates between clinging to the same old system and pretending to embrace new ways. The interviews recently released seemed to send nonsensical messages. Indeed, it’s easy to notice a glaring lack of consistency. Words fail to align with actions, creating a disconnect that reverberates like a short-circuit in the industry.

However, if we want to change for the better, understanding what’s going on in the fashion field is fundamental. So, we have to analyse designers’ messages and perhaps, read between the lines.

The debate highlights


On the one hand, the runways were all about merchandising. With the fashion shows, designers promoted a compelling ‘shop now’ message – more than ever. Proposals perfectly aligned to the pre-pandemic era, with no interruption regarding the lexicon.

On the other side, they are releasing interviews about sustainability. Some send ethical messages, eco-friendly references. While some others are talking about couture as a decisive strategy.

And so? What is the sense in that?

To be clear, it’s one way or the other—otherwise, the fashion debate is pointless!
Designers have to choose on what side they are on. A brand cannot produce tons of goods and then feel better because they select some sustainable materials. Or because they also have a couture line that, maybe one day, will save the world. In case the world shifts its direction for real. Yet in the meantime, they push for over-consumption.

The choice is between overproduction or couture, mass-market versus lesser productions. It’s one or the other.
Focus on pure merchandising or conscious proposals, one or the other.
Empty marketing claims to show to the world how ethical or sustainable they suddenly became versus providing value and beautiful collections.
Again, between fostering the status quo or having the courage to start something new. It is one or the other.

They can’t have it both ways.
The two ingredients don’t fit on the same plate.

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