fashioneducation

Mass production or “mess” production?

Quality VS Quantity

Mass production is an ongoing global phenomenon. Fast-Fashion, is no doubt, all about mass-production as you think.

Yet, even in the luxury world, high brands nowadays are attempting to produce more than ever to reach a broader range of consumers. Why? Because this is how they maximize profit. Speed and cost are everything they now prioritize. Indeed it’s a matter of speed and greed.

Where do we find artisanal values?

Charles Frederic Worth, an English fashion designer in the early 20th century, is today known as the father of Haute Couture.
His dresses required some fifteen yards of fabric and could take three to four hundred hours to embroider. For one client, the dress even needed a team of thirty seamstresses working full time because everything was entirely made by hand.

Yes, the handmade takes time, but do we still find or do the luxury brands still even care about such craftsman values?

Where are the values which we used to appreciate in the past?

Mass or “mess” production?

Luxury brands are now mass-producing their products to market mass consumers. Targeting a larger audience means bigger profits, they believe. However, their mass production has undervalued the noble past of fashion and diminished the true aesthetic.

They care only about profit, no longer the values.
It is such a “mess production” – in fact.

Resizing and reducing, not maximising

By having in mind the idea of Couture as a meaningful business model, brands should produce less and target a smaller audience. Therefore, selecting the right individuals who are capable of appreciating these values.

A rigid selection is what the brands need to do. They need to select whom to create rather than create for everyone.

“Less” is such a big keyword for luxury brands today, but there is something that should be “more”.
Time. More time for quality.
Because quality takes a lot of effort, patience and creativity. And so more time is a must.
Yet, that is the only way the true values of fashion can be revived.

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A piece written by Kotono Sakai, a Japanese girl studying history and fashion at Cattolica University in Milan and interning for suite123

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The slow mode

Welcoming the Spring/ Summer 22 season

A choice of value
We take it slow, move at our own pace, with no frenzy to enter the new Spring/ Summer season. Happy to finally touch with our hands what we ordered months ago digitally or in physical showrooms, thrilled to show you the mix we’ve put together for you. Which we hope you will enjoy. But we do not hurry. That feeling is not part of the new evolved dimension we have started.

A conscious approach relies on thoughtful actions, not on the rush. And this is a time in which pondering our actions – please, translate it also into thinking carefully about what we purchase – is at the base of everything.

Slow fashion

Quality takes time
Bringing back the value of waiting is fundamental in order to regain standards of quality, and give a proper perspective. Fast is cheap, but there’s no quality nor value in that, just exploitation of human and natural resources. So we want to go back to the ‘tempo giusto.’ The proper time, what quality needs.

the slow mode - welcoming Spring/ Summer 22 season


The global industry is still ingrained in the status quo, not willing to change because by offering cheap products, they are sure they’ll sell them regardless of the side effects. Well, we don’t want to be part of that system.

During days of total uncertainty caused by the pandemic, we’ve been searching for consistency, good design, and quality. This is what we thought it made sense to offer.

Our fashion? We make it slow fashion because we adapt it to our new necessities. If brands run fast, we do not. We bring in our visions and values instead. And we believe that suggesting you buy less, much less but better quality pieces is an effective way to reduce our impact on the planet.

So we don’t go where the wind goes, we go where value resides.

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Call it common sense

Common sense is the non-trendy term for sustainability. In other words, what people call sustainability, we call it common sense.

It is interesting to analyse the notion of sustainability and when it came out, what kind of change it brought up, or what new necessity has awakened. The concept of sustainability was born around the end of the ’80s. Some individuals realised that intense exploitation endangered our planet and future generations’ lives.

Back to the past

If we dig deep into our traditions, we discover that what we call sustainability now was for our grandparents just their way of living. It was their intentional choice, determined by necessity and contingency. But also by being aware of the value of goods, an understanding that each object or garment had specific properties and purpose. Manufacturing offered durable products therefore, almost nothing was wasted. Moreover, for them, objects had a second life.
There was a shared sense of respect, and life didn’t revolve only around consumption.

That’s the education our parents received, but no slogan framed that simple way of life.

Then came the time when fascinated by the consumerist mindset, our parents gave up on their education. Neurotic habits replaced a thoughtful lifestyle. A new ego-centred vision in which we believe we can dispose of nature or people the same as we do with the things we buy. Everything is at our feet – consume and throw away.

We have lived as if nature’s resources were infinite, let’s be honest about it. A very few people questioned it in the past, not the CEOs of corporations for sure.

Sustainability or common sense?

Eventually, we realised that resources are finite, and the world in thirty years will be unlivable. So here comes the term sustainability, sold as the discovery of a new meaningful lifestyle (the one we forgot about).

Well, there’s nothing new. What you call sustainability is just common sense.

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Accessible all ages

Age and fashion: an erroneous belief

The representation of different ages in fashion eventually had its recognition. You don’t have to hide anymore, in case you ever thought about doing so. Or, perhaps you were waiting for permission to wear specific clothing.

But did we need permission? And, dear brands, do you believe young people could afford expensive clothes?

Take a look at this picture (zoom the bandana print)
We picked this dress from the Spring/ Summer 2015 MM6 – Maison Martin Margiela collection. Not new if we consider the date of its release. But still relevant in terms of the idea the brand promoted, which was fashion-forward.

Age and fashion
MM6 – Maison Martin Margiela Spring/ Summer 2015

Fashion accessible to all ages

The transversal cut of the collection was clear. We ordered it because we loved the concept and felt aligned with it. Also, we personally have that dress in our closet and still wear it. You may be familiar with the notion of timeless fashion, such a discovery. Yes, we’ve always believed that good design was forever.

Around 2022 the concept of fashion without borders such as age, gender, body shape started to be recognised and amplified by fashion brands. But in 2015, it was about being a trailblazer, innovative and creative, by proposing a countercultural message. Now, from pret-a-porter to haute couture, those words and images have flooded fashion communication. So it sounds like something you have to say just to conform.

Indeed, it is interesting to analyse how many labels we place on the boxes we think we belong to. Age – gender – body shape – race, etc. The need to fit in is evident, to belong to a specific category.

When brands highlight labels so often that they all send the same message, authenticity is lost. Eventually it is clear that these labels are a just marketing trend.

Rules are different. Back then, we had designers, and fashion was meaningful. Now marketers pull the strings. And, in a spasmodic search for identity, we need slogans to frame the emptiness.

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