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A focus on brand identity at MFW FW25/26

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Milano Fashion Week: codes above all else


Most luxury brands at Milano Fashion Week Fall-Winter25/26 placed a strong focus on brand identity—their unique DNA. In other words, they highlighted what defines them and sets them apart.

So, from Prada to Moschino, MM6, Marras, and Dolce & Gabbana, the emphasis on preserving a distinct identity emerged as the path to follow.

A few notes on MFW FW25/26: focus on brand identity


Antonio Marras: The designer has always remained true to his style. This season, he crafted a poetic narrative intertwined with the music of the past, drawing inspiration from the 1892 opera La Bella di Alghero. The result was a runway with a strong territorial identity. (Watch the show here).

MM6: The brand played with scale and proportions, shifting from small to oversized. This approach was particularly evident in their reinterpretation of iconic pieces like trench coats, jackets, dresses, and T-shirts. The collection felt more authentic to MM6’s essence—something we recognised, having loved and selected this concept for our boutique in the past. (Watch the show here).

Moschino: Creative director Adrian Appiolaza delved deep into the brand’s archives and stylistic codes, reviving the messages cherished by Franco Moschino. Foremost among them is a call to action on the climate crisis, alongside bold tailoring, deconstructed silhouettes, and surreal details. (Watch the show here).

Dolce & Gabbana: Models stepped out of the Metropol theatre and onto the streets, turning the show into a dynamic celebration. The “cool girls” aesthetic reinterpreted the brand’s classics with a sexy cargo twist, blending attitude with signature sensuality. (watch the show here).

Prada: Miuccia Prada and Raf Simons explored the question, “What is femininity today?” and challenged conventional perceptions of beauty and gender identity. An approach we found particularly compelling, tracing an idea of style rich in contrasts. In the social media era, where people retreat into the illusion of perfection, Prada instead works to uglify the homogenising effect of a flattening culture—one that most people succumb to, numbed to the point of passivity, lacking even the impulse to escape or seek alternatives. (Watch the show here).

What can we learn from the FW25/26 Prada fashion show?

  • Contemporary femininity: A blend of vintage reimagined through a modern lens. Take a 1960s shift dress, make it oversized, and you get a fresh take on women’s style.
  • Freedom of movement: The collection is rich in oversized silhouettes, flowing gently over the body and allowing for natural movement.
  • Sizes are relative: Size no longer holds the same importance; it’s relative. In fact, what truly matters is how a dress flows on your body and how you choose to wear it—with a belt, a mannish shirt, or over a pair of jeans.

Final thoughts on MFW FW25/26


In conclusion, at Milano Fashion Week Fall-Winter 25/26, most luxury brands placed a strong emphasis on brand identity, with many creative directors diving into archives to honour their brand’s core DNA.

Ultimately, Prada’s exploration of contemporary femininity offered a vision of modern style. In a game of contrasts—between masculine and feminine—it all comes down to how you choose to wear your clothes. That, after all, is the essence of style: an invitation to freedom, clothes to explore rather than limit.

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FW25/26 Milano Fashion Week kicks off: Gucci’s new measure and Capasa’s optimism

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Between a vision for the future of fashion and the illusion of luxury?


The FW25/26 Milano Fashion Week opened with Gucci presenting its post-De Sarno collection, alongside a bold statement from Carlo Capasa, President of CNMI, on the state of luxury. What emerged was a striking contrast between the industry’s optimistic rhetoric and the stark realities of the market.

FW25/26 Milano Fashion Week: Gucci, a cautious reflection rooted in heritage


Set to an immersive soundtrack by Justin Hurwitz, performed live by an orchestra, and staged against a Castleton Green backdrop. So Gucci’s Fall Winter 25/26 collection marked a transitional moment for the brand. With no creative director at the helm, the collection avoided the excessive creative experimentation seen during Alessandro Michele’s tenure. In fact, he hijacked the brand steering it away from its core identity. Instead, this season offered a measured, archive-driven aesthetic, blending 60s to 90s influences into an elegant, modern image. The result was a clear luxury statement, showcasing the excellent work of a group of twenty young designers who took their bow at the end of the show. Bravo to the team!

Undoubtedly, this restrained approach feels like a deliberate response to the shifting luxury landscape. However, for luxury brands with such a rich history like Gucci, the path forward may well lie in balancing tradition with contemporary relevance—heritage, elegance, and archival inspiration with a modern twist.

Capasa’s statement: a questionable narrative


In contrast to Gucci’s cautious optimism, Carlo Capasa’s remarks struck a more contentious note. The CNMI president dismissed concerns about a luxury slowdown, framing it as a mere “readjustment.”

“Luxury is not suffering; it is readjusting.”

Capasa pointed to brands performing well globally as evidence of the industry’s resilience. Also, he expressed confidence in fashion’s ability to navigate complex moments. While his optimism is understandable—given his role as a promoter of the sector—it feels at odds with the broader market reality. Data suggests that luxury is indeed slowing down, with many brands facing significant uncertainty. The fact that a few brands are performing well—perhaps because they have the backing of substantial budgets—simply makes them exceptions. It does not negate the struggles faced by the majority.

The bigger picture: is luxury adapting or struggling?


As the FW25/26 Milano Fashion Week unfolds, the disconnect between the industry’s official narratives and market realities becomes increasingly apparent. Gucci’s calculated collection reflects a brand responding to economic shifts with caution. But is this “readjustment” a sign of resilience? Or a moment of reckoning for an industry in need of strategic reinvention?

FW25/26 Milano Fashion Week: opening highlights


Gucci’s FW25/26 show signals a potential return to its roots, prioritising heritage over experimentation. Perhaps this marks the end of the brand’s exploration of pointless pathways and a renewed focus on what it does best.

A final thought: Is the luxury industry truly in control of its destiny? Or is it merely reacting to the inevitable change? As the fashion world gathers in Milan, these questions linger, challenging the narratives of optimism and resilience that dominate the headlines.

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Milano Fashion Week SS25 Celebrates Ignoring the Storm

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Exploring fashion’s refusal to acknowledge reality


Milano Fashion Week SS25 has just closed, and while the event was celebrated with high-energy words, it has done so by ignoring the storm brewing around the industry. The message seemed to be: No worries, better times will come. But, the contrast between the stakeholders’ storytelling and the fashion industry’s current struggles is hard to overlook. Despite the glamour, both the Chamber of Fashion and most brands continue to ignore the undeniable realities – financial instability, unsustainable practices, and a larger economic and planetary crisis.

This disconnect is unsettling, as the focus remains on maintaining an illusion of success while the foundation crumbles.

About Milano Fashion Week SS25


Magazines, TV news, and interviews painted an energising picture of the MFW SS25. “Many international buyers, most from Asia,” boasted Mr. Capasa. Yet behind the scenes, a different story unfolded. Some fairs experienced entire days without any attendance. It’s clear: selling something in a controlled environment means highlighting only the positives. But business as usual, amid economic, social, and planetary crises, feels deeply misguided.

We quote Cristiana Schieppati from “Chi è Chi News” as her words resonate with us:
“But let’s talk about this week, which has been a bit like my dog when I scold him, and he gives me that guilty look. Everything felt a bit subdued, with few people around (very few foreigners), lots of marketing, few newspapers handed out outside the shows, and many phrases like ‘hang in there, better times are coming, we’re doing fine despite everything.'”

This season’s runways saw more creativity, blending playful elements with good tailoring. Perhaps this was fashion’s attempt to deflect from the harsh reality. A desire to offer a bit of joy amidst an endless “permacrisis.” Archive pieces were given new life in chaotic, contemporary ways, encouraging individuality through personal style. The message seemed to be: wear clothes however you want, and bring statement pieces into everyday life with a casual twist.

And yes, we could mention some shows we found interesting. In fact, some designers did great work capturing the essence of their vision. For instance, Antonio Marras, Prada, Bottega Veneta and Moschino. But at this point, does that really matter? And what’s the sense in celebrating sustainability when the same names that dominate Fashion Week are rewarded year after year? How can the industry claim to be embracing change when it continues to spotlight the very players whose practices remain questionable?

Conclusion


Despite the brilliance of some collections, Milano Fashion Week SS25 has ultimately chosen to celebrate while ignoring the storm, showcasing the industry’s startling refusal to confront reality. Who needs to make a change if not the Italian Chamber of Fashion?

By the way, we have little reason to believe Paris Fashion Week will be any different.

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Identity and Ethics

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Peering behind the veil of the fashion industry


When it comes to identity, the spotlight often shifts away from ethics. That seems especially evident during the Milano Fashion Week.

The recent emphasis on rediscovering lost brand identities amid transitions between creative directors is appreciable. Instead of merely chasing trends and pushing boundaries to the point of absurdity, there’s a noticeable return to celebrating heritage and the unique DNA of fashion houses. However, amidst this shift, one can’t help but question the credibility of companies that have previously indulged in such superficial games.

The discrepancy between image and reality at MFW


The day before the conclusion of Milan Fashion Week, a revealing program titled “Indovina chi viene a cena” (Guess Who’s Coming to Dinner) aired on Rai3 (you can watch it here). The journalist Sabrina Giannini and her colleague shed light on the stark reality behind sustainability claims in the fashion industry. It became evident that the more brands flaunt their sustainable slogans, the less sustainable their practices proved to be. Sustainability is 90% greenwashing! This disillusionment extends beyond just material choices and production processes. In fact, it delves into the exploitation of cheap labour through outsourcing. A practice that starkly contrasts with the Italian craftsmanship ethos.

Fashion industry, identity and ethics


While these issues aren’t new to those who follow fashion’s undercurrents, the program highlighted some uncomfortable truths. Particularly striking was the response of the influencers when questioned about their awareness of designers’ materials and sustainable practices. Their dismissive reactions have underscored a glaring disconnection between the industry’s rhetoric and its actual impact. Specifically, these girls giggled or ran away, having no means to participate in a more than necessary discussion. By the way, does the fashion industry need these kinds of people? Really? Is this what the fashion industry is about?

Furthermore, Sabrina Giannini attempted to engage with designers and fashion houses on these pressing matters. What response did they get? Silence and indifference. Despite sustainability being touted as a pivotal theme in fashion, the lack of willingness from brands to engage in open dialogue is concerning. Indeed, it raises questions about the industry’s true commitment to ethical principles beyond mere lip service.

If the aim was to reveal the stark misalignment between the industry’s professed values and its actions, then the brands, with their silence, have succeeded!

Ethics, respect for work, workers’ rights, impact on the planet. All fall under the sustainability hat. But the fashion industry is not interested in that. Dear designers, refusing to open your doors, you have succeeded in unveiling your true faces.

Ultimately, Milano Fashion Week was all about identities. But clearly, no one cares about ethics!

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In The Name of Cleanliness

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Reflections on Milano Fashion Week: a blend of style, substance, and identity


Milano Fashion Week unfolds in the name of cleanliness. Style cleaning, image cleaning, and even people cleaning.

A distinct narrative emerged amidst the flurry of runway shows. One characterised by themes of neatness, precision, and authenticity. Cleanness of designs accompanied by a less showy audience. It’s a mood that permeated many collections, reflecting a need to restore brands’ identity.

Fall/Winter 24-25 Milano Fashion Week


Designers such as Fendi embraced this ethos, presenting a collection defined by immaculate tailoring and modern elegance, with precise references to its heritage.

But also Prada was in this flow: fluttering ribbons and bows contrasting with mannish blazers and maxi skirts. A lot of grey. Military silhouettes accented by marine hats, feathered or in velvet.

Antonio Marras‘ homage to Eleonora D’Arborea stood out. A historical figure who lived between 1300 and 1400, seen as a national heroine of Sardinia. Marras’ collection has exuded opulence. Elaborate silhouettes, intricate embroideries, and textured fabrics evoked a sense of bygone grandeur. The spectacle captivated audiences with its unique blend of history, theatrical performance and defile.

Our heart breaks for MM6. Unfortunately, it seemed to have lost its way. Once, it was synonymous with avant-garde innovation under the helm of Martin Margiela. This runway looked like Diesel. In fact, the collection felt disconnected from its original identity. One might say Martin Margiela is no longer there, which is true, but Margiela is still the brand name. Therefore, shouldn’t we expect a certain continuity?

image of a black short haired model wearing a black maxi knit dress with white wording 'peace' - the letter P is beautifully designed around the neck. it's from FW24-25 Moschino fashion show in Milan; collection designed by the new creative director Adrian Appiolaza. In the name of cleanliness was the main trend.
FW24.25 Moschino by Adrian Appiolaza

Moschino‘s new creative director, Adrian Appiolaza, made a promising debut, infusing a sense of contemporary flair. The designer honoured the brand’s iconic codes, mixing wearable silhouettes in a game of basics and boldness. Bravo Appiolaza! Even for bringing a message of peace on the runway. In fact, we applaude designers who use their platform to support important causes.

Yet, a sense of dystopia looms in the fashion industry. Brands celebrate new collections in the name of cleanliness and restoring their identities. Yet they all feature too many outfits. Furthermore, yesterday, a major TV news report was all about vintage fashion. Entirely!

One might wonder, what are the new clothes for?

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