Sustainable fashion: hemp for clothing

Are you familiar with its properties?

Checking out Spring-Summer 23 new arrivals, we had the chance to learn more about hemp, a natural material with excellent features.

Garments’ compositions show hemp among various materials. Every time we receive orders placed months before, we check the tailoring, fit and touch the fabrics to ensure our selection matches our expectations. As to provide you with good design and quality. 
Also, during Milano Design Week, we received an invitation to view “Prototipo” – a clothing brand supported by Lampoon Magazine. An accurate design for an entire collection made of hemp. Which we found interesting!

What is hemp used for?

This material is versatile. The wide range of use goes from eco-building to cosmetics to textiles – for fashion and furnishing, food and more. Considering the environmental impact, this material offers many advantages compared to other natural fibres. 

Richard Fagerlund, an expert who has over 40 years of experience in the management of plant pests, explained that: “Cotton cultivation is probably the biggest pollutant on the planet since, occupying only 3% of the agricultural land of the world, demands 25% of the pesticides used in total. The chemicals go into the groundwater, and the poison targets not just insects, but all organisms, including humans. Furthermore, the hemp fibre is longer, more absorbent, resistant and insulating than the cotton fibre”. Also, from a cultivation viewpoint, cotton requires about twice as much water to grow as hemp. (Source)

Why is hemp a sustainable material?

  • it grows quickly
  • does not need any special care
  • the whole plant is used, therefore there is no waste.

Hemp properties

Thanks to its hollow fibre, hemp yarn with a high thermal insulating and breathable capacity, which behaves like wool: cool in summer and warm in winter. It has antibacterial and antifungal properties and can absorb moisture from the body, keeping it dry and absorbing infrared and UVA rays up to 95%. 
Furthermore, tear resistance is three times greater than that of cotton. In fact, among natural fibres, it is the most wear-resistant.

And so, hemp is a great fabric for clothing. Just an ironic note: do not try to promote a post on social media, the Meta’s algorithm doesn’t allow it! Are they afraid you get high by wearing clothes?

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Disability: life is not a cover page

Are magazine covers the means to make a change?

Put disability on a cover page, and the life of disabled people improves. But from fashion magazines’ glossy covers to real life, does anything change for those with disabilities? Is accessibility something they arrange when setting up locations, workplaces, or events?

Inclusivity in fashion

British Vogue is one of the most committed magazines on “Reframing Fashion.”

“We want to carry this on and for people to see Vogue is taking that step… We’re not perfect, but we have to create this welcoming space.”
Edward Ennigful – European editorial director of Vogue.

Indeed, considering the positive comments on covers featuring disabled models, it seems change is real and tangible.

Our experience on disability

Our viewpoint is a little different. We understand that a diverse representation may help people broaden their views. But we aren’t satisfied with it. Specifically, we would exchange cover pages with real accessibility on a daily basis to shops, events, locations and so on.

Allow us to explain. I, myself, Ro, writing this post, am a wheelchair user. A few weeks ago, Cri and I attended Milano Design Week. Apart from very few exceptions, most places weren’t accessible. Indeed, we had to exclude some venues a priori. In many other places, I had to stand up and climb one to three steps. Cri had to lift the wheelchair, carry it inside, and then I could sit again.

Thank goodness, I can do that. But what about those who cannot? Those who use electric wheelchairs?

Disability and real accessibility in fashion

Of course, it works the same in fashion showrooms. In the fashion industry, people love to discuss inclusion and diversity on social media, advertising or cover pages, but they do the opposite in everyday life.

I had a disgraceful experience with Camera Nazionale della Moda Italiana a few years ago. “Because of Covid”, so they said, I couldn’t access an event they organized. The invitation was for one person, but being in a wheelchair, I needed plus one to help me. They said no. But Camera Moda proudly has a Diversity and Inclusion section! What do they not understand about disability? (You can read the full story here).

What’s the message? Disability is the subject of the cover pages, but please, don’t show up at events? Please, don’t go shopping? Don’t visit a museum or take a train?

What are we talking about showing disability on cover pages? Marketing? That’s what it is. In fact, diversity and inclusion are some of those magnificent fashion bullshit the industry loves!
Just don’t show up in real life!

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The Tate Dress

Niche fashion #formodernhumans

Today we introduce The Tate Dress by Un_namable.

The image is avant-garde but understated, refined and comfortable.

Indeed, the high-quality fabric, dyed by hand with natural colours, and the asymmetric shape make it a meaningful garment you can wear day to night just by changing the shoes.

New in this Spring-Summer season, Un_namable is an Italian brand that creates unique and timeless clothes which are, at the same time, experimental and innovative. Juxtaposing fabrics submitted to special processing and avant-garde techniques, they transform the pieces into unexpected volumes and silhouettes. The brand emphasises the value of exceptional craftsmanship and uniqueness.

Discover The Tate Dress

About the design
Sleeveless, round neckline, loose silhouette. Under-knee asymmetric length. Garment-dyed dress; its beautiful textured fabric highlights the unique design. Indeed, the hand-dyeing process provides a special hand feel and particular shape.

The Tate Dress
The Tate Dress by Un_Namable – Antenora Cross Strap Sandals

About the material
28% recycled linen, 20% hemp, and 52% recycled BCI cotton.
BCI is the acronym for Better Cotton Initiative, the world-leading sustainability initiative for cotton. Their mission is to help cotton communities survive and thrive while protecting and restoring the environment.
Also, hemp is a yarn with a high thermal insulating and breathable capacity, which behaves like wool: cool in summer and warm in winter.

About the colour
Double dark cacao, garment dyed.
All garments are dyed with pigments of natural origin. Specifically, the designer makes the colours starting from food ingredients.

Laundry
Easy-care product: wash by hand inside out in cold water. 
Reshape whilst damp.

Styling tips
The Tate dress stands out as one piece. Because of the rich texture, it works on special occasions too, just by changing the accessories. Pair it with Antenora cross strap sandals. However, to wear it for a large part of the year, layer it over leggings or underneath a sweater.

How to purchase from us:

Drop us an email or WhatsApp for any further information. Also, you can book your private shopping experience – physical or via video call. 

International Shipping available!
We are based in Milano but ship our niche fashion selection #formodernhumans everywhere.

In order to provide unicity and a sustainable approach, our selection offers a limited number of pieces.

Treat yourself today! ❤️

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Who wore who? Who cares!

Met Gala, the celebrities’ circus

‘Who wore who’ is the question we avoid these days. Specifically, we have considerable misgivings about the Met Gala as we can’t see the glamour or elegance. Indeed, this annual gathering of celebrities organised by Vogue looks more like a circus.

The Met Gala is a fundraising event for the Metropolitan Museum of Art’s Costume Institute in New York City, which marks the opening of the Institute’s annual fashion exhibition. Known as the “fashion’s biggest night,” it aims to represent the fashion universe.

The theme of the 2023 edition was “in honour of Karl.” Lagerfeld, of course. Though every year faces its own controversy, the event went out of hand.

Met Gala & Who wore what

We see two main issues:
First, people expect to see a representation of fashion, style, and glamour. Just, we haven’t seen any of that. Although we can pick out a few nice outfits every year, choosing the best-dressed, the whole thing is gross, excessive. And it feels sad to see fashion depicted like that. Moreover, we are surprised because even the actors that usually have an elegant posture, lose it at the gala.

Second, brands pay celebrities to wear their clothes because, by doing so, they influence the masses to purchase their products. But this contributes to sustaining a toxic culture, pushing people to compare themselves to an unattainable lifestyle.
How do celebrities choose one brand or the other? Who writes the highest figure cheque; that’s the one they pick. Forget any style choice!
Most importantly, the “celebrity cost” is absorbed in the retail price of clothing, shoes, and handbags. Therefore, it will be borne by those who purchase branded garments. The irony is that people sustain the lifestyle of their idols, who can afford to pay for luxury clothes even without brands’ contribution.

In short, celebs pay to attend the gala while getting paid by brands to wear their clothes. It’s a celebrities’ circus!

But why are people supporting this? That is the point!
Who wore who? Who cares!

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May 1st contradictions

Has the fashion industry changed for the better?

May 1st – International Workers’ Day brings up contradictions in the fashion industry. Indeed, we cannot celebrate without considering the hypocrisy that brands, companies that own them, and final customers put in place.

Today’s public holiday aims to honour working people and raise awareness of their rights. But the race to the lowest prices sought by company owners and consumers makes it impossible to imagine healthy production chains. Indeed, wages are so low that many people cannot afford a decent life and not even cover their basic needs.

Ten years after Rana Plaza, the fashion industry hasn’t changed its patterns and workers’ conditions haven’t improved. In fact, we went from fast to ultra-fast fashion. If we purchase a dress for 20 euros, can we expect manufacturers to observe workers’ rights? Do people believe in fairy tales, or is it hypocritical behaviour?

Rana Plaza

On April 24th, 2013, a building collapsed on the outskirts of Dhaka, Bangladesh’s capital, taking away 1,138 garment workers, 80% of whom were women, and injuring more than 2,500. Near the bodies extracted from the rubble, the labels of major Western brands were found: Prada, Versace, Gucci, Moncler, Benetton, Primark, Walmart, Bonmarché, Zara, H&M, Mango and others.

Uyghurs

We wrote about Uyghurs’ forced labour here. Now we quote Public Eye, a Switzerland NGO:
“Today’s hippest teen-fashion brand is growing rapidly – and its internet-based recipe for success is top secret. Still, Chinese researchers working on behalf of Public Eye managed to visit some of Shein’s suppliers in Guangzhou, where conditions of production violate numerous state labour laws. Our trip inside the ultra-fast fashion leader also takes us to the European logistics centre in Belgium, where precarious working conditions are also a daily occurrence.”

According to an OECD summit in Paris, this search for lower prices has led some brands to turn to ever less demanding areas. They even maintain orders in countries in crisis, such as Burma, where unionised workers have become prime targets of the military junta behind the recent coup.

Made in “Chitaly”

What happens in Italy is no different. In order to keep their higher profit margins, brands commission productions to Chinese laboratories, asking for the lowest price. So the dream of “Made in Italy” is kept alive, at least for those with no sense of quality. Forget minimum wage!

Prices negotiated downward and overconsumption

To understand what the industry learned after Rana Plaza and the social consciousness developed, we just need to analyse the facts. Low-cost collections rotate faster and faster, and companies force prices downward at the manufacturer’s cost. This acceleration from fast fashion to ultra-fast fashion explains everything.

Marketing and social washing

Social washing is social greenwashing: a manipulative tool in the hands of marketing. In fact, campaigns showing brands being socially responsible multiply. Most of the time, there is no evidence supporting the information. And perhaps what happens, in reality, is quite the opposite.

After the pandemic, working conditions have got worse. So the race for the lowest prices brings up all the contradictions of our economic system on May 1st. How can people expect labourers’ rights honoured while purchasing fast or ultra-fast fashion? And how can a world that needs modern-day slavery talk about workers’ rights?

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