Fashion & lifestyle

Sustainable Fashion: Hemp For Clothing

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Are you familiar with its properties?


Checking out Spring-Summer 23 new arrivals, we had the chance to learn more about hemp, a natural material with excellent features.

Garments’ compositions show hemp among various materials. Every time we receive orders placed months before, we check the tailoring, fit and touch the fabrics to ensure our selection matches our expectations. As to provide you with good design and quality. 
Also, during Milano Design Week, we received an invitation to view “Prototipo” – a clothing brand supported by Lampoon Magazine. An accurate design for an entire collection made of hemp, which we found interesting.

What is hemp used for?


This material is versatile. The wide range of use goes from eco-building to cosmetics to textiles – for fashion and furnishing, food and more. Considering the environmental impact, this material offers many advantages compared to other natural fibres. 

Richard Fagerlund, an expert who has over 40 years of experience in the management of plant pests, explained that: “Cotton cultivation is probably the biggest pollutant on the planet since, occupying only 3% of the agricultural land of the world, demands 25% of the pesticides used in total. The chemicals go into the groundwater, and the poison targets not just insects, but all organisms, including humans. Furthermore, the hemp fibre is longer, more absorbent, resistant and insulating than the cotton fibre”. Also, from a cultivation viewpoint, cotton requires about twice as much water to grow as hemp. (Source)

Why is hemp a sustainable material?

  • it grows quickly
  • does not need any special care
  • the whole plant is used, therefore there is no waste.

Hemp properties


Thanks to its hollow fibre, hemp yarn with a high thermal insulating and breathable capacity, which behaves like wool: cool in summer and warm in winter. It has antibacterial and antifungal properties and can absorb moisture from the body, keeping it dry and absorbing infrared and UVA rays up to 95%. 
Furthermore, tear resistance is three times greater than that of cotton. In fact, among natural fibres, it is the most wear-resistant.

In conclusion, hemp is a great fabric for clothing. Just an ironic note: do not try to promote a post on social media, the Meta’s algorithm doesn’t allow it. Are they afraid you get high by wearing clothes?

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Disability: Life Is Not A Cover Page

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Are magazine covers a tool for making change?


Put disability on a cover page, and the life of disabled people improves. But from fashion magazines’ glossy covers to real life, does anything change for those with disabilities? Is accessibility something they arrange when setting up locations, workplaces, or events?

Inclusion & diversity in fashion


British Vogue is one of the most committed magazines on “Reframing Fashion.”

“We want to carry this on and for people to see Vogue is taking that step… We’re not perfect, but we have to create this welcoming space.”
Edward Ennigful – European editorial director of Vogue.

Indeed, considering the positive comments on covers featuring disabled models, it seems change is real and tangible.

Our experience on disability


Our viewpoint is a little different. We understand that a diverse representation may help people broaden their views. But we aren’t satisfied with it. Specifically, we would exchange cover pages with real accessibility on a daily basis to shops, events, locations and so on.

Allow us to explain. I, myself, Ro, writing this post, am a wheelchair user. A few weeks ago, Cri and I attended Milano Design Week. Apart from very few exceptions, most places weren’t accessible. Indeed, we had to exclude some venues a priori. In many other places, I had to stand up and climb one to three steps. Cri had to lift the wheelchair, carry it inside, and then I could sit again.

Thank goodness, I can do that. But what about those who cannot? Those who use electric wheelchairs?

Disability and real accessibility in fashion


Of course, it works the same in fashion showrooms. In the fashion industry, people love to discuss inclusion and diversity on social media, advertising or cover pages, but they do the opposite in everyday life.

I had a disgraceful experience with Camera Nazionale della Moda Italiana a few years ago. “Because of Covid”, so they said, I couldn’t access an event they organized. The invitation was for one person, but being in a wheelchair, I needed plus one to help me. They said no. But Camera Moda proudly has a Diversity and Inclusion section! What do they not understand about disability? (You can read the full story here).

What’s the message? Disability is the subject of the cover pages, but please, don’t show up at events? Please, don’t go shopping? Don’t visit a museum or take a train?

What are we talking about showing disability on cover pages? Marketing? That’s what it is. In fact, diversity and inclusion are some of those magnificent fashion bullshit the industry loves. Just don’t show up in real life!

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Who Wore Who? Who Really Cares!

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Met Gala and the celebrities’ circus


‘Who wore who’ is the question we try to avoid these days. Specifically, the Met Gala raises significant doubts as we can’t see glamour or elegance. Indeed, this annual gathering of celebrities organised by Vogue looks more like a circus than a glamourous event, leaving little room for true sophistication.

The Met Gala is a fundraising event for the Metropolitan Museum of Art’s Costume Institute in New York City, which marks the opening of the Institute’s annual fashion exhibition. Known as the “fashion’s biggest night,” it aims to represent the fashion universe.

The theme of the 2023 edition was “in honour of Karl.” Lagerfeld, of course. Though every year faces its own controversy, the event went out of hand.

Met Gala & who wore what


We see two main issues:
First, people expect to witness a representation of fashion, style, and glamour. Just, we haven’t seen any of that. Although we can pick out a few nice outfits every year choosing the best-dressed, the whole thing is gross, excessive. And it feels sad to see fashion depicted like that. Moreover, we are surprised because even the actors that usually have an elegant figure, lose it at the gala.

Second, brands pay celebrities to wear their clothes because they influence the masses to buy their products. However, this perpetuates a toxic culture, pushing people to compare themselves to an unattainable lifestyle.
How do celebrities choose one brand over another? Simple: whoever writes the highest figure cheque; that’s the one they pick. Forget any style choice—it’s all about the money.
Most importantly, the “celebrity cost” is absorbed in the retail price of clothing, shoes, and handbags. In the end, it’s the consumers who pay to sustain the extravagant lifestyles of their idols—idols who, ironically, could afford luxury even without these brand endorsements.

In short, celebrities pay to attend the gala while getting paid by brands to wear their clothes. It’s a full-blown celebrities’ circus!

But the real question is: why are people supporting this? That’s the point!
Who wore who? Honestly, who really cares!”

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May 1st Contradictions

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Has the fashion industry changed for the better?


May 1st, the International Workers’ Day, brings up glaring contradictions within the fashion industry. Indeed, we cannot celebrate without acknowledging the hypocrisy that brands, companies that own them, and final customers perpetuate.

Today’s public holiday aims to honour working people and raise awareness of their rights. But the relentless race to the lowest prices–driven by both company owners and consumers–makes it impossible to imagine healthy production chains. Indeed, wages are so low that many people cannot afford a decent life and not even cover their basic needs.

Ten years after Rana Plaza, the fashion industry hasn’t changed its patterns and workers’ conditions haven’t improved. In fact, we went from fast to ultra-fast fashion. If we purchase a dress for 20 euros, can we expect manufacturers to observe workers’ rights? Do people believe in fairy tales, or is it hypocritical behaviour?

Rana Plaza – garment workers in Bangladesh


On April 24th, 2013, a building collapsed on the outskirts of Dhaka, Bangladesh’s capital, taking away 1,138 garment workers, 80% of whom were women, and injuring more than 2,500. Near the bodies extracted from the rubble, the labels of major Western brands were found: Prada, Versace, Gucci, Moncler, Benetton, Primark, Walmart, Bonmarché, Zara, H&M, Mango and others.

Uyghurs – modern-day slavery in China


We wrote about Uyghurs’ forced labour here. Here, we quote Public Eye, a Switzerland NGO:
“Today’s hippest teen-fashion brand is growing rapidly – and its internet-based recipe for success is top secret. Still, Chinese researchers working on behalf of Public Eye managed to visit some of Shein’s suppliers in Guangzhou, where conditions of production violate numerous state labour laws. Our trip inside the ultra-fast fashion leader also takes us to the European logistics centre in Belgium, where precarious working conditions are also a daily occurrence.”

According to an OECD summit in Paris, this search for lower prices has led some brands to turn to ever less demanding areas. They even maintain orders in countries in crisis, such as Burma, where unionised workers have become prime targets of the military junta behind the recent coup.

Made in “Chitaly”: Chinese workers operating in Italy


What happens in Italy is no different. In order to keep their higher profit margins, brands commission productions to Chinese laboratories, asking for the lowest price. So the dream of “Made in Italy” is kept alive, at least for those with no sense of quality. Forget any minimum wage!

May 1st contradictions: prices negotiated downward and overconsumption


To understand what the industry learned after Rana Plaza and the social consciousness developed, we just need to analyse the facts. Low-cost collections rotate faster and faster, and companies force prices down at the manufacturer’s cost. This acceleration from fast fashion to ultra-fast fashion explains everything, undescoring the May 1st contradictions.

Marketing and social washing


Social washing is social greenwashing: a manipulative tool in the hands of marketing. In fact, campaigns showing brands being socially responsible multiply. Most of the time, there is no evidence supporting the information. And perhaps what happens, in reality, is quite the opposite.

After the pandemic, working conditions have only deteriorated. The relentless race for the lowest prices brings to light all the contradictions of our economic system, especially on May 1st. How can people expect labourers’ rights to be respected while supporting fast or ultra-fast fashion? And how can a world that depends on modern-day slavery even begin to talk about workers’ rights?

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Seeking Cheerfulness At Milano Design Week

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Fuorisalone & a touch of Brazil in Milan


Cheerfulness was the topic some of the installations explored for the Fuorisalone. However, you could feel a lively atmosphere throughout the town during Milan Design Week.

In fact, the need for cheerfulness seems a necessity in current times. After the pandemic, the war, the energy crisis, and waste overgrowth, uncertainty is the new normal. Of course, this state of permacrisis brings a constant struggle. So we need beauty to elevate our moods and soothe our souls. And in search of beauty, we visited the Milano Design Week with Thami, our little niece and staff member, and some friends.

Fuorisalone: Alcova


We enjoyed Alcova at “Ex-Macello”, where 90 designers, companies and institutions featured their projects, exploring a different and complementary direction of contemporary design practice.

Cheerfulness: Brazil in Milano


Then we went to Università Statale, where the INTERNI Design Re-evolution project took place. Among many other colourful or nature-inspired installations, there was a whole corner featuring Brazilian designers. “The space is meant to be a celebration of the harmony between nature and architecture, combining natural and technological elements in a project that explores new design possibilities through Brazilian natural rocks.”

Also, we visited Rossana Orlandi. The gallery was full of amazing design objects and exquisite furniture elements. There, we entered a tiny multicoloured room which reflected a vibrant energy. Named “Everyday Paradise”, it was a source of bright colours featuring flowers, birds, and people’s portraits, a joy for the eyes.

Cheerfulness
“Everyday Paradise”: arts & crafts from Alagoas, Brazil

Here, we met the curator, Lili Tedde, who developed this project in collaboration with Lidewij Edelkoort. The project, Lili Tedde explained, promoted artists from the Alagoas region, Brazil, who made by hand all the arts & crafts by using different techniques: painting, sculpting, carving, and embroidery. Since Thami has Brazilian origins, they exchanged a little chat in Portuguese. But Thami didn’t expect it, and we saw her feet turning inwards with her cheeks reddened. By the way, the set-up was energising and mood-boosting!

Needless to say, sustainability slogans were everywhere. Most of them pointless. Did companies consider the impact of the enormous structures they set up? Materials, transport? And what will they do after dismantling them?

In conclusion, we appreciated “Everyday Paradise” for the message that tiny room promoted: positivity expressed through arts and crafts. Indeed, rooted in Brazilian culture, cheerfulness brings a positive attitude towards life. And that beautiful art collection was like a breath of fresh air. Beauty will save us!

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