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SS25 Haute Couture Week Final Thoughts

Reading Time: 3 minutes

Marine fantasies from two visionary designers


As SS25 Paris Haute Couture Week unfolds, we dive into a realm where fashion transcends reality, offering a glimpse into the fantastical and unattainable. Haute couture is not just about garments—it’s a space for dreams and artistic expression at its peak. By the way, it’s about true luxury for a few.

Whether drawing from mythological fantasies or embodying a designer’s essence, haute couture captivates with its artistry. Among the collections that resonated with us were the mesmerizing creations of Jean Paul Gaultier and Yuima Nakazato—each echoing the enchantment of marine life in their own distinctive ways.

SS25 Haute Couture – Jean Paul Gaultier: nautical fantasies reimagined


We were captivated by Naufrage, the sea-inspired collection by Ludovic de Saint Sernin, this season’s guest designer for Jean Paul Gaultier. From shipwrecked mermaids to daring sailors, pirates and majestic sailing ships, the show was an ode to the nautical themes so deeply embedded in Gaultier’s DNA. Corsetry, second-skin gowns, and audacious tailoring wove a seamless narrative, staying true to the house’s heritage while offering a fresh, contemporary twist.

This was so much Gaultier—bold, imaginative, and beautifully executed. The brand’s iconic codes were reinterpreted with a modern edge, proving that reinvention doesn’t mean losing identity but rather refining it with artistry.


Yuima Nakazato: ethereal nomads in a dreamlike desert


A dim light. A barren desert at the center of the stage. The distant sound of waves. Models moving in slow motion, as if suspended in time. The Japanese Yuima Nakazato transported us to a world where tradition and futurism merged effortlessly. His garments, a fusion of ethnic beauty and modern innovation, carried an almost sacred quality. The craftsmanship was exquisite, with accessories that perfectly complemented the ethereal silhouettes. The overall effect was mesmerizing—like watching a noble tribe with luminous souls making their way through the vastness of a quiet, moonlit night.


Valentino through the eyes of Alessandro Michele—Valentino?


Alessandro Michele’s first haute couture collection for Valentino left us wondering: do we still need designers who are actually capable of doing their job? Apparently, not anymore. 

A black backdrop illuminated by LED lights. Exaggerated silhouettes. Two details we appreciated: the graceful presence of models of all ages, including middle-aged and beyond; and the focus on individual pieces. And yet…

What we saw wasn’t couture but costume. The collection felt like a direct extension of Michele’s Gucci era, repurposing his own aesthetic that, while impactful, didn’t translate into the world of Valentino. The essence of Valentino’s haute couture— gowns for a few lucky ones —was missing as most pieces were unwearable.

We couldn’t help but wonder: why doesn’t he launch his own brand instead? And above all, how is Mr. Valentino doing after seeing this show?

SS25 Haute Couture Week endnotes


In conclusion, as the SS25 Paris Haute Couture Week comes to a close, we are once again caught in the whirlwind of musical chairs—who exits, who enters, and what it all means. The relentless cycle of change seems to overshadow the very notion of timelessness, while the designer’s ego increasingly takes centre stage, shaping the narrative more than the heritage itself.


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The Fashion Regeneration

Reading Time: 2 minutes

A circular vision from the Paris Haute Couture Week


Although the status quo is hard to fight, some designers made a strong visual impact showing some fashion regeneration at the Paris Haute Couture. Their creations went beyond mere opulence, embracing bold innovation and craftsmanship to redefine traditional codes. These designers demonstrated that couture is not just about preserving heritage but also about pushing boundaries and imagining the future of fashion.

Regeneration: a new narrative in the fashion industry


While showcasing beautiful clothes, some brave young designers proposed bold setups to provoke thought. Specifically, they introduced a new narrative that raised awareness about fashion overproduction and waste, promoting a more sustainable lifestyle based on circularity.

Since finance controls top brands, the fashion business has become an uneven playing field. In fact, independent designers put immense effort into competing with large luxury conglomerates that have no interest in change. However, some spectacular shows made a difference during Paris Haute Couture Week.

One-of-a-kind: a positive change


Yuima Nakazato is a talented designer who presented impressive work. The collection named “INHERIT” wants to inspire a positive change. Born from upcycling, it is a mix of captivating design, enveloping lines and evocative colours. So, he showed the beauty of fashion innovation and the downside of fashion pollution. Chills and creativity.
Inspired by a trip to Kenya, the introduction video showed an Africa devastated by fashion waste.

“There are many places in Nairobi that have been contaminated with textiles. We need to change that.”

Yuima Nakazato SS23 Couture

Circular couture and fashion regeneration


Marine Serre: proposed a fashion regenerated through a circular design. To better explain, we quote her concept for her Couture show:

“The RISING SHELTER show featured a fully circular set design. The tower weighs 1.3 tons of vintage clothes inside three 8m high towers full of used denim, silk scarves and t-shirts that will be regenerated for the collection’s production.”

Marine Serre SS23 Couture


Perhaps highlighting the reality with the terrifying imposing towers full of fashion waste will help understand the urgency no one wants to see.

In conclusion, these young designers deserve credit for addressing fashion waste and climate change, leading fashion regeneration with creativity and skilful design—paving the way for positive change in the future.

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