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Edvard Munch: The Inner Fire at Palazzo Reale

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A journey into the soul of one of modern art’s most visionary pioneers


Just before Christmas, we enjoyed visiting the Edvard Munch exhibition at Palazzo Reale in Milan, open until January 26. Marking the 80th anniversary of his passing, this comprehensive monographic showcase delves into the life and work of one of the most celebrated artists of the modern era. Spanning from 1880 to 1944, the exhibition presents 100 masterpieces—paintings, drawings, and prints—all from the MUNCH Museum in Oslo.

Regarded as one of the founders of modern art, Munch’s creations transcend time, speaking a universal language of emotion and human experience. His iconic work, The Scream, solidifies his legacy as an artist-prophet, a visionary who captured profound truths about the human condition.

The inner fire – Edvard Munch


The exhibition’s title, The Inner Fire, perfectly encapsulates Munch’s artistic journey—a profound introspection and a relentless quest to analyse the human psyche. Each piece reveals a thread connecting his works, where the eye turns inward to explore the soul and project its deepest psychological phenomena onto the canvas. This burning desire to communicate his perceptions—his “inner fire”—was the essence of his creative practice.

Throughout his life, Edvard Munch confronted life’s perennial existential questions, pushing the boundaries of artistic expression. His masterful use of colour, not merely as a visual element but as a tool to evoke raw emotions and tensions, remains unparalleled. Munch delved so deeply into the human experience that his emotions resonate powerfully in his art—so vividly rendered that one can almost touch and feel them.

Pic of the painting 'Red and White' by Edvard Munch at Palazzo Reale, Milan - a blond woman wear a white dress, a brunette  wesr a red dress with balloon sleeves.
Red and White – Edvard Munch


Above all, Munch’s art speaks a universal language, transcending time and place to connect with people from diverse backgrounds. While his work often stems from deeply personal experiences—marked by early struggles with tuberculosis and the mental health challenges that shaped his life—it reaches far beyond autobiography. In fact, his ability to transform specific biographical events into universally relatable themes is a hallmark of his genius.

“In my art, I have sought to explain to myself life and its meaning—I have also intended to help others to understand their own lives,” Munch once reflected.

Through his work, Munch confronts life and death, anguish and struggle, melancholy and despair. Emotions not only central to his artistic narrative but also reflective of the broader cultural zeitgeist of Northern Europe during his time. His ideas resonate closely with the works of Ibsen and Strindberg. Also, draws intellectual parallels to the philosophies of Kierkegaard, Schopenhauer, Nietzsche, and Freud. Munch’s art becomes a profound exploration of the human condition, bridging personal and collective experiences in an enduring dialogue with humanity.

Melancholy – Edvard Munch

Munch beyond paintings


Finally, Edvard Munch’s artistry extended beyond painting to include a rich body of writings. Together with The Bohemians of Kristiania—a group of young Norwegian intellectuals—he became part of an anarchic political movement that penned manifestos and critiques against established powers. They challenged the restrictive values of the middle class, gender and class biases, questioned organized religion, and advocated for sexual freedom.

As a precursor to 20th-century expressionism—and even futurism—Munch’s work continues to resonate, speaking to our inner visions and contemporary concerns. In his work, Munch endeavoured to make the invisible, visible.

This is an exhibition you simply cannot miss.


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A Shift Towards De-influencing Fashion

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Men’s Milano Fashion Week: a new direction?


In a notable turn of events, Men’s Milano Fashion Week has revealed a shift towards de-influencing fashion.

During the three-day event, we noticed a decrease in the prominence of social media influencers. This shift appeared to be an attempt to redefine the role of fashion influencers, suggesting a potential change in the industry’s dynamics.

Yet the “pandoro gate,” which involved Chiara Ferragni (read more here), appears to have prompted a reconsideration of brand strategies. So far, whether brands liked influencers or not, they felt compelled to invite them. Now, something has changed.

Distinguishing two influencer categories


Examining the influencer landscape reveals two categories:
1- traditional celebrities who attain fame through acting, music, or wealth (they are just rich, so they automatically ascend to that state).
2- social media celebrities who build their public personas through continuous self-representation. They employ tactics to grow their audience, such as the unnerving follow/unfollow, bots or purchasing followers (even fake accounts).

Historically, the fashion industry maintained ties with conventional celebrities, although navigating their involvement with different rules. However, brands seeking cost-effective alternatives to traditional endorsements contributed to the rise of influencers – social media celebrities. Most importantly, this phenomenon transformed fashion into a carnival show and, in some instances, portrayed it as a vocation for those without substantial merit.

A shift in focus at Men’s Milano Fashion Week


The recent Men’s Milano Fashion Week has showcased a departure from the influencer-dominated scene. Shows like Prada and Dolce & Gabbana shifted the spotlight to traditional celebrities – actors, musicians, and rich kids – sidelining the ubiquitous Instagram influencers. No Instagram fluff!

While the “pandoro gate” may have played a role in brands reassessing their associations, it is evident that the symbiotic relationship with social media influencers is undergoing scrutiny. Brands, once content to profit alongside the “insta-fluff” phenomenon, now appear more discerning.

We have always been curious about why people buy products based on influencer recommendations, knowing they get paid to promote these products. Essentially, people contribute to fund their luxurious lifestyles by purchasing sponsored products. Just why? Aren’t they capable of independent thinking?

De-influencing fashion: the impact on audience dynamics


The strategic decision to feature traditional celebrities over showy influencers at Men’s Milano Fashion Week revealed a perceptible transformation in the event’s ambience. The shift towards established figures lent an air of sophistication to the audience, aiming to elevate the overall atmosphere. Also, it paved the way for a revitalised focus on the garments themselves.

With the spotlight redirected from ostentatious personalities to the garments, the runway presentations assumed a more cultured and nuanced tone.

A deliberate departure from the influencer-centric narrative would contribute to reviving an appreciation for the sartorial value and creativity that often take a backseat amid the fluff of social media-driven communication.

But is this shift towards de-influencing fashion a calculated, long-term strategy or a momentary pivot? Will it extend to Women’s Fashion Week?

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Change: Between Reality and Dream

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Post-pandemic fashion: illusions of change – A talk with Antonio Miranda


The alleged change brought in by the pandemic, and widely discussed in the fashion field, is mostly imanginary. We explored this topic in a conversation with Antonio Miranda, the designer behind the Anmi jewellery brand. With a lifetime of experience in fashion, Antonio offered unique insights into the industry.

Antonio invited us to the Piccolo Teatro to watch “Doppio Sogno” (Dream Story), by Arthur Schnitzler. Firstly, the show was absolutely stunning – far surpassing Kubrick’s film Eyes Wide Shut. Each character embodied multiple versions of oneself simultaneously, highlighting a dense psychoanalytical landscape. The interplay of mixed emotions and a profound flow of consciousness made the experience intensely captivating.
A special thank you to Ugo Fiore (assistant director and Antonio’s nephew) – we truly appreciated the opportunity!

However, before the show started, we exchanged some thoughts about fashion.

change
ANMI Collections – Made in Italy

Fashion and change


We quote Antonio Miranda:

“Those who changed because of the pandemic were already on that path before Covid19 hit. This is evident in the fact that most people either regressed or remained unchanged. And, look, in the fashion field, we talked endlessly about change. It seemed everything had to be different the following season. Well, now the fluff is even more pronounced.”

According to Anmi’s designer, those who changed were already sensitive to the topic. Somehow they were ready or at least open to it. In fact, they were on the route towards change. Therefore, the pandemic simply became the last drop or an invitation to take the next step.

But for the majority of people, nothing has changed – for the better, at least. And fashion remains stuck in the same cycle of emppty words – hot air, indeed.

In fact, the path towards change is individual. It is a matter of awareness and perspective. But, even though a shift in attitude depends on our journey, whatever our situation may be, we can get inspired by virtuous people and activities.

A play, a book, what we buy, define the universe we want. Let’s keep the door open, search for value, support and share it. That’s how we change!

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