fashionindustry

Miscellaneous thoughts on fashion

A critical perspective on the industry

Three miscellaneous thoughts on fashion we’ve read this week seem to have something in common: fashion’s lack of understanding of its role in climate change.

Fashion & the heatwave in Italy

In order to tackle the heatwave in Italy, Federmoda – the organisation that represents retail and wholesale companies in the fashion field – asks to reduce taxes on made-in-Italy and sustainable garments.
“Made in” is a very tricky concept to address. According to the Updated Community Customs Code (EC Regulation 04/23/2008 n° 450 – art. 36 – on the non-preferential customs origin of goods), a product can be considered of Italian origin – in the customs sense – and contain, therefore, the indication “Made in Italy” when the last substantial transformation or processing took place in our country. Ta-da!
So, brands can make production wherever, then assemble a few things in Italy and get the magic label.
However, since there is no precise regulation, labelling and certifying sustainable garments is way more problematic.
Perhaps this proposal can relieve the pressure on fashion retailers, but it doesn’t change the core issue: fashion business pattern.

Luxury brands & revenge shopping slow down

Consumption of luxury goods in China and the USA has dropped because the much-awaited post-pandemic revenge shopping is slowing down. In fact, stock markets report a general decline for luxury companies. And so, the slowdown in China’s recovery and the cooling of demand from US consumers are impacting top brands who, undaunted, still commit to the same old model.

Vuitton & inconsistency

Pharrell Williams aims to push expansion and growth in sales to Vuitton, but also culture. Undeniably, the white culture has dominated the industry so far, and it seems quite clear what audience Vuitton is targeting by partnering with Mr Pharrell. However, the brand has a long history at its back. So shifting the discussion on culture, specifically a culture not even consistent with its core image, is meaningless.
Let’s say openly: we want to sell more! But there’s no need to mention culture since Vuitton’s culture has nothing in common with this new air.

Three thoughts, one pattern

The above miscellaneous thoughts on fashion are connected: the industry business pattern plays a huge role in climate change. But the discussions industry insiders deliver, basically ignore the issue.

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This is Autumn?

Global boiling & its impact on the fashion industry

September 23rd was the first Autumn day, but this is Autumn? Sunday, the temperature in Milano reached 32 Celsius (about 90 Fahrenheit). In other words, we don’t have to wait for climate change – climate change is here. For brands and fashion retailers, it is particularly odd.

Specifically, it’s the global boiling era. Yet, in every industry, as well as in fashion, people work like nothing serious happens. Do they wear blinders? Don’t they feel the heatwave? Or maybe they think: “Yes, it’s hot, but there’s nothing we can do.”
As a matter of fact, in every field, people like cogs dutifully do their job. No questioning. It seems money, budgets, and turnover is what counts. Who cares if we are boiling?

What’s the impact of climate change on the fashion industry?

Fall/Winter shop windows reveal the inadequacy of fashion. Fashion is out of sync with current times.
First, people still wear lightweight clothing. We don’t need warm garments now. Indeed, stores overflow with wool sweaters, coats, down jackets, and all the winter stuff. But who dares now to try a wool sweater when the temperature invites you to the beach?
Second: sooner or later, cold weather will come. However, because of the heat wave, retailers who sell mass-produced garments will lose about two full-price months from the selling season. That means mass retailers’ unsold stock will be huge. Therefore, they will sell most garments during the end-of-season sale.

Autumn fashion in the global boiling era

In this context, it is clear that the actual pattern (mass manufacturing/ overproduction and distribution) doesn’t work anymore. We must stop and rethink the fashion industry from scratch. Ignoring climate change is dangerous nonsense since it is now a tangible reality.

Also, the above points come from a financial perspective, while ethics should be our first concern. Raising awareness on climate action is crucial. We must reduce our impact on the planet. How do we do it? By limiting by far our consumption to what really counts. Consume less. Don’t buy pointless stuff. Avoid waste.

Above all, start asking yourself: This is Autumn?
Most people pretend nothing happens. But with what conscience do they keep their eyes closed?

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Paris Fashion Week 24

Between power and creativity

What was in the air at Paris Fashion Week 24? Less excessive designs, except for a few ones. In general, more elegance and simplicity. As well as in Milano, collections seemed to be more wearable.

Every season, the fashion Maisons presents high-budget commercial shows competing with the best location. Luxury venues contribute to making it a matter of power more than creativity. For instance, Eiffel’s background at Saint Laurent was impressive. However, we found intriguing the image of a worker-chic woman.

Above all, we applaud the Undercover brand, which really stood out with its essential but very evocative presentation. Its fashion show had the feeling of poetry with suits, sweatshirts, jewellery and chandeliers encapsulated in tulle. Also, the dreamy atmosphere piqued in the finale, with terrific x-ray terrarium dresses, was so mind-blowing, the chills it gave us!

Apart from the overall mood and the idea of style, we cannot understand the choice of switching Sarah Burton with the umpteenth young male designer. Sarah Burton’s collection for McQueen SS24 is absolutely stunning: a maxi red rose printed on a white slip dress or two evening gowns that seem like petals that fluctuate at every step, revealing the shade of colours. Isn’t the Kering group satisfied? Seán McGirr, the new designer, comes from JW Anderson, a move that gives the idea of a more commercial take. Perhaps they believe McQueen must reach a larger audience to grow and make more money, assuming McQueen can be a mass brand.

But what do these groups try to do? Such a move reminds us of the game played with Margiela. Perhaps they made it for a larger audience, but it’s not Margiela anymore. Will this be the path for McQueen, too?

In the end, celebrities and more celebrities. No big risk. The Paris Fashion Week 24 seems to be a matter of power and money more than creativity.

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The paradox of sustainability

Is sustainable overproduction a valuable strategy?

Do you know the paradox of sustainability? The paradox is this: making many more garments labelled as green products. In other words, it means perpetrating the same old overproduction pattern and marketing it as sustainable.

If that’s how you make money, why should you change? Okay, but the planet is dying, and we are facing a climate emergency the fashion industry should care about! Well, the attention towards this topic is just a facade.

In fact, according to Edited, “In the past four years, the number of clothes described as ‘sustainable’ has quadrupled.”

Green overproduction: the paradox sustainability

Yes, we know we write about this topic a lot. But when the data we ran across confirms our impressions and perplexities, it is appropriate to address it over and over.
Is sustainable overproduction a valuable strategy? Specifically, is that how we plan to save the planet? Making four times the stuff we made before is our strategy?

If this is true, we are far from reducing our impact on the planet. Of course, that is not sustainability. And it doesn’t take a genius to understand it. So, let’s call it by its name: this is marketing! This is greenwashing!

Sustainable fashion, like eco furniture, food, tourism or whatever, has become a profitable business. And more than an effective change of direction, it represented a change of marketing. Just call it green, and you’re going to sell it! Whatever object or service you are trying to launch on the market.

The solution the fashion industry ignores

Let’s be clear: sustainable fashion, rather than making new garments and new stuff in huge green quantities, is a matter of educating people towards conscious consumption. Indeed, the solution is producing way less garments. At the same time, we reuse, resell, recycle and upcycle existing clothing.

But, instead of educating people, for the fashion industry, it is easier to make money by flooding the market with sustainable products. Which, in the end, aren’t sustainable at all.

And so, this is the paradox of sustainability: making four times more garments and naming them sustainable. Unfortunately for us and for the planet, it is not a joke!

Free download our sustainability checklist here!

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Sustainable Fashion Awards 23

What are we celebrating?

The Sustainable Fashion Awards 23 closed the Milano Fashion Week. Camera Nazionale della Moda Italiana arranged this award ceremony to celebrate the designers who stood out for their environmental commitment, ethical practices and social rights.

We should be happy with it, celebrate the winners and move to Paris! No?

Held at Teatro La Scala, the Sustainable Fashion Awards reminded us that although the fashion industry is polluting, the Italian supply chain is progressing towards a greener way of operating the fashion business.

In other words, this event is a counterpart of the Milano Fashion Week. But you find the same names you’ve seen on the runways over the week, just under a different umbrella – a green one. And put into words with those labels so familiar to marketing blurring into greenwashing.

Sustainable Fashion Awards & The elephant in the room

Perhaps industry players, business owners, and designers are developing a higher consciousness about green matters. And, perhaps, some changes could be relevant. However, we cannot understand how these changes can still work in attunement to a production pattern based on overproduction.

It’s one or the other! And since the two elements aren’t consistent, they cannot stand on one plate because they clash.

The fashion industry has one major issue: overproduction, the elephant in the room, which none dares to mention. But if we still have overproduction, there’s no sustainability. No effective change in production chains will be enough without interrupting the overproduction pattern.

Sustainable Fashion Awards 23 witnessed a progression in the fashion industry towards greener practices, elevating environmental consciousness. But, as Mr Pierre-Alexis Dumas, Hermès creative director, said at Triennale: “Sustainability, that’s where we have a problem in fashion. We are making a change with low impact facilities and manufacturing practices. Perhaps in 15 or 20 years we’ll see the result and we’ll finally be sustainable.”

Unfortunately, according to climate scientists, we do not have that time. So, in the end, what are we celebrating now?

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