fashion marketing

Cultural Change

Reading Time: 2 minutes

Between utopia and feasibility


Are we ready for cultural change? The real one, we mean. When it comes to sustainability, do we believe in all the marketing bullshit that flooded communication lately? Or are we open to change for real? Ready to pick this opportunity up and make something better beyond the facades? 

People are bombarded with deceiving information: 
“We are sustainable because we recycle garments!”
“We use milk, coconut or whatever fibres.” 
“Hey, we have a conscious section in our store!”
“There’s a sustainable selection on our e-shop.”
“And we are the ones who do it best because we plant trees!”

Forget all that. Even the ‘plant a tree’ claim is proven misleading. Indeed, all these messages have the sole purpose of making people overconsume. As a matter of fact, not a single company has changed their overproduction pattern.

On the one hand, this is marketing, what brands need to say in order to show a clean face. But, on the other, we can find alternative reports and explorations that dig the truth out. Are we open to reading those reports? Understand how things really are? And, therefore, start questioning? 

Of course, sustainability is a path to pursue with conviction and self-commitment, despite all the difficulties, misleading messages, and smoke and mirrors. 

But is the effort worth it? Or, as many people with whom we exchange thoughts tell us, sustainability is just one of those beautiful utopias. To sell,one must focus only on increasing sales. That is what companies have to do. And people, for their part, have to buy whatever product. 

So, in the context of trade, specifically in the fashion field, is sustainability a utopia or is it feasible? What’s your viewpoint on this?

Are you open to cultural change? We would love to hear your thoughts. 
Drop us an email, WhatsApp, or comment here below!

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Carbon Neutral: Plant A Tree?

Reading Time: 3 minutes

Offsetting carbon emissions: why it is misleading


The carbon neutral definition may lead people to believe that a brand claiming this practice is sustainable. But, planting trees isn’t enough to solve the climate change issue.

Indeed, it’s always interesting to read how the fashion industry is involved in sustainable practices. Which, now, we can place under the umbrella of corporate change. We get itchy just thinking about it! There is no company that doesn’t talk about its eco-friendly policies. The bigger they are, the more they blurt out promises they cannot keep.

Sustainable brands


According to the Circular Fashion Index 2023, Gucci is the most sustainable among luxury brands. Kearny, a strategic consultancy company that analyses the impact of the circularity of brands, operates this ranking. They rank fast fashion brands, too! So, fast fashion has sustainable practices –really?

We feel a little disappointed when agencies release these rankings because of the misleading impact. In fact, we think industries use the word sustainable too much. After checking out those rankings, our question is: how can brands structured on an overproduction model be sustainable?

Carbon neutral or greenwashing?


But, while some magazines posted the list of the most sustainable brands or sustainable mega entities, The Guardian released an article that dampens enthusiasm. 

“Adverts that claim products are carbon neutral using offsets are to be banned by the UK’s advertising watchdog unless companies can prove they really work, the Guardian can reveal, as Gucci becomes the latest company to struggle with a high-profile environmental commitment based on offsetting.
Amid growing concern that firms are misleading consumers about the environmental impact of their products, the Advertising Standards Authority’s (ASA) is to begin stricter enforcement around the use of terms such as “carbon neutral”, “net zero” and “nature positive” as part of a greenwashing crackdown later this year after a six-month review.”

The Guardian

Offset CO2 emissions: what does it mean? 


Offsetting CO2 emissions means balancing the amount of CO generated by any activity through reforestation, parks and natural reserves protection. These projects generate carbon credits.

“In January, a joint Guardian investigation found that many rainforest offsets certified by Verra, which operates the world’s leading carbon standard, had little impact despite being widely used by major companies for environmental claims, also finding evidence of forced evictions at a flagship project in Peru used by Disney and Apple.”

The Guardian


Specifically, The Guardian revealed that more than 90% of rainforest carbon offsets by the biggest certifier are worthless! Therefore, planting trees isn’t helping with climate change.

When big brands, corporations and millionaires talk about sustainability and carbon emissions, always be careful. They are the problem. And if they want to be part of the solution, they must change their overproduction model and lifestyle first. 

Changing marketing isn’t enough. Carbon-neutral and sustainable claims are just smoke and mirrors.

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Disability: Life Is Not A Cover Page

Reading Time: 2 minutes

Are magazine covers a tool for making change?


Put disability on a cover page, and the life of disabled people improves. But from fashion magazines’ glossy covers to real life, does anything change for those with disabilities? Is accessibility something they arrange when setting up locations, workplaces, or events?

Inclusion & diversity in fashion


British Vogue is one of the most committed magazines on “Reframing Fashion.”

“We want to carry this on and for people to see Vogue is taking that step… We’re not perfect, but we have to create this welcoming space.”
Edward Ennigful – European editorial director of Vogue.

Indeed, considering the positive comments on covers featuring disabled models, it seems change is real and tangible.

Our experience on disability


Our viewpoint is a little different. We understand that a diverse representation may help people broaden their views. But we aren’t satisfied with it. Specifically, we would exchange cover pages with real accessibility on a daily basis to shops, events, locations and so on.

Allow us to explain. I, myself, Ro, writing this post, am a wheelchair user. A few weeks ago, Cri and I attended Milano Design Week. Apart from very few exceptions, most places weren’t accessible. Indeed, we had to exclude some venues a priori. In many other places, I had to stand up and climb one to three steps. Cri had to lift the wheelchair, carry it inside, and then I could sit again.

Thank goodness, I can do that. But what about those who cannot? Those who use electric wheelchairs?

Disability and real accessibility in fashion


Of course, it works the same in fashion showrooms. In the fashion industry, people love to discuss inclusion and diversity on social media, advertising or cover pages, but they do the opposite in everyday life.

I had a disgraceful experience with Camera Nazionale della Moda Italiana a few years ago. “Because of Covid”, so they said, I couldn’t access an event they organized. The invitation was for one person, but being in a wheelchair, I needed plus one to help me. They said no. But Camera Moda proudly has a Diversity and Inclusion section! What do they not understand about disability? (You can read the full story here).

What’s the message? Disability is the subject of the cover pages, but please, don’t show up at events? Please, don’t go shopping? Don’t visit a museum or take a train?

What are we talking about showing disability on cover pages? Marketing? That’s what it is. In fact, diversity and inclusion are some of those magnificent fashion bullshit the industry loves. Just don’t show up in real life!

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Who Wore Who? Who Really Cares!

Reading Time: 2 minutes

Met Gala and the celebrities’ circus


‘Who wore who’ is the question we try to avoid these days. Specifically, the Met Gala raises significant doubts as we can’t see glamour or elegance. Indeed, this annual gathering of celebrities organised by Vogue looks more like a circus than a glamourous event, leaving little room for true sophistication.

The Met Gala is a fundraising event for the Metropolitan Museum of Art’s Costume Institute in New York City, which marks the opening of the Institute’s annual fashion exhibition. Known as the “fashion’s biggest night,” it aims to represent the fashion universe.

The theme of the 2023 edition was “in honour of Karl.” Lagerfeld, of course. Though every year faces its own controversy, the event went out of hand.

Met Gala & who wore what


We see two main issues:
First, people expect to witness a representation of fashion, style, and glamour. Just, we haven’t seen any of that. Although we can pick out a few nice outfits every year choosing the best-dressed, the whole thing is gross, excessive. And it feels sad to see fashion depicted like that. Moreover, we are surprised because even the actors that usually have an elegant figure, lose it at the gala.

Second, brands pay celebrities to wear their clothes because they influence the masses to buy their products. However, this perpetuates a toxic culture, pushing people to compare themselves to an unattainable lifestyle.
How do celebrities choose one brand over another? Simple: whoever writes the highest figure cheque; that’s the one they pick. Forget any style choice—it’s all about the money.
Most importantly, the “celebrity cost” is absorbed in the retail price of clothing, shoes, and handbags. In the end, it’s the consumers who pay to sustain the extravagant lifestyles of their idols—idols who, ironically, could afford luxury even without these brand endorsements.

In short, celebrities pay to attend the gala while getting paid by brands to wear their clothes. It’s a full-blown celebrities’ circus!

But the real question is: why are people supporting this? That’s the point!
Who wore who? Honestly, who really cares!”

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May 1st Contradictions

Reading Time: 3 minutes

Has the fashion industry changed for the better?


May 1st, the International Workers’ Day, brings up glaring contradictions within the fashion industry. Indeed, we cannot celebrate without acknowledging the hypocrisy that brands, companies that own them, and final customers perpetuate.

Today’s public holiday aims to honour working people and raise awareness of their rights. But the relentless race to the lowest prices–driven by both company owners and consumers–makes it impossible to imagine healthy production chains. Indeed, wages are so low that many people cannot afford a decent life and not even cover their basic needs.

Ten years after Rana Plaza, the fashion industry hasn’t changed its patterns and workers’ conditions haven’t improved. In fact, we went from fast to ultra-fast fashion. If we purchase a dress for 20 euros, can we expect manufacturers to observe workers’ rights? Do people believe in fairy tales, or is it hypocritical behaviour?

Rana Plaza – garment workers in Bangladesh


On April 24th, 2013, a building collapsed on the outskirts of Dhaka, Bangladesh’s capital, taking away 1,138 garment workers, 80% of whom were women, and injuring more than 2,500. Near the bodies extracted from the rubble, the labels of major Western brands were found: Prada, Versace, Gucci, Moncler, Benetton, Primark, Walmart, Bonmarché, Zara, H&M, Mango and others.

Uyghurs – modern-day slavery in China


We wrote about Uyghurs’ forced labour here. Here, we quote Public Eye, a Switzerland NGO:
“Today’s hippest teen-fashion brand is growing rapidly – and its internet-based recipe for success is top secret. Still, Chinese researchers working on behalf of Public Eye managed to visit some of Shein’s suppliers in Guangzhou, where conditions of production violate numerous state labour laws. Our trip inside the ultra-fast fashion leader also takes us to the European logistics centre in Belgium, where precarious working conditions are also a daily occurrence.”

According to an OECD summit in Paris, this search for lower prices has led some brands to turn to ever less demanding areas. They even maintain orders in countries in crisis, such as Burma, where unionised workers have become prime targets of the military junta behind the recent coup.

Made in “Chitaly”: Chinese workers operating in Italy


What happens in Italy is no different. In order to keep their higher profit margins, brands commission productions to Chinese laboratories, asking for the lowest price. So the dream of “Made in Italy” is kept alive, at least for those with no sense of quality. Forget any minimum wage!

May 1st contradictions: prices negotiated downward and overconsumption


To understand what the industry learned after Rana Plaza and the social consciousness developed, we just need to analyse the facts. Low-cost collections rotate faster and faster, and companies force prices down at the manufacturer’s cost. This acceleration from fast fashion to ultra-fast fashion explains everything, undescoring the May 1st contradictions.

Marketing and social washing


Social washing is social greenwashing: a manipulative tool in the hands of marketing. In fact, campaigns showing brands being socially responsible multiply. Most of the time, there is no evidence supporting the information. And perhaps what happens, in reality, is quite the opposite.

After the pandemic, working conditions have only deteriorated. The relentless race for the lowest prices brings to light all the contradictions of our economic system, especially on May 1st. How can people expect labourers’ rights to be respected while supporting fast or ultra-fast fashion? And how can a world that depends on modern-day slavery even begin to talk about workers’ rights?

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