antoniomarras

Milano Design Week, Fashion & Greenwashing

/ Leave a Comment

Exploring Tangible Contrasts and Ethical Dilemmas in Contemporary Events

As the Milano Design Week concluded, we reflected on tangible distinctions with Fashion Week and delved into the pros and cons of the greenwashing effect evident in contemporary events.

The Milano Design Week is an annual event which serves as a platform for showcasing furniture, objects, creativity and ideas. This season’s theme, “Materia Natura” (matter nature), set the stage for contemplating the importance of environmental sustainability in the creative and design process. Also, running in parallel with the official “Salone del Mobile,” the Fuorisalone has experienced significant growth. As a result, every corner of the city boasted its own installations and events.

Blessed with beautiful sunny days, we immersed ourselves in numerous installations, many intertwined with fashion brands, just without the please-look-at-me foolishness. But a couple of reflections began to crystallise in our minds.

Milano Design Week, Fashion & Greenwashing
Milano Design Week – “Il mare dove non si tocca” by Antonio Marras

Milano Design Week & Greenwashing

The cons:
1 – The emphasis on sustainability often appeared to be mere greenwashing, given the excessive expenditure of money and resources without tangible environmental benefits. On the contrary, waste seemed clear.
2 – Some (fashion) brands participated simply to secure a spot on the list rather than with genuine needs. Indeed, this sentiment was palpable when the quality of the installation was just a way to invite people to stop by. Even among those who collaborated on a co-marketing initiative, the focus seemed to be just the marketing strategy.

Milano Design Week vs Fashion Week

The pros:
1 – In contrast to Milano Fashion Week, Design Week is more inclusive and open to anyone. And the atmosphere is way more enjoyable.
2 – The staff responsible for welcoming attendees and ensuring security exhibit a notably kinder attitude. Since Ro is a wheelchair user, we received acts of kindness during Design Week that we were not accustomed to compared to our experiences during Fashion Week.
3 – No fashion carnival, meaning no subjects begging for attention.

suite123 staff- Milano Design Week – “Il mare dove non si tocca” by Antonio Marras

However, we loved “Il mare dove non si tocca” (In the deep sea) by Antonio Marras. Upon entering the enchanting NonostanteMarras space, we encountered a temporary bar in the inner courtyard. Unfortunately, the arrangement of plants and tables left little room for a wheelchair to pass through. Witnessing our attempt, Antonio Marras jumped up and asked people to clear a path for us. Moreover, he kindly offered assistance if we wished to explore the basement area, where he showed his ceramics and a marvellous marine set-up for the restaurant area in collaboration with the Rana family. Also, we met the beautiful Antonella Rana, Global Image and Communication Director of Pastificio Rana.
Antonio Marras’ caring attitude surprised us. Such unconventional behaviour for the fashion industry standards!

The Milano Design Week concluded amidst fusions with fashion and a deluge of greenwashing. Specifically, design wins over fashion for accessibility and courtesy, but sustainability sounds too much like greenwashing. In contrast, let’s shape events where creativity harmonizes with sustainability, inspiring and innovating without compromising our planet.

Milano Design Week, Fashion & Greenwashing Read More »

Fashion and books

/ Leave a Comment

Can fashion be a vehicle of culture?

Last week, we attended an event at Nonostante Marras, Antonio Marras‘ store. It was an intimate gathering that connected the worlds of fashion and books.

Fashion: a set for books

With its eclectic mix of fashion, art, and interior design, the shop perfectly reflects the designer’s personality. Indeed, the internal courtyard, filled with plants, provided a serene and welcoming atmosphere. A lovely place for the book launch of “Ostaggio” (Hostage) by Maria Francesca Chiappe.

Lately, fashion doesn’t seem the place for cultural gatherings. Imagine books! According to the ISTAT (National Institute of Statistics), in 2022, 39.3% of the population aged six and over read at least one book a year.
However, we appreciate people who challenge massified trends by offering alternative views for those who still love reading.

The journalist, Giorgio Porrà, conducted a friendly interview with the writer, Maria Francesca Chiappe, who shared her experiences as a reporter in Sardinia and her inspiration for her latest crime novel. Over her career as a reporter, she witnessed so much blood that she doesn’t want to dig into that in her books. So, no blood, her genre is a pure crime.

Fashion and books


What is the book about?

The book is set in Cagliari, Sardinia, during Covid-19. A woman disappears from her home in Poetto. Her car is in the courtyard, car doors open, keys in the ignition, while her five-year-old daughter desperately cries in the yard.
There’s no English translation for now, but you can practise your Italian!

The writer explained the title “Hostage” reflects the many layers of meaning behind the word. And the challenge of distinguishing between good and evil, somehow tracing a line that perfectly separates them.

During the Q&A, someone asked her: “Who do you write for? Do you have someone in mind?” The author replied: “When I write, I do it for myself. I enter into my world, and it’s my moment of pleasure.”
As to say, writing is not just a matter of marketing! Which we loved!

The event ended with a delicious buffet of Sardinian food and an opportunity to connect with like-minded individuals. We adored meeting Maria Francesca Chiappe and the Marras family! But also Guido, a passionate independent bookseller and owner of “Libreria Popolare.”

Books in a fashion context showcase the importance of preserving a diverse perspective in a homologated society. Indeed, fashion needs to be a vehicle for culture.

Fashion and books Read More »

What is fashion design today?

/ Leave a Comment

Sharing some thoughts on contemporary fashion design

What is fashion design today? What is it? When everything is already done and nothing new can be made? But you still happen to read news about “the one who complained the other one copied her.”

So what is it when those who started their own collection or image concept already did it by taking inspiration from others and remixing what other designers have already done! Perhaps they don’t even realise where their ideas come from.

And what is fashion design today? When contemporary creatives have no humility to say: ‘I made this’ – and this is my style because I took inspiration from this or that designer who made such a fantastic work.

What is fashion design today? If people praise the ones who complain that another designer has copied them! But for what? For flower prints? Or for flowered head decorations? Really?

Again, what is fashion design today? When everything is possible. So brands who assemble clothes as we’ve seen trillion of times, feel like the new gods of fashion.

And when inspiration and remixing have flattened the fashion industry to such a degree that everything, every brand, looks the same. And doing so has deprived fashion of its DNA, core differences and, in essence, of its meaning.

Can modern designers, creative directors and so on stay humble? If they feel copied, Mr Cristobal should resurrect and say something about endless collections made from his archive! Can people understand there is no true genius in the fashion industry nowadays?

On 14 October, in Florence, Antonio Marras arranged a show making clothes for 20 cancer patients; the defilè – “Sfilata del prendersi cura” (the show of taking care) – was a message of hope. You can watch it here. But, an Italian brand accused him of copying her.
Really?

This sterile controversy made us reflect. First, Marras’ idiosyncrasy has never been in question. Also, bravo for this caring project! In the end, what is fashion design today? It’s about copy and paste. In some cases, following a valuable guiding idea. In most cases -those who tend to complain – pointless reproductions we could avoid seeing. Moreover, it has been done so many times, that the arrogance to claim originality seems out of context.

What is fashion design today? Read More »

Visions and Glamour by Antonio Marras

/ Leave a Comment

Fashion as cultural contaminations

The evening event “Visions and Glamour of a mythical set on the cliffs of Capo Caccia” by Antonio Marras confirmed our sensation: cultural events connected to fashion are more fascinating than fashion shows. The things you learn, the cultural depth, are amazing. And there’s no circus.

On September 21, during Milano Fashion Week, we were invited to Cinema Mexico for the documentary screening: “The Summer of Joe, Liz and Richard.” The docufilm by Sergio Naitza debuted at the last Rome Film Festival and was awarded in London as best documentary at the Kingston International Film Festival. It investigates the reason for the flop of the movie “Boom!” – which director Joseph Losey filmed in the summer of 1968 in Capo Caccia, near Alghero, Sardinia, with Elizabeth Taylor and Richard Burton.

Before the screening, there was an introduction by the filmmaker Sergio Naitza, Alessandra Sento (dir. of Società Umanitaria – Cineteca Sarda), the art critic Francesca Alfano Miglietti and Antonio Marras.

This cult movie inspired “Lights, camera, action!” – the Spring/ Summer 24 Marras fashion show featuring Marisa Berenson and sequences of the documentary, contaminating the presentation of the items from the collection.

Visions and Glamour by Antonio Marras

Antonio Marras: fashion & cinema

“I use fashion to tell stories and I learned it by going to the cinema, an inexhaustible source of stories, dreams, moods, characters, costumes, sets, life stories. Cinema for fashion is an indispensable life companion. And even more so for me. Not by chance, I named my debut collection from ’87 ‘Hush, hush sweet Charlotte’ after the ’64 film starring Bette Davis directed by Robert Aldrich. So, how not to give in to the provocation of a Hollywood film like “Boom!”
Thanks to Sergio Naitza’s masterful documentary I immersed myself in that hot summer, where the line between reality and fiction, between true and false, between reconstructed and existing, between acted and revealed, was only a faint breath of wind. As if by magic, Hollywood lands in the wildest and purest land, on the cliffs of Capocaccia, Alghero, Sardinia.“

As the director Naitza explained: “The documentary aims to be the reconstruction of a cold case in the history of cinema, one of the most sensational flops despite the presence of the major stars of the time and a huge budget.”

Visions and Glamour: icon of style

Also the critics rejected the film. But they later re-evaluated it as a true cult movie after the rehabilitation of great cinema voices of our time, such as the famous US director John Waters. The film is also an icon of style and a timeless reference for fashion and glamour, thanks to its costumes, atmospheres and landscapes. Astonishing details made the movie special: a young boy designed the clothes, and it turns out he was Karl Lagerfeld. And Bulgari made the jewels for Liz Taylor.

The “Visions and Glamour of a mythical set on the cliffs of Capo Caccia” event by Antonio Marras prompts that fashion is culture, revealing intriguing connections and contaminations between seemingly separate worlds. Indeed, it was a pleasure to learn from it.

Visions and Glamour by Antonio Marras Read More »