sustainability

A Pause in a Boiling World

Confronting Climate Change During the Hottest Summer Ever


After a brief pause from writing, we’re confronted with a stark reality: the world isn’t just metaphorically but literally boiling. This realisation resonates deeply with us, not only with our work in the fashion industry but also with our entire lives.

Over the past few weeks, we journeyed through Italy, from Milano to the tranquil landscapes of Basilicata. Along the way, we immersed ourselves in beautiful places, savouring the food, connecting with people, and even grappling with Wi-Fi issues that forced us to momentarily step back from blogging. But what left the most profound impression was the relentless heat. The scorching temperatures, the unnaturally boiling seawater, everywhere. This was an unprecedented experience that made the reality of climate change feel more tangible than ever.

The summer of 2024 is now officially the hottest on record.

A Pause in a Boiling World
Basilicata – Marina di Pisticci


This extreme weather is having a profound impact not only on production chains and labourers but also on consumer habits and retailers. Yet, the fashion industry remains largely indifferent to this urgent crisis. Instead of responding to these challenges, the slowdown in consumer spending and the resulting decline in brand revenues are driving the industry in the opposite direction.

According to Business Of Fashion “Sustainability teams at big brands have been hit with layoffs; some companies have watered down their climate targets; and others are deprioritising sustainability efforts to focus on growth amid market volatility.”

Faced with financial pressures, the fashion system is prioritising growth and profitability, relegating sustainability to the background. Even the industry’s outward commitment to sustainability is starting to crumble.
Are we about to witness the facade completely collapse?

And so, in this moment of pause in a boiling world, the harsh reality of climate change compelled us to question everything.

How can we ignore the effects of this climate crisis on our lives and our work? Can the fashion industry really continue with business as usual? Should we reopen our boutiques as if nothing has changed? Is it possible to approach the Spring/Summer 2025 buying season without acknowledging the profound shifts happening around us?

Moreover, should we rush into the new Fall/Winter 2024-25 season? Still clinging to the outdated practice of dividing collections by season?

These are questions we can no longer avoid. The reality of our boiling world demands a thoughtful and immediate response.


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Earth Overshoot Day 2024 & Fashion

Considerations for Shopping, Overconsumption and the Imminent Buying Season


August 1st marked Earth Overshoot Day 2024, meaning that in just seven months, we have consumed all the resources the planet can regenerate in a year. What does this mean for the fashion industry and our lifestyle?

The fashion industry is characterised by overproduction and excessive shopping. While brands aggressively promote overconsumption, consumers are often caught up in the desire to buy more, driven by frivolous thoughts. Only a few people consider deeper, more sustainable practices. As we enter the eighth month of the year, we have already used up the natural resources the Earth can regenerate annually. This means that from now until December 31st, we will be depleting resources that the Earth cannot naturally replenish.

Overshoot Day: Understanding calculation and global impact


Overshoot Day is calculated by determining the number of days Earth’s resources can sustain humanity’s ecological footprint. In simpler terms, we take the planet’s biocapacity – the amount of ecological resources the Earth can generate in a year – and divide it by our annual ecological footprint – the amount of natural resources humans consume in a year. This result is then multiplied by the 365 days of the year.

The ecological footprint varies by country because each nation has different amounts of resources and uses them in various ways, such as land for agriculture, water reserves, electricity, and marine areas. Therefore, each country has its own Overshoot Day.

This year, the first country to exceed its ecological capacity was Qatar (February 11), followed by Luxembourg, the United Arab Emirates, and the United States. Italy wasn’t far behind, reaching its Overshoot Day on May 19. The last countries to exceed their ecological capacity this year will be Indonesia and Ecuador on November 24, 2024.

Conclusion: Earth Overshoot Day & Fashion


Given that in just seven months we have already consumed the natural resources the Earth can generate in a year, it begs the question: are sustainable brands planning to stop their production? On what basis can we begin the buying season for fashion stores? And how can people continue to consume, travel, and live excessively while ignoring this fundamental fact?

What the heck are we doing? Perhaps, a true understanding of it should make us stop everything and pause. It should compel us to reconsider not only the fashion industry but our lifestyle as a whole.

But you can sleep well; no one will move a finger.

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Exclusive Slow Fashion in Small Batches

Good Design & Thoughtful Lifestyle #ForModernHumans


What do we do?


We offer exclusive slow fashion in small batches, carefully selected from independent international designers, with a particular passion for Japanese brands. Our selection intentionally offers limited pieces to ensure uniqueness and a sustainable approach. Indeed, to minimise waste, we limit the quantities of pieces we order. Also, we reduce packaging to the essentials. Our aim is not to accumulate more but rather to prioritise quality over quantity. So, it is not whether an item is from the current season or not, but rather it is about whether it is truly worth having. It’s about enduring value.

Why do we do it?


The traditional fashion industry model, focused on endless growth, overproduction, and rampant consumption, is no longer viable. Game over. With 2024 potentially surpassing 2023 as the hottest year on record due to human-caused climate change, the need for a different approach is urgent. We must make a change.

Who is it for?


Our approach isn’t for everyone. If you don’t see a problem with overconsumption, disposable garments, frequent flights, constantly upgrading tech devices, and so on, our offerings may not resonate with you. However, if you recognize the urgency of climate breakdown and believe in the necessity of change, you’ll find kindred spirits here.

Our selections are for those who reject business as usual and understand the importance of respecting planetary boundaries. We cater to individuals who are passionate about discussing climate change, ethical business practices, and a thoughtful lifestyle. If we fail to understand and operate within these limits, we risk heading towards extinction.
Change must happen now, not later.

Evolved fashion design must start from this awareness. A meaningful lifestyle begins here. Our exclusive slow fashion in limited pieces reflects this ethos: encouraging questions, finding solutions, and sharing meaningful ideas.

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What is the Problem with People?

Modern Lifestyle in the Face of Climate Emergency


What is the problem with people? Why, in the face of a looming climate disaster, do they fail to take action and persist in irresponsible behaviours? This question is crucial in contemporary society.

Any serious reflection on the fashion industry, which is our focus, must consider the big picture – human nature, psychology, economics, philosophy, and more. Setting priorities and reaching a consensus on that.

“People don’t want to see” – Rupert Read


“At the end of the day, the problem is not that the people aren’t smart enough to see; it is that they don’t want to see. These people don’t want to face reality. But reality is starting to bite us.” So stated Rupert Read, an academic, former spokesperson for Extinction Rebellion, and current director of the Climate Majority Project, during a panel addressing climate emergency.

Investigating the reasons behind inaction in the face of an undeniably alarming reality, Rupert Read offers a sobering response. We seem to be heading toward the end of civilization.

However, these insights are crucial for any serious analysis of the fashion industry and the broader economic system. As we scrutinise the fashion system, revealing its outdated and irresponsible practices, we realise we are confronting a cultural issue. This issue is deeply embedded in our economic system and human nature.

For instance, consumer spending has skyrocketed because products are now designed to be disposable, necessitating continuous replacement. Despite the obvious unsustainability of this model, people seem unwilling to change their habits.

We chose to act now. That’s why we changed how we operate our fashion business: small, lean, independent, value-driven. We select a limited number of pieces – no packaging, no waste. But most don’t understand it’s an intentional radical choice. Good design, quality and fairly paid workers – therefore made-to-last products – don’t come at low prices.

Conclusion


In short, what is the problem with people? According to Rupert Read, it’s not that people don’t see; they prefer to deny reality. This denial allows them to maintain their lifestyle – shopping for cheap green-labelled garments, eating fast food, or taking frequent flights, yet opting for improbable sustainable hotels. So conscience is clear.

And you, what are you choosing to do?

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What Does it Mean to Be a Fashion Designer Today?

Emerging Brands & Investors: Between Change and Status Quo


What does it mean to be a fashion designer today? Launching a brand in today’s fashion landscape is a complex and challenging endeavour. But most follow outdated rules, missing the crux of the matter.

Aspiring designers often invest heavily in their education, attending expensive fashion design schools. However, upon graduation, they face a harsh reality: many brands prefer to hire celebrities to design collections, capitalizing on their fame rather than nurturing new talent. Perhaps someone does the actual work while the celebrity of the moment enjoys the spotlight. But that’s what it is.

New brands & investors


So, young and brave creatives launch their namesake brand. That step demands immense hard work, effort, commitment, and consistency. But once they enter the market, these small, independent brands realize that the panorama is crowded. Very crowded. Most importantly, to survive in such a competitive world, they need financial backing.

That seems to be the foundation upon which AZ Factory launched the new AZ Academy: teaching how to attract investors in the fashion field.

So, is it all about that? If a brand finds an investor, does the journey become easy? Money undeniably helps. But it comes with its own set of challenges. When big companies invest in a brand, designers lose the creative freedom that inspired them to start their journey in the first place. Profit margins and commercial viability take precedence over creativity and individual liberty. For instance, consider the case of Martin Margiela.
After his brand was acquired by OTB Group, he found himself increasingly constrained by the demands of a fast-paced, novelty-obsessed, and hyper-communicated fashion industry. The pressure to constantly produce new collections and maintain commercial success stifled his creative vision, leading him to leave his own brand. 

Now, let’s be clear. You won’t hear us saying money isn’t fundamental when launching and sustaining a brand. But, in this specific context of deep change, we need more than that. Priorities have changed, and we cannot separate fashion from the current cultural context. Does it make sense for a well-funded brand to promote huge collections, pre-collections and showcasing hundreds of samples, encouraging overconsumption? Therefore, perpetrating the same old overproduction pattern in a world on the edge of ecological breakdown?

Indeed, we cannot understand brands, established or new, who cannot distance themselves from this dangerous thought.

Conclusion: what does it mean to be a fashion designer today?


Launching a brand today is not just about finding investors. It goes far beyond that. Being a designer in the modern world is about having a vision – envisioning the future. It involves asking oneself: What future do I see? Do I want to maintain the status quo, or do I want to wipe out everything and start something better?

Well, corporations are not interested in that. That’s why we wonder if it makes sense to search for that kind of investor. Or is it better to clench your teeth and stay small, independent and free to bring about change?

Business as usual doesn’t work. New rules, new systems, and new ways of interacting with the audience. That is what we need.

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