feminism

More on modern feminism

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Is it true liberation and women’s empowerment?

Modern feminism mainly corresponds to exposing almost naked women’s bodies. From red carpets and fashion shows to music events, that seems to be the most visible trace of female affirmation.

As a demonstration of emancipation, women want to express themselves as they like. And, of course, that makes sense. Hence, dressing, or we better say, undressing, is part of this liberation. But look at music and movie stars, influencers, TV entertainment, and professionals. Followed by all the women who flooded social media with parts of their bodies as the only thing they can convey. Unfortunately, women’s image is more stereotyped than ever. So, we were happy to read about Chinese women who are challenging “beauty-duty” and traditional standards.

When it comes to dressing or undressing, the women’s so-called gained freedom strangely unveils traits that win the favour of men. Doesn’t any light bulb switch on in your head? Don’t we even question why our supposed freedom corresponds to men’s preferences?

Perhaps there is something we’re missing. But let’s take as a fundamental detail the liberty of showing our body as a reflection of our power. Take red carpets, for instance. Or any other event, since there’s no difference in terms of outfits, which are mainly inelegant. Women show up almost naked, as it seems that’s the only way to reveal all their femininity. But have you ever seen men show up naked on red carpets?

Indeed, this is the crux of the matter: Have you ever seen men show up semi-naked to promote their masculinity?

Are we talking about liberation and women’s empowerment, or is there something else behind it? As women, is our worth expressed only by nudity? Or by cages and standards – hair, make-up, plastic faces and bodies – we must fit in in order to satisfy societal expectations? If so, it doesn’t sound really new. In fact, it’s the same old story, which tells more about patriarchy than fashion or modern feminism.

But the reality is so well manipulated that they made us believe it’s about women’s power and modern feminism.

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New beauty standards in China

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Empowering women vs societal expectations

Whether for feminism or practical reasons, women are redefining beauty standards in China. By challenging the traditional ideal of femininity, some young Chinese women want to be free to express their individuality. And we couldn’t be more proud of such a brave choice.

Women, buzz cut & beauty duty

Patriarchal society shaped the rules which subdued women over time. Long hair has always represented the image women have to conform to, not only in China. However, a new trend reports a step towards empowering women against societal expectations. Specifically, Chinese women started breaking the rule by switching the classic haircut with a bold buzz cut.

The buzz cut is easier to manage, low-maintenance and high-impact. It is not just a matter of fashion, it goes beyond that. Indeed, it represents a powerful statement: freedom and self-determination. The buzzcut is a synonym for self-confidence and independence. And so the trend is rising in China, and more women are opting for it.

Along with it, another trend is growing: “embrace beauty without makeup.” It’s a way to defy the “beauty duty” that forces women to maintain their appearance, imprisoning them in oppressive standards.

Beauty standards: western vs Chinese

We live in a man’s world. By analysing historical and cultural context, we can see that beauty standards are the embodiment of a male perspective and a market demand. In fact, everywhere in the world, society brainwashes women to conform to a specific image. And to stick to those precise features that women – of course – believe are the fruit of their personal reasoning or independent thought. On the Western side of the world, we witness this distorted idea of feminism: women conform to contemporary stereotypes that (just by chance?) perfectly reflect a man’s viewpoint. And women call it freedom!

So, what happens in China surprises us positively. In a society where social norms and traditions are so deeply rooted, Chinese women’s choice against “beauty duty” represents a brave move.

Indeed, by rejecting traditional ideas of feminine beauty, new beauty standards in China are an inspiration to nonconformism and women’s empowerment. Most importantly, it should make us reflect on what beauty standards really hide.

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Uncompromising, Sinéad O’Connor

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The sad post-mortem recognition as a feminist icon

The passing of Sinéad O’Connor, uncompromising woman and beautiful soul, left us speechless. Not to mention celebrities’ tributes posted on the web.

Modern society, which is basically (and sadly) a big market, is not the place for uncompromising women. A rebellious attitude does not play well with patriarchy and market requests.
What sells, marketing, who sells more – are the only things that count in a money-driven society. In this context, the female aesthetic is strictly linked to what sells. In fact, there are specific norms, rules or standards to which every woman needs to conform in order to be accepted.

Inimitable talent and uncompromising style

Around the end of the 80s, we saw a face of rare beauty with a bald head and a voice of unique intensity, and we fell in love with her. When interviewed, the Irish singer Sinéad O’Connor explained that the music industry wanted her long-haired and revealing clothes. Instead, she showed up bald and in combat boots.

Her shaved head became a trademark, a symbol of protest against traditional views of femininity. Although she tried to hide her beauty, the result was exactly the opposite. Indeed, very few women can cut their hair that way and still look so very beautiful!

Conformism & contemporary feminism

If a woman wants to be considered beautiful or accepted as an artist, or whatever she wants to do in her life, the standards are long hair and tight-fitting clothes. So we have some problems understanding the contemporary idea of feminism. For instance, look at all the celebrities who call themselves feminists; celebrated by the mainstream culture, they look as the system wants them to be, calling it freedom of expression. Is that real feminism? We don’t think so. For sure, hitting the number one charts thanks to an immense voice and a clean face and piercing eyes, was different. So, follow what the system wants, conform if you feel ok, but don’t call it feminism.

We have always searched for news from her social media accounts because we appreciated her outspoken personality, anti-establishment position and political activism. Most celebrities, though having platforms, do not say a word on crucial matters.
In fact, she was so brave to speak in support of child abuse, human rights, women’s rights, and against wars and racism. Most importantly, being a victim of abuse, she showed her vulnerability by disclosing her struggles with mental health and fibromyalgia. But she got hate and disregard in return.

On July 26, the uncompromising Sinéad O’Connor was found dead. And, all of a sudden, she becomes a feminist icon, understood only after her death. Insulted when alive, celebrated after death!

One comment really made sense:

“You praise her now ONLY because it is too late. You hadn’t the guts to support her when she was alive and she was looking for you.”

Morrissey

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Fashion and patriarchy

How men’s taste shapes women’s style

An anthropologic examination of fashion helps us understand why men’s taste becomes the favourite one.

But is that style allowing women’s affirmation? Or is that just the expression of man’s vision? Also, is fashion for women or against women? We should ask ourselves these questions indeed.

By analysing the context in which we live, the conclusion is that societal rules, beauty standards, and fashion are manifestations of patriarchy. Yes, it doesn’t take a subtle analyst to understand that! The whole world tells a story of patriarchy because we live in a man-shaped society.

Education for a men’s world

The way women behave, talk, think and see themselves is the sedimentation of centuries of male domination. And so it is for the way women dress. Indeed, it’s not really about expressing women’s taste, but it’s about fitting in an image stitched on us by male figures. It’s a cultural moulding representing an eternal story of dominance and submission.

Women are educated – or brainwashed – to please men in everything they do. Indeed, they are a playful accessory for men. That was the female’s role in the past, and so it is now. Nothing ever changed for real. Women’s style must conform to men’s taste, or they complain.

How men's taste dominates Fashion and patriarchy


For instance, take the ’50s. Fashion during that time was all about catching men’s attention with lines that highlighted the body. That taste never went out of fashion. And if you ask a woman what style trend she prefers, the ’50s are always on top.

And so, from abortion to clothing, it seems we are glad to let men decide everything about our lives.

The idea is to question conventional rules and notions. To decontextualize fashion to remove all the layers that, century after century, were placed on us. They are just a reflection of patriarchy.

By understanding that, we embrace our freedom. Men do not define us. We define ourselves!

Women must be aware of their worth and choose what best suits them. Understanding this point is a process that leads to self-appreciation and self-affirmation.

Recently (again), we heard the story of a woman who couldn’t buy a dress because her husband didn’t like it. Years of feminism for this? Really?

The question is: do you like it?

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Women & society’s standards

A point on women & society’s standards is always necessary considering the current discussions and comments we hear. Indeed, we find it difficult to identify with women presented in the media. But also, with women presented by women themselves!

“I make clothes for a woman who is not swayed by what her husband thinks”

Rei Kawakubo

This powerful Rei Kawakubo quote, a thought we completely embrace and promote, opens up a window on society’s standards, personal growth, self-awareness, and perhaps new feminism.

Women, fashion and expectations

The clothes we wear are the expression of our personality, this is undeniable.
If we analyse the type of clothes that easily reach a large audience, we could portray a clear image of a woman stuck in the Fifties. A woman who must have a hold on men, and most of all, who must make it crystal clear, totally visible. Therefore, this statement translates into second-skin dresses, wide necklines, and super short hemlines.

In fact, this is what society expects from women, what women are educated to, by centuries of patriarchal brainwashing. And, eventually, it seems this is what women want, too, well adapted to a man-shaped society.
Indeed, just replace grace with rudeness, and we jump into our modern times.

There’s always the same submissiveness, asking for permission to buy something or buying an item only upon the husband’s approval.

Centuries of evolution from Virginia Woolf, passing through feminism and all a woman can aspire is being an accessory of a man.

On the contrary, we embrace a new sensibility away from the dominant models. Femininity free from conventions and stereotypes. Assertive, not aggressive. Self-aware, or at least opening the eyes, and beginning the process of personal growth.

Her style would be different.
We are different.
Ready to express a new vision of who we are.

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