fashion critic

The Fashion Debate

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Old systems, false progress, and mixed messages


The fashion debate that follows the shows navigates oscillates between clinging to the same old system and pretending to embrace new ways. The interviews recently released seemed to send nonsensical messages. Indeed, it’s easy to notice a glaring lack of consistency. Words fail to align with actions, creating a disconnect that reverberates like a short-circuit in the industry.

However, if we want to change for the better, understanding what’s going on in the fashion field is fundamental. So, we have to analyse designers’ messages and perhaps, read between the lines.

The debate highlights


On the one hand, the runways were all about merchandising. With the fashion shows, designers promoted a compelling ‘shop now’ message – more than ever. Proposals perfectly aligned to the pre-pandemic era, with no interruption regarding the lexicon.

On the other side, they are releasing interviews about sustainability. Some send ethical messages, eco-friendly references. While some others are talking about couture as a decisive strategy.

And so? What is the sense in that?

To be clear, it’s one way or the other—otherwise, the fashion debate is pointless!
Designers have to choose on what side they are on. A brand cannot produce tons of goods and then feel better because they select some sustainable materials. Or because they also have a couture line that, maybe one day, will save the world. In case the world shifts its direction for real. Yet in the meantime, they push for over-consumption.

The choice is between overproduction or couture, mass-market versus lesser productions. It’s one or the other.
Focus on pure merchandising or conscious proposals, one or the other.
Empty marketing claims to show to the world how ethical or sustainable they suddenly became versus providing value and beautiful collections.
Again, between fostering the status quo or having the courage to start something new. It is one or the other.

They can’t have it both ways.
The two ingredients don’t fit on the same plate.

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Paris Fashion Week – En Plein Air!

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Key takeaways from the Parisian fashion shows


A couple of messages seem clear from Paris Fashion Week. Apart from the most evident fact that nothing truly has changed. The idea of renovating a system, so discussed during the pandemic, changing its outdated foundations, providing new guiding principles and deeper values, has failed miserably. That’s what fashion ruled by finance does. Forget lesser productions with better quality – this is not for corporations.

Image of Paris during fashion week
Paris

So, what are the takeaways from Paris fashion shows

Paris Fashion Week: SS22 trends


Nature’s calling
Sea, trees, woods. This message seemed quite strong. Indeed, many designers have set up their fashion shows immersed in nature. As to celebrate something we all missed for over a year or more. Or a desire to reconnect with our so mistreated vital element.

Clothes have no gender
We saw male models walking the runway in skirts or dresses and females in man’s suits – interchangeable genderless outfits. Not that it’s something new. In fact, Gaultier already did it about 40 years ago. But perhaps, the time is ripe now for a wider audience. 

At this point, garments have lost their traditional gender connotation. An aesthetic that, from a historical viewpoint, has been developed as a reflection of patriarchy. We understand this is a big topic. Indeed, it requires a deeper analysis, a full exploration. So we will dedicate a whole post later on. However, coming from a Gaultier influence, we always picked out men’s pieces for women or vice versa. If a garment looks good, no matter if it’s men’s or women’s. From now on, we hope for a more open and free attitude towards how clothing is perceived.

Garments are not stand-alone pieces. They become alive once we wear them. Without our intervention, clothes are empty. It’s us and our personality that completes them. 

The way we represent clothes, the way we portray them is called style. 
It’s an individual posture, the reflection of who we are. 

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Spring/Summer 22

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Selection in the digital era: pros and cons


In September and October, designers unveil their new collections for the following season. Right now, we are now curating our Spring/Summer 22 selection.

One of the most striking side effects of the pandemic is the accelerated shift toward the digital world. When it comes to brand research, this transition can yield positive outcomes.

Some brands opted for a mixed formula, physical and digital, while many others decided to present their new collections only through digital platforms. So, like it or not, that’s the offer. Obviously, fashion companies suffered significant financial losses due to the pandemic. Digital strategies have become key to recovery. Additionally, they realized how few people were actually needed to maintain an international workflow. (This loss of jobs is its own problem).

Selection through social media


We are not satisfied with the trend of discovering new brands via Instagram only. First, the communication of many brands is oriented to push the image of a woman we do not want to endorse: plastic face, doughnut lips, tons of make-up. Furthermore, it’s easy to cover up poor quality clothing in an Instagram pic.

Scrolling down, you may see so many infinite offers of clothing that seem like beautiful quality. At first sight, at least. Yet after a deeper analysis, you realize it was just a nice pic. Fast fashion brands know this trick very well.

Selection for Spring/Summer 22


However, a satisfying implication of digital fashion is that material is more accessible compared to the past. In fact, we are receiving many look books and line sheets. So that it’s easier to have an idea of what’s going on in terms of style.
Through accurate presentations and line sheets, you have the chance of knowing more about materials and fitting.

If it is true that nothing will ever change the experience of touching the fabrics, now we have the opportunity to curate a selection without travelling the world.

Though this digital integration is remarkable, finding the right balance remains essential.

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The Decline Of Luxury

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What happened to the fashion industry?


If you want to understand the events that caused the decline of luxury, we suggest you read ‘Deluxe: How luxury lost its luster’ – a book written by Dana Thomas.

You will discover how fashion from being a family-owned business became a corporate battlefield based on overproduction.
The growth of the new markets – China, Russia, and India. The explosion of counterfeiting goods and labour exploitation.
Then, the rise of fast fashion, internet retailers and the development of a fast-paced globalised system. How luxury products abandoned exclusivity and shifted to the masses. Creating the so-called democratic luxury–which basically is nonsense. Indeed, it shows how far marketing rhetoric can go, playing with words to manipulate people.

The book is a brilliant analysis of the field, investigating the dynamics that led to an auto-implosion of a system. Also, it allowed us to relive the last 30 years of fashion. We assisted many of those events – not by accepting them but by shifting more and more towards niche designers. Finding a kind of refuge in a tiny universe. A thoughtful research in dissonance with the average fashion consumer.

Though we agree with almost everything in Dana Thomas’ book, we do not align with the devotion to some brands. We are afraid they have lost their luster too, so far. Except for Hermes and Cadolle.

Indeed, looking back at the decline of luxury, it has become increasingly difficult to find meaning in fashion maisons. They seem like smoke and mirrors set up to sell perfumes, make-up and bags. Abundantly offered to masses that have no perception beyond the logo and the illusion of being considered rich.

If you still love fashion, you go beyond that fake facade and search for designers who dared to undertake an independent path, expressing an authentic creative vision. In this panorama, the ability to select the right clothing – from an aesthetic and ethical viewpoint – changes the game.

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