emergingbrands

Emerging Brands Can’t Afford the Fashion Industry

Red Carpets Free-Outfits Expose a Sick System


Emerging brands can’t afford the cost of the fashion industry. The contemporary fashion industry poses insurmountable challenges for emerging designers, especially regarding the financial burden of celebrity endorsements. This issue was thrust into the spotlight by an Instagram post from 1Granary, which resonated deeply and exposed the harsh reality of an unsustainable system.

We explored this topic in 2021, but the situation remains unchanged, highlighting the persistent struggles new designers face in an industry dominated by high costs and elite influencers.

We have reached a point where celebrities collect numerous outfits from various brands, both famous and emerging. While established brands pay celebrities to wear their clothes, emerging designers often provide garments for free, lured by the promise of gaining visibility. However, this exposure doesn’t pay the rent. More often than not, the provided outfits are never worn and are returned at the designer’s expense, highlighting a glaring lack of respect and consideration.

What’s the point of stars wearing luxury designer clothes on red carpets when it’s common knowledge they don’t pay for these outfits?

Red carpets & free outfits: Exposing a bloated and sick system


Let us express a few considerations:

  • Corporations own luxury brands and have the funds to promote a system that manipulates consumer behaviour.
  • This is marketing! Marketing has always targeted women, traditionally deemed as fragile and easy to influence or manipulate. Unfortunately, women fall into this trap.
  • Historical Context: In the 1980s, Giorgio Armani pioneered the strategy of dressing Hollywood stars to sell to the American middle class. In an era of massive overproduction and a booming economy, perhaps this strategy made sense. Following Armani’s lead, other designers began giving outfits to stars, resulting in the middle class – primarily women – purchasing these outfits.
  • Current Realities: Today, the landscape is starkly different. The middle class has been eroded, and the economic model is collapsing. Amid ecological breakdown, this marketing tactic feels increasingly obsolete and irresponsible. Most importantly, some consumers are tired of being treated as mere tools in a marketing ploy.

Conclusion: How can emerging brands afford this fashion system?


In essence, the fashion industry has flipped the script: celebrities who can easily afford expensive clothes are given outfits for free. And they are even paid to wear them. This reversal means that those who are most able to buy these clothes are not the ones contributing to the industry’s profits. While those who can least afford to bear the costs are manipulated into purchasing overpriced items. This system creates a distorted market. But also inflates retail prices, as the cost of celebrity marketing is passed on to consumers.

Clearly, emerging designers can’t afford the financial burdens imposed by the contemporary fashion industry. This entire system lacks logic and respect, leaving new talents struggling to survive.

Imagine a different approach: What if celebrities purchase their outfits? Luxury designers could donate the proceeds to charity, and emerging designers could support their creative work and pay their rent. This vision promotes a fashion industry that supports creativity and fairness, rather than perpetuating a cycle of exploitation and exclusion.

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What Does it Mean to Be a Fashion Designer Today?

Emerging Brands & Investors: Between Change and Status Quo


What does it mean to be a fashion designer today? Launching a brand in today’s fashion landscape is a complex and challenging endeavour. But most follow outdated rules, missing the crux of the matter.

Aspiring designers often invest heavily in their education, attending expensive fashion design schools. However, upon graduation, they face a harsh reality: many brands prefer to hire celebrities to design collections, capitalizing on their fame rather than nurturing new talent. Perhaps someone does the actual work while the celebrity of the moment enjoys the spotlight. But that’s what it is.

New brands & investors


So, young and brave creatives launch their namesake brand. That step demands immense hard work, effort, commitment, and consistency. But once they enter the market, these small, independent brands realize that the panorama is crowded. Very crowded. Most importantly, to survive in such a competitive world, they need financial backing.

That seems to be the foundation upon which AZ Factory launched the new AZ Academy: teaching how to attract investors in the fashion field.

So, is it all about that? If a brand finds an investor, does the journey become easy? Money undeniably helps. But it comes with its own set of challenges. When big companies invest in a brand, designers lose the creative freedom that inspired them to start their journey in the first place. Profit margins and commercial viability take precedence over creativity and individual liberty. For instance, consider the case of Martin Margiela.
After his brand was acquired by OTB Group, he found himself increasingly constrained by the demands of a fast-paced, novelty-obsessed, and hyper-communicated fashion industry. The pressure to constantly produce new collections and maintain commercial success stifled his creative vision, leading him to leave his own brand. 

Now, let’s be clear. You won’t hear us saying money isn’t fundamental when launching and sustaining a brand. But, in this specific context of deep change, we need more than that. Priorities have changed, and we cannot separate fashion from the current cultural context. Does it make sense for a well-funded brand to promote huge collections, pre-collections and showcasing hundreds of samples, encouraging overconsumption? Therefore, perpetrating the same old overproduction pattern in a world on the edge of ecological breakdown?

Indeed, we cannot understand brands, established or new, who cannot distance themselves from this dangerous thought.

Conclusion: what does it mean to be a fashion designer today?


Launching a brand today is not just about finding investors. It goes far beyond that. Being a designer in the modern world is about having a vision – envisioning the future. It involves asking oneself: What future do I see? Do I want to maintain the status quo, or do I want to wipe out everything and start something better?

Well, corporations are not interested in that. That’s why we wonder if it makes sense to search for that kind of investor. Or is it better to clench your teeth and stay small, independent and free to bring about change?

Business as usual doesn’t work. New rules, new systems, and new ways of interacting with the audience. That is what we need.

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The Drawstring Cotton Dress

Embracing Slow Fashion #ForModernHumans


Introducing The Drawstring Cotton Dress by Aurora, from Tourin – our top pick of the week!

In a world where mass-produced fashion takes centre stage, Aurora stands out by redefining the landscape with her commitment to slow fashion. Her minimalistic design concept showcases a refreshing and thoughtful approach to style. The drawstring cotton dress is a perfect example of this philosophy, blending clean, linear shapes with elegant, casual, and sporty elements.

Aurora’s designs are versatile, seamlessly fitting into your everyday wardrobe while making a statement about ethical fashion. Embrace this modern, conceptual approach and elevate your style with pieces that reflect both beauty and conscience.

Discover The Drawstring Cotton Dress by Aurora


About the design
Tailored cotton dress featuring an elegant front V-neckline and elastic waistband with drawstring for adjustable comfort. The design point is a cross-over shoulder detail with a cut-out on the lower back. Two side pockets, under-knee length. Made in Italy, this piece exemplifies quality craftsmanship and timeless style.

The drawstring cotton dress by Aurora
The Drawstring Cotton Dress by Aurora


About the material
100% cotton. The hand is compact, dry, and fresh.

About the colour
Periwinkle: also called lavender blue or light blue violet. A vibrant hue that recalls the palette of modern artists.

Laundry
Wash by hand. Easy care product.

Styling tips
The Drawstring Cotton Dress is a sophisticated addition to your wardrobe. Pair it under a lightweight blazer and low heel for your office attire. Also, opt for flat sandals for a casual yet chic look. But it even pairs well with sneakers, offering versatility for various occasions. Experiment with accessories to personalize your style and make this dress uniquely yours.

How to purchase our selection:

Head over to our Instagram account to discover our shop (link in bio)!
Drop us an email or WhatsApp for orders or any further information. Also, you can book your private shopping experience in person or via video call.

International Shipping!
From Milano, our fashion selection #formodernhumans is available for international delivery.

Exclusive Fashion
🖤 Our selection intentionally offers limited pieces to ensure uniqueness and a sustainable approach 

Further details, size advice and prices via →WhatsApp

● Please, contact us for size guidance before purchasing.

🛍 Treat yourself today! Get yours directly from the suite123 shop!

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The Balloon Sleeve Top

A Fresh Perspective on Style #formodernhumans

Today, we introduce The Balloon Sleeve Top by Aurora, a captivating addition to suite123’s selection this season, straight from the heart of Turin, Italy.

At suite123 Milano, we thrive on fostering connections with the creative minds shaping the fashion landscape. Indeed, our blog serves as a platform for celebrating innovative designers who infuse the industry with new energy and perspectives.

That is the case of Aurora, whose signature style embodies a perfect blend of minimalism and timelessness. In fact, with each piece, she crafts modern silhouettes that effortlessly redefine contemporary fashion.

Discover The Balloon Sleeve Top

About the design
Dropped shoulder, round neckline bi-material top in soft cotton with wide sleeves in silk crepon. Elasticated cuffs plus a drawstring along the centre of the sleeves generates a delicate ruffled effect. Also, another design point is the subtle pastel hue color block combination. The relaxed silhouette and tailoring cut create a unique but wearable piece. 

The Balloon Sleeve Top by Aurora

About the material
Two materials compose this long-sleeved top: soft cotton for the body and silk for the sleeves. 
Body: 100% cotton / Sleeves: 100% silk

About the colour
The body is white, and the sleeves are lilac. A soft colour block, easy to match. 

Laundry
Wash by hand. Easy care product.

Styling tips
The Balloon Sleeve Top is a versatile wardrobe staple, effortlessly transitioning from casual to formal settings. Pair it with your favourite black pants for an instant refresh, or opt for a chic look by wearing it with skirts. Also, we love it with white jeans or military khaki trousers. 
Don’t miss The Balloon Sleeve Top! 

How to purchase our selection:

Head over to our Instagram account to discover our shop!
Drop us an email or WhatsApp for orders or any further information. Also, you can book your private shopping experience in person or via video call.

International Shipping!
From Milano, our fashion selection #formodernhumans is available for international delivery.

Exclusive Fashion
Our selection intentionally offers limited pieces to ensure uniqueness and a sustainable approach ♥

● Further details, size advice and prices via  WhatsApp

🛍 Treat yourself today! Get yours directly from the suite123 shop!

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A Conversation with Aurora

Embracing the Up-and-Coming Wave of Fashion Designers

As we embrace the up-and-coming wave of fashion designers, we are thrilled to share our conversation with Aurora. Her first name doubles as her brand name (Aurora De Matteis); a young woman walking the fashion industry with a polite demeanor and a clear sense of an ethically run business.

We first met Aurora a couple of years ago at a fashion exhibition in the heart of Milano. Her universe, small, focused, and well-crafted, conveyed emotion to us. So we kept in touch until, finally, we placed an order. Indeed, we are leaders in uncovering talented designers committed to exceptional design, premium materials, and ethical practices.

Read our conversation with Aurora to find out more about the brand!

Aurora – the conversation

• How did your passion for fashion begin? What is your background?
I always thought I wanted to do this in life because I always loved creating something with my hands. Actually, my mother passed down to me a certain passion; she taught me how to crochet when I was little. In fact, I used to make handmade crochet earrings. I’m passionate about handicrafts and artisanal work. I love the world of graphics, but after high school, I enrolled in Secoli Institute to get a technical background in fashion. I did well in pattern making, learning to make a whole garment. My passion for manual work led me to take a knitting course recently. Learning new skills stimulates me; in this sense, I never stop.

• What inspired you to start your slow fashion brand, and what values do you aim to promote through your designs?
After graduating from fashion school, I could work for big companies where I would have focused on just one specific thing, like being a pattern designer. But I like to explore, research materials, so, despite all the difficulties, I chose to launch my own brand. Mine is a brand that believes in slow fashion, which means attention to fabrics and well-made garments, things big brands often overlook. But, above all, it’s a brand that aims to convey the value of the time needed to create a handmade garment in a small workshop. Time, quality, and ethics are values I believe in.

Image of Aurora Spring-Summer 24 collection
Aurora Spring-Summer 24 collection

• What is your vision of style? Can you share insights about your design philosophy and how it aligns with the concept of slow fashion?
“Less is more” is a concept resonating deep within me. A quote from Mies van Der Rohe explains it all: “Please, do not confuse simple with easy, there is a big difference. I love simplicity because of its clarity, not because of its ease or for other reasons. To achieve clarity we must simplify practically everything. It’s hard work. You have to fight, and fight, and fight.” Indeed, this process of distilling from complexity to essentiality is what I find interesting.

Minimalism reconnects to my pattern-making studies, garment construction. Specifically, making it distinctive in terms of construction. Instead of prints or decorations, I prefer to create colour blocks because I focus on lines and shapes. However, this design concept perfectly aligns with my vision of slow fashion because it allows me to emphasize the quality and longevity of the garment through a timeless style. ‘What’s in fashion this year?’ has always puzzled me. Who decides that? Today, talking about fashion can be chilling, with unwearable clothes and exorbitant prices.

• How do you ensure sustainability and ethical practices in your production process?
Many stop at the labels, but natural doesn’t mean sustainable. For instance, see natural viscose. It may be natural, but it has a significant environmental impact. I focus more on quality materials. And I only work with suppliers who don’t impose high minimums. Moreover, I produce without waste in a small artisanal workshop, ensuring ethical and sustainable manufacturing because I make limited quantities. I myself sew in my workshop in Turin. Everything is made in Italy, in small batches. I am against overproduction. Indeed, the concept of limited quantities is crucial to limit our impact on the environment.

• How do you evaluate conversations about sustainability?
Superficial. In fact, I don’t say that my brand is sustainable, I demonstrate it through actions. Often I’m asked: ‘Is this all you have?’ Yes, exactly: a capsule collection, thoughtful and well-made.

• What challenges have you faced in establishing your brand within the competitive fashion industry?
The showrooms have asked me to do things from their point of view without considering my project. They are seeking the product, not the idea. Just to sell more. My way of working was almost belittled. It shows a certain lack of attention from industry operators because if you want a massive production, you don’t go to an emerging brand.

• Do you think enough space is given to young people in Italy?
Unfortunately, Italy is an old country, doesn’t give space to young people.

After reviewing her Spring-Summer 24 collection, we were impressed by the precise cuts and fresh take on fashion. Also, we discovered each other within a philosophy that felt familiar: a shared vision of design and meaning. So, we hope you enjoyed our conversation with Aurora. In the end, isn’t it time to give space to the new generation of creatives?

So stay tuned to discover more about Aurora designs #formodernhumans

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