beautystandards

More on modern feminism

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Is it true liberation and women’s empowerment?

Modern feminism mainly corresponds to exposing almost naked women’s bodies. From red carpets and fashion shows to music events, that seems to be the most visible trace of female affirmation.

As a demonstration of emancipation, women want to express themselves as they like. And, of course, that makes sense. Hence, dressing, or we better say, undressing, is part of this liberation. But look at music and movie stars, influencers, TV entertainment, and professionals. Followed by all the women who flooded social media with parts of their bodies as the only thing they can convey. Unfortunately, women’s image is more stereotyped than ever. So, we were happy to read about Chinese women who are challenging “beauty-duty” and traditional standards.

When it comes to dressing or undressing, the women’s so-called gained freedom strangely unveils traits that win the favour of men. Doesn’t any light bulb switch on in your head? Don’t we even question why our supposed freedom corresponds to men’s preferences?

Perhaps there is something we’re missing. But let’s take as a fundamental detail the liberty of showing our body as a reflection of our power. Take red carpets, for instance. Or any other event, since there’s no difference in terms of outfits, which are mainly inelegant. Women show up almost naked, as it seems that’s the only way to reveal all their femininity. But have you ever seen men show up naked on red carpets?

Indeed, this is the crux of the matter: Have you ever seen men show up semi-naked to promote their masculinity?

Are we talking about liberation and women’s empowerment, or is there something else behind it? As women, is our worth expressed only by nudity? Or by cages and standards – hair, make-up, plastic faces and bodies – we must fit in in order to satisfy societal expectations? If so, it doesn’t sound really new. In fact, it’s the same old story, which tells more about patriarchy than fashion or modern feminism.

But the reality is so well manipulated that they made us believe it’s about women’s power and modern feminism.

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New beauty standards in China

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Empowering women vs societal expectations

Whether for feminism or practical reasons, women are redefining beauty standards in China. By challenging the traditional ideal of femininity, some young Chinese women want to be free to express their individuality. And we couldn’t be more proud of such a brave choice.

Women, buzz cut & beauty duty

Patriarchal society shaped the rules which subdued women over time. Long hair has always represented the image women have to conform to, not only in China. However, a new trend reports a step towards empowering women against societal expectations. Specifically, Chinese women started breaking the rule by switching the classic haircut with a bold buzz cut.

The buzz cut is easier to manage, low-maintenance and high-impact. It is not just a matter of fashion, it goes beyond that. Indeed, it represents a powerful statement: freedom and self-determination. The buzzcut is a synonym for self-confidence and independence. And so the trend is rising in China, and more women are opting for it.

Along with it, another trend is growing: “embrace beauty without makeup.” It’s a way to defy the “beauty duty” that forces women to maintain their appearance, imprisoning them in oppressive standards.

Beauty standards: western vs Chinese

We live in a man’s world. By analysing historical and cultural context, we can see that beauty standards are the embodiment of a male perspective and a market demand. In fact, everywhere in the world, society brainwashes women to conform to a specific image. And to stick to those precise features that women – of course – believe are the fruit of their personal reasoning or independent thought. On the Western side of the world, we witness this distorted idea of feminism: women conform to contemporary stereotypes that (just by chance?) perfectly reflect a man’s viewpoint. And women call it freedom!

So, what happens in China surprises us positively. In a society where social norms and traditions are so deeply rooted, Chinese women’s choice against “beauty duty” represents a brave move.

Indeed, by rejecting traditional ideas of feminine beauty, new beauty standards in China are an inspiration to nonconformism and women’s empowerment. Most importantly, it should make us reflect on what beauty standards really hide.

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Uncompromising, Sinéad O’Connor

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The sad post-mortem recognition as a feminist icon

The passing of Sinéad O’Connor, uncompromising woman and beautiful soul, left us speechless. Not to mention celebrities’ tributes posted on the web.

Modern society, which is basically (and sadly) a big market, is not the place for uncompromising women. A rebellious attitude does not play well with patriarchy and market requests.
What sells, marketing, who sells more – are the only things that count in a money-driven society. In this context, the female aesthetic is strictly linked to what sells. In fact, there are specific norms, rules or standards to which every woman needs to conform in order to be accepted.

Inimitable talent and uncompromising style

Around the end of the 80s, we saw a face of rare beauty with a bald head and a voice of unique intensity, and we fell in love with her. When interviewed, the Irish singer Sinéad O’Connor explained that the music industry wanted her long-haired and revealing clothes. Instead, she showed up bald and in combat boots.

Her shaved head became a trademark, a symbol of protest against traditional views of femininity. Although she tried to hide her beauty, the result was exactly the opposite. Indeed, very few women can cut their hair that way and still look so very beautiful!

Conformism & contemporary feminism

If a woman wants to be considered beautiful or accepted as an artist, or whatever she wants to do in her life, the standards are long hair and tight-fitting clothes. So we have some problems understanding the contemporary idea of feminism. For instance, look at all the celebrities who call themselves feminists; celebrated by the mainstream culture, they look as the system wants them to be, calling it freedom of expression. Is that real feminism? We don’t think so. For sure, hitting the number one charts thanks to an immense voice and a clean face and piercing eyes, was different. So, follow what the system wants, conform if you feel ok, but don’t call it feminism.

We have always searched for news from her social media accounts because we appreciated her outspoken personality, anti-establishment position and political activism. Most celebrities, though having platforms, do not say a word on crucial matters.
In fact, she was so brave to speak in support of child abuse, human rights, women’s rights, and against wars and racism. Most importantly, being a victim of abuse, she showed her vulnerability by disclosing her struggles with mental health and fibromyalgia. But she got hate and disregard in return.

On July 26, the uncompromising Sinéad O’Connor was found dead. And, all of a sudden, she becomes a feminist icon, understood only after her death. Insulted when alive, celebrated after death!

One comment really made sense:

“You praise her now ONLY because it is too late. You hadn’t the guts to support her when she was alive and she was looking for you.”

Morrissey

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Vogue Philippines: the beauty of humanity

A brave cover story of representation fighting the myth of youth

With its April 2023 issue, Vogue Philippines celebrates the beauty of humanity. Lately, fashion doesn’t provide such a momentum of passionate engagement and genuine enthusiasm. But finally, we can say: this is a cover story!

Indeed, this cover goes beyond fashion. Not only is it a story of representation, but also it is a powerful challenge to modern beauty standards and the cult of youth.

A centenarian is the cover story of Vogue Philippines!

Vogue Philippines’ April issue made history by featuring the oldest person ever on a cover. The woman, Apo Whang-Od – also known as Maria Oggay, is a 106-year-old tattoo artist from the Philippines. Specifically, she comes from the village of Buscalan – from the Kalinga tribe. And she is considered the oldest mambabatok. Batok is the traditional indigenous tattooing whose symbols signify strength, bravery and beauty. (Read her story here!)

Vogue Philippines: the beauty of humanity
Credit: Vogue Philippines

“We believe that the concept of beauty needs to evolve, and include diverse and inclusive faces and forms. What we hope to speak about is the beauty of humanity” said Bea Valdes – Vogue Philippines editor-in-chief.

In our modern society, people are subjugated by the myth of youth, so ageing is considered a curse, something to fight as much as possible. In fact, most people invest in plastic surgery or less invasive techniques to keep their “forever young” illusion alive. But the results are quite sad.

However, this issue doesn’t relate to the fashion and beauty industries only. It’s a matter of culture. Because of patriarchy, men are allowed to age while women are not. Though men, too, enjoy plastic surgery a lot, there is a different posture towards men’s and women’s ageing. With age, men become interesting while women just get old.
Moreover, women struggle to fit into beauty standards because that’s what men expect from them: plastic dolls in tight-fitting clothes. Indeed, women accept the idea of how a woman should look based on a male perspective. And they do not even question it! Therefore, they are easy to manipulate.

The beauty of humanity: more than a cover of a fashion magazine

So this is more than a cover of a fashion magazine. This is a change maker. Because it is a story of representation as Whang-Od is one of the last practitioners of Batok tattooing. But also, it is an ode to ageism.
This woman is powerfully elegant. She is strong and soulful, proud and delicate. She is a pierce-through beauty!

And that is what we need to challenge modern beauty standards and embrace our life in all its stages.

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Modern beauty standards: between patriarchy and market demands

Do you know what beauty is?

Apart from the male perspective, which has always ruled women’s life, there’s more to explore about modern beauty standards.

Even bearing in mind the subjectivity of the matter, aesthetic judgement isn’t about beauty itself anymore, as an archetype or related to physical traits.

Modern beauty: what influences our judgement?

Analysing beauty standards, we have to consider two main factors:

First, beauty is the embodiment of a male perspective. Therefore, it’s a matter of power. The male eye works like a filter, shaping and dictating women’s choices. This judgemental screen took over women’s viewpoint, almost as a natural feature which limits independent activity. So that women themselves play the man’s games.

Second, contemporary beauty is a market issue. The commercial factor is crucial in understanding modern beauty standards: the product of brainwashing through advertising, movies, tv programs, social media etc.

modern beauty



“Self-esteem is the reputation we acquire
with ourselves.”

Nathaniel Branden


Modern beauty stereotype

From thin to curvy, plastic dolls are the stereotype. But all shapes have the same cookie-cutter features: doughnut lips, cheekbones like protruding mountains, and eyebrows like they got scared. Sadly, that botox expression will never disappear from their face.

The emulation process triggered in young girls’ minds and adult women, whose self-esteem is not solid, is appalling. Furthermore, self-esteem is a work-in-progress because reaching self-awareness is a growth process. And you don’t just snap your fingers to gain it.

However, this emulation is the result of the brainwashing system, a form of persuasion that makes women look all the same, like fake plastic dolls.
Is that beauty? No, it’s business. Indeed, it’s a very profitable business.

And so, beauty standards have to do with male power and market demands more than any archetypal or old-fashioned rule.

In prehistory, the traits connected to fecundity were considered beautiful. Specifically, the Palaeolithic Venus was more generous and curvy. The Greek Venus had a more slender figure. Therefore, the beauty archetype was associated with given characteristics.

What about the modern beauty myth?
Modern beauty is not only about power but also a market issue.

And so, forget who you are. Go and buy your new equipment.
In the end, beauty is just a product.

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