contemporary culture

Native American Heritage Month: The Appropriation and Impact on Indigenous Fashion

Reading Time: 3 minutes

Fashion colonialism and the ongoing struggle for cultural recognition and economic equity


Each year in the United States, the month of November marks the Native American Heritage Month. A day that honors the Indigenous members of the nation. Also, it provides a platform for their culture and traditions, as well as spotlighting social issues their community currently faces. 

Thanksgiving origins: a false history


The month coincides with the holiday of Thanksgiving, a widely celebrated holiday. It commemorates a joint feast held with the newly arrived English Pilgrims and native Wampanoag tribe, who had helped them with their harvest in 1620. The story paints a picture of friendship and peacefulness. The good-hearted Pilgrims paying gratitude to their Native neighbors. And the two parties getting along and allowing the English settlement to flourish. In homage to this, on the last Thursday of every November, millions of Americans sit down with their families and make a traditional Thanksgiving feast. So they practice gratitude and thankfulness.

Thanksgiving and Native American Heritage: representation vs reality


However, the real story paints a much darker picture. For many Native Americans, the holiday is a painful reminder of the lives, cultures, land, traditions lost to settler invasion. And genocide, imposed by settlers and colonizers, occurring for hundreds of years. The day itself is known as the National Day of Mourning for Native Americans, who instead of celebrating use it as a day of remembrance for what their ancestors have suffered through. As well as continuing to acknowledge the suffering that still endures because of colonialism hundreds of years ago. 

Fashion colonialism and its impact on Native American Heritage

Nowadays, the Native American population experiences a type of colonialism not unlike the kind they faced 200 years ago.  Colonialism, as defined by Merriam-Webster, is the “domination of a people or area by a foreign state or nation: the practice of extending and maintaining a nation’s political and economic control over another people or area”. Even though colonialism seems a practice that ended largely in the last millennium, it persists in different forms. Much like the experiences of the Native American population, colonialism hasn’t gone away or fundamentally changed.

Nowadays, a prevalent form of colonialism takes place within the fashion industry. In 2022, Ralph Lauren, an American luxury brand apologized after the wife of Mexico’s then-president Beatriz Gutierrez accused them of culturally appropriating indigenous designs. The item, a cardigan patterned with colorful Indigenous motifs, was being sold online for hundreds of dollars, according to Reuters. Other companies, such as Zara, Urban Outfitters and Asos have been accused of similarly profiting off of Native American cultural designs. Meanwhile, the proceeds collected by the indigenous themselves pale in comparison. An Australia’s Productivity Commission report shows that while $250 million of Indigenous art was sold in 2019-2020, only around one in three items sold were made by an Indigenous artist or business. 

Fashion colonialism not only takes away from the ability to earn their rightful place economically in the fashion world. But also, continues the cycle of removing and commodifying their own culture and heritage. The fashion industry must confront its role in continuing actions of colonialism. In that, they must make ethical collaborations, fair compensation and recognition of Indigenous artists as part of an industry-wide practice. 

Decolonizing Thanksgiving


As the demand for fast fashion grows, consumers who buy inexpensive products from major corporations participate in a form of global colonialism: fashion colonialism. While not as overt as the actions of Pilgrims who took over land and resources from Native Americans centuries ago, its impact is just as profound. Ultimately, the fashion industry must come to terms with the fact that it plays a key part in stripping away identity. And it obstructs Indigenous communities around the world from gaining control of how their culture is perceived and expressed in a post-imperial era. 


✍️ Post written by Rachel Jacob, a scholar from Chicago / USA, studying Business Management at Cattolica University in Milan. Currently interning with suite123.

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Italo Calvino On How to Break Free from Mass Conformity

Reading Time: 3 minutes

Embracing individuality: fashion’s path to authenticity


Italo Calvino offers poignant words that inspire a much-needed shift on how to break free from mass conformity. To foster genuine change in the fashion industry – and life at large – we must begin by embracing individuality, as Calvino suggests in “The Baron in the Trees.” In a world where fashion is driven by fleeting trends, mass production, and exploitation his message resonates now more than ever.

“To have genuine, constructive relationships with others, it is necessary to become individuals.
One becomes an individual by deepening self-knowledge and staying true to one’s internal rules, personal code of values, and style.
One must allow their singularity to emerge, even at the cost of appearing eccentric.
This is the way to escape rampant conformity, massification, and the acceptance of predefined behavioural models.”
— Italo Calvino, The Baron in the Trees, 1957

Although this quote is often attributed to Italo Calvino, it does not appear in any of his published works. However, it represents a reworking of themes that Calvino explored in his writings, such as individuality and detachment from conformity. Themes also explored in The Baron in the Trees.

Italo Calvino – individuality over conformity


Calvino emphasises that to have authentic connections with others, we must first become individuals by deepening our self-knowledge and staying true to our personal values. This approach applies even to fashion, where true style emerges when we align our clothing choices with our identity rather than conforming to external pressures. Fast fashion and trend cycles, driven by algorithms, push people into wearing what everyone else does. Yet, as Calvino suggests, allowing our uniqueness to surface – even if it makes us seem eccentric – helps us escape the massification of behaviour.

Fashion & self-knowledge


Fashion should be an extension of who we are, not what is dictated to us. Instead of accepting predefined trends, we can make conscious choices. So, we can build a wardrobe based on timeless, thoughtful pieces that reflect our personality. In this way, fashion becomes an act of self-expression and a rejection of the overproduced, disposable culture dominating the industry.

Escaping the massification of fashion


Italo Calvino urges us to reject conformity and embrace the courage to live – and dress – authentically. By doing so, we shift from passive consumers to conscious creators. So, we foster a more meaningful, sustainable fashion landscape where individuality is celebrated over uniformity. 

Inspiration for change


Ultimately, the wisdom of Italo Calvino inspires a break from mass conformity. In fact, a commitment to individuality and authenticity can disrupt the culture of consumerism. And it paves the way for a more thoughtful and sustainable way of living.

In fashion, as in life, the path to freedom lies in staying true to oneself with respect for others and the planet.

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Levi’s Commercial and Contemporary Feminism

Reading Time: 3 minutes

Women, are we really progressing?


Levi’s latest commercial prompts reflection on contemporary feminism. In it, Beyoncé walks into a laundromat, strips off her jeans, and tosses them into a machine, remaining in a white culotte before sitting down to read a newspaper. This strange flashback raises questions about how commercial narratives align with modern feminist ideals and the broader cultural discourse on gender equality.

1985: Levi’s and the iconic spot


For those who grew up in the ’80s, this scene instantly brings to mind another iconic Levi’s commercial from 1985. Do you remember it? Set to Marvin Gaye’s “I Heard It Through the Grapevine,” a strikingly handsome boy with dark, Elvis-like features walks into a laundromat. He calmly strips off his Levi’s 501 jeans and T-shirt, staying in nothing but his boxers, and reads a newspaper, unfazed by the people around him.

1985 Levi’s 501 commercial – Nick Kamen

This commercial didn’t just sell jeans; it catapulted the model, Nick Kamen, into the spotlight. He caught the eye of Madonna, who produced his 1986 single, “Each Time You Break My Heart.” The song became a hit. Tragically, on May 4th, 2021, Nick Kamen passed away at 59 after battling a long illness, leaving behind a legacy tied to an era of advertising that shaped cultural perceptions.

However, 1985 was Nick Kamen’s year. But that Levi’s commercial became iconic because it subverted expectations.Instead of the tired stereotype of a woman undressing, we finally saw a man. And what a man! Now, fast forward to 2024, and what do we see? Once again, the same old stereotype: women stripping off their clothes. Some evolution, right?

The new commercial and modern feminism


Apparently, Levi’s latest commercial embodies the contemporary version of feminism: a vision where naked women symbolize freedom, liberation, and empowerment. But is this really progress? Women’s portrayal feels more stereotyped than ever. When it comes to dressing – or undressing – this so-called freedom seems suspiciously aligned with what pleases the male gaze.

So, what are we really talking about here? Liberation and empowerment? Or is something more insidious at play? Does a woman’s worth still hinge on her nudity? Or are we still boxed in by cages of hair, makeup, plastic faces, and impossible body standards? If so, it hardly feels new. It’s the same old story, revealing more about patriarchy than it does about fashion or modern feminism.

Yet, the reality is so cleverly manipulated that we’ve been convinced this is about women’s power. But is it?

In fact, contemporary feminism, as reflected in the latest Levi’s commercial, offers little that’s new or empowering for women. Instead, it’s a step backwards. Perhaps we should revisit the ’80s, when it was a sexy man, not a woman, taking off his jeans.


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Kimia Yousofi: Platform, Leadership and Values

Reading Time: 4 minutes

Championing the right to empowerment


The journey of Kimia Yousofi at the Paris Olympics provided much food for thought on the concepts of platform, leadership, and values. In today’s world, having a platform seems to be everything. Whether the content is authentic or not, few seem to care. You can be uninformed – often the case – but if you have a platform, doors open. You’re in!

Unfortunately, the contemporary idea of a platform often equates to a superficial social media presence. However, we believe that a true platform and leadership are about much more than showcasing a new handbag, your body, or spewing hate towards anyone who doesn’t fit the mainstream mould.

This is why Kimia Yousofi has become one of our favourite athletes: she used the Olympic platform to express her sense of leadership and values.

Kimia Yousofi’s Paris 2024 Olympics inspiring experience


At the Paris 2024 Olympics, Kimia Yousofi ran the slowest time in her preliminary round of the women’s 100m competition. Having already competed in Rio de Janeiro and Tokyo, this was her third Olympics. Yousofi finished with a time of 13.42 seconds, slower than the 13.29 she ran in Tokyo.

Most athletes might feel disappointed at this point, but for Yousofi, this race was just the beginning. As the competition concludes, she removes the bib pinned to the back of her jersey, proudly displaying the red, green, and black emblem of Afghanistan. Then, she turns the bib around, eager to show the camera what is written on the other side. It’s crucial that people see it.

“Education, Sport, Our Right,” it reads.

image of Kim Yousofi holding a card which reads: "Education, Sport, Our Rights."


“Of course, the Olympic Games are a big dream for every athlete, not just for me. I’ve competed in the Tokyo Olympics and the Rio Olympics. But back then, I was running just for myself, because I loved to run. Now, I’m here for Afghanistan’s girls. I almost forgot my dream. I almost forgot everything. And I worked hard for three years, but all of this is for Afghanistan’s girls,” she says.

“I was in Kabul when the Taliban came. And I wanted to stay because I felt I belonged to this country. My people needed me. But many told me they couldn’t guarantee my safety. I was a woman with a public face because I had carried the flag of Afghanistan just a few days before. So I had to flee. I went first to Iran, and then Australia helped me get a visa to go there,” she added.

Ever since the Taliban took over the country, girls have been banned from even studying. “Our girls in Afghanistan, our women, want their basic rights—education, the ability to play sports. They want to be treated as human beings. They want to be able to decide what to do with their lives. These rights have been taken away from them for the last three years. I’m fighting for that.”

Kimia Yousofi and women’s rights


Despite not being in peak physical condition, Yousofi ran. Although she had prepared well for the Olympics, she developed an allergy in the weeks leading up to the event and then injured her right knee just before the race. “My knee was really sore, but I told myself I’m just going to run. I kept icing it and took pain tablets to manage the pain. But I had to run.”

She will do all of this to remind Afghan girls that there is another world out there. “I have a message for Afghan girls. Look for opportunities, and then use them. Even if you get a small one, use it. Don’t give up. Don’t let others make your decisions for you,” she says.

So, if having a platform is the most important thing today, she secured a powerful one! Platform, leadership, and values – all at once. Kimia Yousofi won!

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John Keats, Inspiration From the Classics

Reading Time: 2 minutes

A metaphor for life at the time of social media


Exploring the literary classics, such as the works of John Keats, offers timeless guidance and profound inspiration, with reflections that resonate even in our modern era. Sometimes, while searching for something work-related, certain words catch your eye and prompt deep reflection. Read this:

“How beautiful are the retired flowers! — how would they lose their beauty were they to throng into the highway, crying out: ‘Admire me, I am a violet! Dote upon me, I am a primrose!'”

John Keats

This vividly depicts today’s digital culture, where the cry for attention has become a widespread behaviour. Keats’ words resonate as a metaphor for life in the age of social media. In fact, they exquisitely describe the “please-look-at-me” attitude that seems to dominate human existence. Like a virtual marketplace that seems more like a butcher shop, people expose their bodies or specific parts. Specifically, boobs, bottoms, abs. Also, tag themselves in luxury locations, or post bizarre videos. It appears to be the only way to affirm human existence. Posts are often superficial, heavily filtered, or outright fake, with little value in the shared content. In our digital age, social media has become a platform that fuels a desperate quest for attention. Being noticed is all that counts.

In contrast, Keats’ observation highlights the inherent beauty in modesty and subtlety. His words poignantly capture the essence of how the quest for validation diminishes the beauty and value of one’s presence and contributions. Just as flowers would lose their charm if they demanded admiration, so too do people on social media lose their appeal when they seek validation.

Thus, the classics represent a timeless source of inspiration that helps us understand our modern-day lifestyle. John Keats’ insightful quote reminds us of the essence of modesty and the understated elegance. Qualities we lose in the pursuit of attention. It’s a powerful call to appreciate the quiet beauty in ourselves and in the world around us, without the need for constant validation.

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