animal rights

When “sustainable” isn’t the whole story: rethinking wool

Reading Time: 4 minutes

The wool protest at New York Fashion Week raises an uncomfortable question: can a material be sustainable if animal welfare is not part of the equation?


Rethinking wool starts with admitting that “sustainable” doesn’t tell the whole story.

Wool is natural, renewable and often presented as a responsible alternative to synthetics. But what happens when we look beyond the fibre to the animal it comes from?

The closer we look at fashion’s sustainability claims, the more complicated they become. A material can have environmental advantages and still raise serious ethical questions. “Better for the planet” and “ethical for animals” aren’t necessarily the same thing.

That tension came into sharp focus during New York Fashion Week this month, when PETA protesters disrupted the COS show on 13 September to protest the use of wool and alleged mistreatment of sheep. The confrontation escalated when Steven Kolb, then president and CEO of the Council of Fashion Designers of America, physically restrained protesters. He subsequently resigned.

But beyond the disruption, the protest raised a question that deserves more attention than a few minutes of fashion-week drama:

Can we call a material sustainable if the way it is produced raises questions about animal welfare?

What do we actually mean by sustainable wool?


Wool is a natural, renewable protein fibre — sheep grow a new fleece each year — and it biodegrades under the right conditions, rather than persisting as plastic microfibres. Its durability, temperature regulation and odour resistance can also mean less frequent washing and longer use. Wool garments can be repaired, resold or recycled, although what happens at the end of a garment’s life depends on the garment and the system available to recover it.

Yet none of these characteristics tells us how the sheep were treated.

COS (owned by H&M Group) says its virgin wool is sourced from farms certified under the Responsible Wool Standard (RWS), developed to address animal welfare, land management, and social requirements. Textile Exchange, which owns and manages the standard, describes animal welfare as a fundamental requirement. 

But what does a certification actually tell us — and what does it leave out?


We explored this topic in our eBook, This is Greenwashing. As with certified paper, RWS certification is designed to verify specific practices against a defined set of criteria. But certification has limits. Animal welfare standards are not the same thing as animal rights. People can reasonably believe that properly regulated sheep farming meets a meaningful animal-welfare standard while still disagreeing about what that standard should include.

Fashion loves categories. Natural. Synthetic. Sustainable. Circular. Responsible.

Labels make complicated systems easier to understand — and easier to sell. But sustainability isn’t a material category. It is a question of how something is produced, by whom, under what conditions, with what consequences, and for how long it remains in use.

Wool doesn’t become sustainable simply because it is natural. Nor can the sustainability of a synthetic fibre be judged solely by the fact that its raw material is fossil-derived. That does not diminish the well-established role of fossil fuels in driving climate change. But the sustainability of a finished product depends on its full lifecycle, not just whether its raw material is natural or fossil-derived.

The reality is messier.

So should we stop buying wool?


There isn’t a single answer.

Someone concerned primarily with fossil-fuel dependence may see wool differently from someone whose first concern is animal welfare. Someone buying a wool coat they expect to wear for twenty years is making a different choice from someone replacing polyester jumpers every winter.

But these aren’t separate conversations. If we’re serious about responsible fashion, we have to consider all of them: how a garment affects people, the planet and animals, and how long it remains in use. Prioritising one doesn’t automatically cancel out the others.

The material is only one part of the equation.

Perhaps the more useful question isn’t “Is wool sustainable?”
Rather, it is: “What exactly do we mean when we call this wool sustainable?”

Rethinking wool doesn’t necessarily mean rejecting it. It means resisting the temptation to stop at the label. Natural doesn’t mean harmless. Renewable doesn’t mean ethical. Certified doesn’t mean beyond question. And “sustainable” — perhaps the most overused word in fashion — doesn’t tell us nearly enough on its own.

The more responsible approach may simply be to ask better questions.

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Animal fur: “ban” on a voluntary basis by Camera Moda

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A step towards ending animal abuse or another non-binding guideline?


Camera Nazionale della Moda Italiana (CNMI) has recently published new guidelines banning animal fur. Is it a crucial step toward eradicating animal abuse? Could be. But the guidelines are voluntary.

Animal fur: the new guidelines


Camera Moda released new regulations on animal fur. Starting from the next edition, September 2026, brands are invited to avoid presenting garments and accessories made from animal fur during Milano Fashion Week shows.

Notice the wording: invited, not required. This is no hard ban. No fines, no disqualification, no exclusion from the official calendar. Creative and entrepreneurial autonomy? Fully intact.

AI-generated image: a luxurious fur coat left on an empty fashion week front-row chair. Dim runway lights. Quiet tension. Text on the right: "Invited, not required. Animal fur: a 'voluntary' ban by Camera Moda." Fur is still present but no longer fully welcome — suspended between luxury and obsolescence.

Voluntary by design, but why?


At first glance, a “voluntary ban” sounds like an oxymoron. If it’s voluntary, can we call it a ban at all?

Yet context matters. CNMI’s move doesn’t emerge from nowhere. It builds on a sustainability path the association started back in 2012, and it reflects a concrete legislative fact: Italy banned fur farming as of 2022. You can’t raise animals for fur on Italian soil anymore. Imported fur, however, remains perfectly legal.

So the guidelines sit in a strange in-between space. They echo the law’s spirit without enforcing it. They push toward ethical fashion without punishing those who resist.

Let’s not forget: animal fur is not a necessity. It never was — at least not in any modern context. In 2026, with exceptional faux fur, recycled materials, and innovative textiles on the market, using real fur is an aesthetic choice, not a functional one.

Italy no longer allows animals to be farmed for fur. That’s the law. CNMI’s guidelines simply ask: if we don’t raise them here, why should we showcase them here?

What changes, really?


For many major luxury brands, nothing changes. Gucci, Prada, Armani, Valentino, Versace — they all went fur-free years ago, often ahead of any industry guideline. For them, this is validation, not transformation.

For those still using fur, the message is softer: keep your autonomy, but know the runway is no longer neutral ground. Showing fur in September 2026 won’t get a brand kicked out of Fashion Week. But it might get you noticed — and not in a good way.

That’s the real lever here: reputation. In an industry built on image, reputational pressure can sometimes move faster than legislation. CNMI is betting that fashion houses care more about public perception than about sanctions.

A step or a trick?


Let’s be honest. A genuine ban would require oversight, enforcement, consequences. This has none of that. From a purely legal standpoint, it’s barely more than a strongly worded suggestion.

But here’s where it gets familiar.

If you’ve been following Italian fashion politics lately, you’ve seen this movie before. The voluntary nature of the fur guidelines echoes something much darker: the attempt to make labour exploitation voluntary too.

Remember Article 30 of the Small and Medium Enterprises Bill? Approved by the Senate, debated in the Chamber of Deputies, it tried to exempt major fashion brands from liability for crimes committed along their production chains. Human rights abuses. Wage theft. Caporalato — the gangmaster system that reduces workers to modern slaves.

Widely described as a legal shield for luxury brands, the amendment was eventually withdrawn following protests by trade unions, workers, and the Clean Clothes Campaign. It will now return to the Senate.

But the logic behind it never left: let brands decide for themselves whether to be responsible.

Final thoughts


In conclusion, what does the Camera Moda animal fur ban mean? Is this a definitive victory against animal abuse? No. Absolute bans are still rare, and voluntary guidelines won’t stop every brand.

The fur guidelines say: we invite you to be ethical, but no pressure.
Article 30 said: we invite you to monitor your supply chain, but if you don’t, don’t worry — you won’t be liable.

Same melody. Different verse.

No sanctions for fur. No liability for labour. In both cases, the system protects the brand, not the victim — whether that victim is an animal or a worker.

CNMI’s fur guidelines are not bad. They move the needle, however slightly. But they also reinforce a dangerous logic: the idea that the fashion industry should regulate itself voluntarily.

But if the fashion industry can be trusted to self-regulate on animal welfare, why not on human welfare?

Because we’ve already seen the answer. When given the chance to self-regulate on labour, major brands lobbied for a law that said: don’t hold us accountable.

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The End Of Fur Farming in Italy

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A step towards banning animal abuse


Good news: it’s the end of fur farming in Italy. Yes, we’ll say it again: Italy has shut down fur farming.


Animal killing for fur production has been banned in Italy. Despite profit and vanity, every now and then, an ethical choice prevails.

It is a fact we do not need fur to warm our bodies anymore. And we have known it for a long time. Killing animals for the sole purpose of garnishing our clothing and accessories has completely lost its sense in our modern society. We are not primitives, and the era of the ’50s divas is gone. Furthermore, there are countless alternatives to keep the body warm when it’s cold or embellish our garments, all while avoiding that senseless cruelty.

So finally, in Italy too, the Government has passed a law to ban this horrendous practice. As of January 2022, the ban on fur farming, including the breeding and killing of minks, foxes, raccoons, chinchillas, and other animals for their fur, is officially in place in Italy. As a result, mink farms will be closed within six months.

Not all evil leads to harm


When the pandemic struck, many fur farms in the Netherlands reported numerous cases of Covid-19. It was soon revealed that minks were spreading the virus due to their heightened sensitivity to it. They could be infected and then transmit the virus in a mutated form, posing a significant risk to public health. Naturally, this discovery played a key role in the decision to close fur farming.

Many countries in Europe have already moved or are moving in that direction. But, even if they all banned fur production, it’s still possible to commercialise fur items everywhere. What’s the point? It is obvious that someone will benefit from this situation. And that “someone” is China.

The end of fur farming in Italy marks significant progress. This law is one step forward. However, banning fur farming is not enough. To solve this issue, a ban on commercialising fur items must follow.

Perpetrating animal abuse is a cruel practice – definitely NOT a choice #formodernhumans

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