luxuryfashion

The Luxury Shame: A Growing Sentiment

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How the perception of luxury is evolving in a changing world


“Luxury shame” has emerged as one of the most pressing realities highlighted in the latest Altagamma Observatory 2024. It represents a shift towards avoiding ostentation, favouring discretion, and supporting local products.

Take China, for example, where government policies have actively discouraged conspicuous displays of wealth. In times of crisis, the Chinese government seeks to shield the younger generation from materialism by curbing excessive consumption and promoting the purchase of domestic goods. However, this sentiment extends beyond China, casting ripples that impact global luxury brands.

What does ‘luxury shame’ means?


But what exactly is luxury shame? It refers to a behavioural trend among affluent individuals, particularly those in the upper-middle class, who feel uncomfortable displaying their wealth publicly. They fear social judgement, or worse, being vilified by those less fortunate.

We have long questioned the decline of luxury brands. Their strategy of inflating prices while compromising on quality is increasingly glaring. Mass-produced goods, no matter how expensive, fail to embody true luxury. True luxury is not about price tags; it is about craftsmanship, rarity, and authenticity—qualities many so-called luxury products seem to lack today.

So, more in detail, what is luxury? As Coco Chanel aptly stated: “Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity.”

Since the advent of social media, we have been inundated with images flaunting luxury. Yet, in this deluge, vulgarity has flourished. The pervasive portrayal of luxury is often exaggerated, inauthentic, and gaudy, eroding the essence of elegance. As contemporary luxury has expanded, true elegance seems to have vanished entirely.

Conclusion


In these times of instability and perma-crisis, luxury shame has become a powerful counterforce, with ostentatious displays of wealth increasingly condemned as vulgar and inappropriate. Could this herald a transformation, purging social media of its garish excess?
While a complete reset may be unlikely, it may ignite a much-needed shift towards a more thoughtful, refined, and genuinely elegant direction.

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Isn’t the Relentless Game of Musical Chairs Fueling Fashion’s Inconsistency?

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Questioning the strategy behind the constant change of creative directors


A while back, we wrote a post about creative directors and the relentless game of musical chairs—a situation that has become increasingly common. Now, the topic has resurfaced abruptly across several fashion brands. As they hop from chair to chair, is it about power, visibility, or something else?

Last week, breaking news revealed significant shifts at the helm of major brands. Specifically, Galliano has departed from Margiela with no news yet of his next destination. Matthieu Blazy left Bottega Veneta for Chanel, while Louise Trotter departed Carven to join Bottega Veneta—finally, a woman at the forefront. Moreover, rumours are circulating about Jonathan Anderson preparing for a new role.

These frequent changes evoke the game of musical chairs: they provide plenty to talk about but often leave people perplexed. Yet, this appears to be the prevailing strategy of luxury fashion brands, with designers seemingly changing every few years.

What is the strategy behind the relentless game of musical chairs?


But what is the strategy behind these moves? Is it simply a way to stay in the spotlight, dominate conversations, and remain relevant? Are brands confident that luxury shoppers prefer fleeting buzz over meaningful products that embody the values of a specific brand—products of which there is almost no trace?

Many creative directors show little to no respect for the heritage and DNA of the brands they represent. Meanwhile, scepticism towards the concept of luxury continues to grow, even because luxury products do not keep their promise. Do they not realise that this constant game of musical chairs risks further damaging the image of luxury itself?

Conclusion


This excessive shuffling has significant consequences: brands lose identity and consistency, while consumer trust erodes. The original design codes and unique DNA that once defined each maison become blurred, leaving the brands looking increasingly alike. Yet, in an industry dominated by oversized egos, appointing a new creative director seems to be the ultimate goal for luxury brands—even at the cost of trust and respect.

In conclusion, this constant turnover appears to be the prevailing strategy for luxury maisons—something consumers will need to get used to. But is this revolving door truly beneficial for the brands? Or is the relentless game of musical chairs only fuelling fashion’s inconsistency?

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Value For Money: The Fashion Industry Pain

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The price-quality disconnect in fashion eroding consumers’ trust


As the fashion industry grapples with economic uncertainty and slowing growth, the concept of ‘value for money‘ has become more significant. For many consumers, a critical question looms: is what we’re buying truly worth the price? 

Value for money: price, quality, perceived value


But what exactly does ‘value for money’ mean? Simply put, it measures whether the quality or benefit of a purchase justifies its cost. In essence, it’s about whether an item is truly worth the price. It’s a balance of quality and price over the sheer abundance of choice.

Fashion brands convey a message of identity and status. Prices play a pivotal role in this storytelling – brands set their price points, shaping how customers perceive their products. A price tag is more than a number; it communicates the brand’s qualities and positions it within the market spectrum: budget at the lower end, luxury at the top, and value somewhere in between.

Specifically, luxury brands captivate shoppers who prioritize quality and prestige over cost. However, their success isn’t solely tied to high prices. True luxury embodies unique characteristics: items handcrafted by skilled artisans, the use of uncommon or exceptional materials, often in limited production.

The shift in the fashion industry


Over time, pricing strategies in the fashion industry have reflected a fundamental shift in its structure. What began as family-run businesses rooted in creativity and savoir-faire has evolved into corporations focused on finance, growth, and profit. This transition transformed luxury fashion from a niche industry producing for the few into one catering to the masses.

When price betrays quality


But in recent years, prices have increased disproportionately, often without justification. As a result, customer trust has eroded, and many consumers are beginning to see through the facade. High-profile investigations into luxury brands like Armani and Dior have exposed common industry practices: exploitation, drastic reductions in quality, and inflated prices – all aimed at maximizing profits.

However, brands cannot simply lower their prices and flood the market with cheaper products, as Andrea Guerra, CEO of Prada Group, has pointed out. Indeed, he candidly admitted that “raising prices so much was a huge mistake.” As a solution, Guerra emphasizes the need for ‘better stories.’ But storytelling alone cannot restore trust if the core issue -disproportionate pricing – remains unaddressed. If even luxury clients no longer perceive luxury in what they purchase, it signals a total loss of credibility.

Value for money: keeping the promise


Better stories might sound appealing, but without substance, they amount to little more than marketing gloss. A compelling narrative won’t convince shoppers if brands continue selling polyester at the price of silk. The true brand value lies in delivering genuine quality, and right now, luxury brands are falling short.

Ultimately, the path to rebuilding consumers’ trust lies in keeping the promise. Consumers will fall in love with brands again when the price reflects quality, and when brands deliver the value they claim to represent.

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Altagamma Observatory 2024 & The Luxury Shame

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Andrea Guerra – Prada Group CEO: “It was a huge mistake to raise prices so much.”


The Altagamma Observatory 2024, one of the most anticipated events for insights into the global luxury market, took place in Milan on November 13. Among the many revelations, a candid remark from Andrea Guerra, CEO of Prada Group, stood out: “It was a huge mistake to raise prices so much.” Indeed, this striking admission highlights a pivotal moment for the industry, sparking discussions about the balance between exclusivity and accessibility in luxury fashion.

Altagamma Observatory 2024 offered an in-depth view of the luxury industry’s evolving challenges and opportunities. Specifically, experts and industry leaders shared insights into the current market climate, highlighting missteps and urging a reevaluation of strategies.

Altagamma Observatory 2024 – 23rd edition


After Altagamma President Matteo Lunelli’s opening remarks, Stefania Lazzaroni, General Director of Altagamma, presented insights into market trends and future forecasts through the Altagamma Consensus 2025, which leading financial analysts developed. Then, Claudia D’Arpizio and Federica Levato, Senior Partners at Bain & Company, unveiled the Altagamma-Bain Worldwide Luxury Market Monitor. Consequently, Industry leaders, including Laura Burdese (Bvlgari), Patrick Chalhoub (Chalhoub Group), Alfonso Dolce (Dolce & Gabbana), Andrea Guerra (Prada Group), Pier Francesco Nervini (Global Blue), and Marco Piscitelli (Molteni Group), discussed the research findings.

President of the Altagamma Foundation, Matteo Lunelli emphasized the significance of the Altagamma research as an international benchmark. Then, he painted a picture of an industry at a crossroads, marked by global uncertainties such as geopolitical tensions, wars, and inflation that have caused consumers, especially the middle class, to lose purchasing power. Also, the slowdown in China and a change in the USA with the Trump election will cause a potential 10-20% increase in duties. But both markets are crucial for Italian products. So, 2025 will be a year of transition, and recovery expected in 2030.
Lunelli’s key factors: Know-how, creativity, technological innovation, sustainability.
In conclusion, he advocates for collective action through partnerships, and collaborations.

Market trends and forecasts: Altagamma Consensus 2025


Stefania Lazzaroni, General Director of Altagamma, presented 2025 data analysts’ estimates on market trends:

1. General Trends:

  • Uncertain global situation, due to inflation and price increases.
  • Moderate overall growth expected.

2. Regional Performance:

  • Middle East: Best performer with +5% growth.
  • Europe: Moderate growth at +2%, impacted by wars and challenges in France, Germany, and England.
  • North America: +3.5% growth expected.
  • Japan: Modest growth of +2%.
  • China: +3%, with the phenomenon of “luxury shame” increasing.

3. Consumer Trends:

  • American consumers show signs of recovery.

4. Distribution Channels:

  • Retail: +5% growth, driven by enhanced customer experiences and entertainment, outperforming wholesale.

5. Best-Performing Product Categories:

  • Cosmetics: +6% (cosmetics and skincare show strong growth).
  • Jewellery: +4.5%.
  • Watches: 1% decline.
  • Leather goods and footwear: Underperforming.
  • Clothing: Stable at +3%.

6. Overall Sector Growth:

  • Cautious growth of +3% is forecasted for the entire high-end sector.

Altagamma Obervatory 2024: industry leaders


Pier Francesco Nervini / Global Blue

Nervini is the first industry leader to speak at the Altagamma Observatory 2024.
Tax-free and tourism sectors have performed well, with Southern Europe showing strong results, while Northern Europe faces a crisis, except for Norway. But the market dynamics have shifted:
Since July, the average spending per transaction has decreased, with travellers spending less on each purchase. However, even high spenders are becoming more cautious, highlighting the need to reconsider pricing strategies. Most importanlty, Nervini emphasized that selling now requires a deeper understanding of data rather than simply having a selling speech in line with the interlocutor.

Regional Performance:
Italy outperforms France, which is struggling despite hosting the Olympics, as high spenders tend to avoid such events. Spain excells due to its effective institutionalization of tourism.

Key Insight: In conclusion, Nervini underscored the importance of cultured choices and price sensitivity in adapting to evolving market conditions.

Bain & Company – Claudia D’Arpizio


2024 marks a year of significant changes, with a challenging future shaped by many open scenarios. Consumers, when engaged, react to brand strategies.
Key insights:

  • The year is expected to end with flat growth, marked by a shift from products to experiences.
  • The top-tier luxury segment remains the most resilient, while the aspirational segment faces greater challenges.
  • Experiences are growing faster than products, and within products, the experiential aspect is becoming increasingly vital.

Despite current difficulties, the market is holding steady rather than collapsing. In essence, brands must reignite consumer connection by placing them at the heart of their strategies.

Bain & Company – Federica Levato

  • Tourism Drives Growth: Luxury market growth is fueled by tourism, especially in Japan, Europe, and the Middle East. But other regions, including China, are experiencing a decline.
  • Shift in Retail Dynamics: Outlets outperform full-price stores, and online sales are stabilizing, incorporated with mono-brand strategies. Consumers spend less time engaging with products, increasing the focus on content over goods.
  • Category Trends:
    • Beauty and eyewear remain strong entry-price categories, alongside jewellery.
    • Footwear is losing its entry-price appeal due to rising costs.
    • Categories like clothing, bags, and watches are in decline, although watches are seeing a natural slowdown after booming during COVID-19.
  • Pricing & Volumes:
    • Significant price increases occurred in 2022/2023.
    • Volumes have decreased by double digits; but excluding beauty and eyewear, the decline would be even more pronounced.
  • Consumer Dynamics:
    • 50 Million Consumers Exit Luxury: Rising prices and broken trust have driven many away from the market.
    • Focus on Top Customers: High-spending customers, who make up nearly half the market, feel less valued due to a lack of unique, personalized experiences. Gen Z is the most affected generation.
  • Value Perception:
    • Consumers demand more value for money, expecting creativity, quality, and emotional resonance to justify rising prices.
    • Customer advocacy has sharply declined, with even affluent individuals struggling to perceive the value of luxury.
  • Key Strategies for Recovery:
    • Regain customer trust through creativity, brand purpose, and cultural relevance to justify premium pricing.
    • Strengthen relationships by offering tailored experiences and expanding emotional connections with diverse consumer tools.
    • Address the rise of local brands in the USA and China, as they threaten to capture market share.
    • Leverage the growing second-hand market, which grew by 6–7% in a year of stagnation.

Alfonso Dolce (CEO of Dolce & Gabbana) and Marco Piscitelli (CEO of Molteni)


Alfonso Dolce:
This year marks Dolce & Gabbana’s 40th anniversary, as the brand evolves into a lifestyle entity encompassing beauty, eyewear, home, furniture, food, and hospitality.
The transformation is rooted in the vision of its two founders, whose curiosity drives innovation while preserving heritage. Specifically, their focus on the pleasure of beauty enables them to tell a story of Italian culture, fostering increased consumption.
Today, their strategy prioritizes high-quality tourist flows, emphasizing key cities rather than broad geographic areas.
A commitment to sustainability focuses on quality and creativity to produce durable goods. As members of Associazione Ricrea, they collaborate with other brands in a continuous effort to improve sustainability practices.

Marco Piscitelli:
Molteni‘s approach is rooted in long-term planning and diversified programming, with projects designed for extended duration.
The Molteni Museum serves as a source of inspiration and innovation.

“Sustainability means responsibility, we make high-quality durable goods” – said Piscitelli.

Stefania Lazzaroni emphasized that brands act as cultural operators, investing in sustainability initiatives, enriching projects, and youth development. Collaboration, especially in sustainability, is key to driving progress.

Patrick Chalhoub – President, Chalhoub Group


In 2025, the Chalhoub Group will celebrate its 70th anniversary. As a leader in the Middle Eastern retail market, the company was founded to promote luxury in a region where it was once unfamiliar.
2024 Outlook:
A challenging year ahead reflects a need for the luxury sector to refocus on creativity, added value, services, and excellence.
There is a pressing need to engage younger generations and understand how to win their loyalty.
Growth is expected to be around 6–7%, driven mainly by the beauty and watch sectors, with clothing lagging behind.
2025 Projections:
Anticipated to be stable yet dynamic, with Gen Z comprising more than 30% of the luxury consumer base. Understanding their priorities is essential.
In the Gulf region, skincare remains underutilized, presenting an opportunity for growth.

“We need to innovate to dialogue with young people. We need to create events that have meaning for our audience, micro-events, and one-to-one dialogues, to make the consumer understand that they are at the center of our value proposition. The important thing is to have a direction and follow it. We need to make people aware of what we are doing, even if we are not growing like the others. During this period of time, we need to be determined and patient.” – Patrick Chalhoub

To conlcude Chalhoub’s Altagamma Observatory 2024 contribution, Lazzaroni asks: What are the easiest categories of success in your market? Easy categories: luxury personal goods for high net-worth individuals. Instead, there are great opportunities in residential furnishings and jewellery.

Laura Burdese (Deputy CEO of Bulgari), and Andrea Guerra (CEO of Prada Group)


Laura Burdese (Bulgari):
Bulgari, founded in 1884, celebrates 140 years of legacy, with products designed for an eternal life cycle, enriched by centuries of Roman history embedded in the brand’s DNA.
Brand Elements:
Bulgari’s positioning focuses on Mediterranean style, blending materials, colours, and shapes in a dynamic, ever-evolving way that aims to surprise and inspire.
The Bulgari Foundation has a long-standing commitment to supporting social causes, focusing on restoration works in Rome (e.g., the Baths of Diocletian) and beyond. Foundation’s key pillars:
1. Art & Patronage: Supporting young artists and preserving artistic heritage.
2. Education & Philanthropy: In partnership with Save the Children, Bulgari has donated over 115 million € this year.
3. Investing in Savoir-faire: Bulgari represents one of the largest manufacturing operations in Europe, preserving and promoting artisanal craftsmanship.

Stefania Lazzaroni highlights the social impact that brands like Bulgari contribute to society.

Altagamma Observatory 2024 – best performer:
Both Prada and Bulgari represent the top performers in 2024.

Andrea Guerra (CEO of Prada Group):


Prada was founded in 1913, and with over 100 years of history and 14,000 employees. Therefore, they have a strong heritage. But, history and the transversality with various brands are key to their identity. Guerra starts with two important points:
1. On Pricing and Brand Value:

“Claudia (Bain & Company) spoke at least five times about prices, and I believe this is the most total failure in our industry. When we talk about prices without having made people fall in love with our products, when we fail to tell a compelling story, or when we betray the consumer by not delivering the value we promise, that’s, in my opinion, the total failure of our work. This does not mean we should lower prices. The huge mistake in the last 7-8 years has been raising base prices too much, starting from entry-level prices. You don’t solve the price issue by lowering prices. You solve it by telling a story, being credible, and ensuring your value proposition is reflected in the product. In recent years, raising prices has been too easy.”

2. On Market Challenges in 2024:

“2024 is the first year, after 25 years, of difficulty and tension. Over the past 25 years, the sector has multiplied its value by five or six, and the average price point is no longer relevant. This growth led to a lack of attention to costs. Now, we need to refocus on the fundamentals. We need a sense of measure. In fact, the companies doing better in the sector are those that have focused on long-term brand and creativity management. The tension between brand and creativity is vital. The business is smaller than the brand, so the business must be taken back.”
“For Prada, this moment rewards our deep, long-term work.”

Laura Burdese (Bulgari):

  • “We have our core, we know who we are, and from there, we move forward. We have a clear long-term vision. But we do not expect India to become the new China next year.”

Guerra on Market Evolution:

  • “There are areas where we are underrepresented, like the USA and China. Also, the relationship with the local consumer is more important than the one with the tourist, and this relationship is evolving. The brand is now a reflection of one’s values, and the new generations measure you on assets such as sustainability. When engaging with the local consumer, you must provide hospitality, credibility, and uniqueness. You need to make the consumer feel that this brand or product is truly theirs.”

On the Changing Market Landscape:

  • “The helm in this changing market is, for me, the tension between brand and creativity. It’s one of the most fundamental dynamics in this sector.”

Craftsmanship and Investment:

  • Prada and Bulgari are both committed to investing in craftsmanship and forming new artisans. “Crafts schools are not second-rate institutions,” said Guerra.

Conclusion


In conclusion, Andrea Guerra’s candid remarks at the Altagamma Observatory 2024 highlight the shifting dynamics of the luxury market and the critical need for a balanced approach to pricing and brand storytelling. As global uncertainties continue to influence consumer behaviour, the luxury industry faces challenges in maintaining trust, relevance, and creativity. Moreover, addressing the concept of luxury shame – a growing concern among consumers – calls for aligning brand values with sustainability, and redefining what luxury truly means in today’s world.

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Fashion Reshuffling: The Game of Musical Chairs and its Impact on Consumers

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An industry lost in translation, struggling to grasp the change


These days, we are witnessing a fashion reshuffling, a game of musical chairs that mirrors the unserious behaviour of politics. Indeed, by hopping from chair to chair, trying not to lose visibility or power, fashion imitates politics.


The turbulence of fashion creative directors’ reshuffling


Recent news reports that Peter Hawkings is stepping down from his role at Tom Ford, Galliano will exit Margiela next autumn, and Virginie Viard has just left Chanel. Where are they headed next? Here and there, come and go. The industry is abuzz with speculation. In fashion, as in politics, enjoy the game!

This excessive mixing has significant effects: brands lose consistency, and consumer trust erodes. In fact, the original design codes and unique DNA that identified each Maison become blurred, making the brands look all the same. But egos are bigger than ever in the fashion industry. And so, keeping the chair – whatever it is – is the ultimate goal for designers.

Entering the era of creative directors frequent changes


It seems we are entering an era of frequent changes in fashion Maisons. This constant reshuffling and the game of musical chairs is becoming the norm. While a designer moving to a new brand might result in a short-term revenue boost, in the long run, brands lose consistency and integrity, risking their image. But for many designers, this game is the lifeblood of their egos.

However, the market for luxury goods is slowing down. Even strong brands and corporations struggle mainly because of the declining demand from Chinese and US clients. Additionally, a probe has linked brands such as Armani and Dior to sweatshops. Of course, they are not the only ones exploiting labour. Sadly, the practice is familiar to modern corporations. So talking about who goes where is the easiest way to avoid discussing these fundamental issues.

In light of this, we wonder: can the CEOs feel the deep change occurring in the fashion industry? Can they sense the earthquake shaking the foundation of a fashion system that has lost its way? Is it possible that consumers are realising luxury is no longer what it once was?

Conclusion


In conclusion, to combat the industry’s slowdown, fashion houses are increasingly relying on the vision of creative directors, leading to frequent rotations at the helm of major Maisons. However, this fashion reshuffling addresses only a symptom of a much deeper issue: the loss of luxury’s true essence and the collapse of an outdated and inflexible system. Ultimately, can the industry believe that this game of musical chairs will resurrect the fortunes of its once-glorious past?

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