human rights

No business fit for the future can ignore modern slavery

Reading Time: 4 minutes

A new global ISO standard seeks to stop businesses from using complexity as an excuse for inaction


The ISO 37200 standard enters the conversation at a critical moment. For all the talk of ethical sourcing in annual reports, the brutal reality is that modern slavery is not shrinking. It is exploding. Reading Susan Taylor Martin’s report for Reuters, we felt a sense of bitter recognition.

Every now and then, we highlight modern slavery, which often appears in the context of fashion but extends far beyond it, as one of today’s most pressing issues.

When leaders speak about preparing their organisations for the future, the conversation often revolves around artificial intelligence, quantum computing, or the race to net zero. Boards scrutinise geopolitical tensions and trade realignments, while businesses re-engineer supply chains for resilience and speed.

Yet, amid this strategic recalibration, one issue demands equal — if not greater — attention: how to ensure that growth does not come at the expense of human dignity.

Modern slavery: a rising issue


Today, an estimated 50 million people worldwide are trapped in forced labour or human trafficking. These abuses are frequently concealed within the intricate webs of global supply chains that underpin everyday commerce. (Source: Reuters).

Even more alarming is the trend. In fact, the number of people living in conditions of modern slavery has risen by 25% over the past decade.

“Shockingly, the number of modern slaves has increased 25% over the last decade.”
— Susan Taylor Martin


This risk extends far beyond distant markets. It is a systemic challenge that affects organisations of every size and sector. As supply chains become increasingly fragmented and opaque, the likelihood of exploitation rises. 

Modern slavery remains one of the most disturbing and complex issues facing global business. This statistic is not just a number. It represents a systemic failure of voluntary corporate oversight — a failure the new global standard hopes to address.

ISO 37200 standard: a new benchmark to stop modern slavery


It is against this backdrop that a new international benchmark — ISO 37200 — has been developed. Dedicated specifically to the prevention, identification and response to human trafficking and forced labour, it represents the first global standard of its kind.

Following public consultation, the standard will be published later this year. Its purpose is clear: to help organisations “prevent, identify, mitigate, remediate and report” modern slavery risks across their operations and supply chains. Crucially, it is designed to complement existing legal and regulatory frameworks rather than add layers of bureaucracy. The aim is not to create additional reporting burdens, but to enable companies to move beyond compliance exercises and “box-ticking” towards meaningful action.

Ahead of its release, leaders would do well to examine their own governance structures. Do clear lines of accountability exist? How deep is their understanding of supply chains — particularly beyond first-tier suppliers? Do robust procedures, staff training, and effective escalation mechanisms support those policies? And most importantly, can organisations respond responsibly and decisively if they uncover exploitation?

It may be tempting to assume that certain industries are more exposed than others. While risks do vary by geography and sector, exploitation can occur anywhere. The underlying principles — sound governance, transparency and ethical conduct — are universal.

The new ISO framework builds upon a British Standard introduced in 2022, reflecting the United Kingdom’s long-standing leadership in responsible business practice. Early adopters of that standard have already demonstrated how embedding worker protection at the heart of operations strengthens credibility and resilience.

By establishing a common language and shared framework, ISO 37200 standard aims to bring global consistency to the fight against modern slavery. No single company or country can address a challenge of this scale alone. Collective action is essential.

Final reflections


We frequently expose modern slavery within the fashion industry. But our attention to the issue began long ago — including the persecution and forced labour of the Uyghur minority in China, linked to supply chains across fashion, technology, automotive, and other sectors.

Our previous investigations into supply chain abuses have shown us that regulation alone is insufficient. This is why the publication of ISO 37200 is not just a policy update. It is a potential lifeline for auditors and compliance officers striving to effect change from within.

As one industry leader observed, consensus-based international standards have the power to accelerate “real, practical change — at scale.” Modern slavery cannot be dismissed as “the price of doing business”, nor can it be considered too complex to tackle. It demands deliberate, coordinated effort.

With the imminent publication of the ISO 37200 standard, the question for leaders is no longer “Do we have a policy?” but “Do we have the courage to look deeper?” 
As we continue to investigate these issues, we will be watching to see which companies adopt this standard — and which continue to look the other way.

Because any organisation that claims to be future-ready must be prepared to say — unequivocally — that it will not tolerate modern slavery.

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Legal shield for luxury: is this the solution to ending luxury brands’ exploitation of workers?

Reading Time: 7 minutes

Report Rai3: fashion sweatshops and the unbroken link between luxury and labour abuse


While Italy was in the midst of Men’s Fashion Week, Rai3’s Report aired a hard-hitting investigation into the labour exploitation behind the luxury brands now seeking a legal shield. Thetopic itself was not new: recently, media outlets have reported on sweatshops hidden behind the façade of Made in Italy. What Report did differently was to go further—attempting to speak directly with manufacturers, workers and brand owners.

Among the major figures contacted, only Diego Della Valle—chairman of Tod’s Group (Tod’s, Hogan, Fay and Roger Vivier)—agreed to appear on camera. His appearance, however, raised more questions than it answered. The investigation revealed that audits had been conducted within the supply chain, yet Tod’s disregarded their findings.

Some commentators accused Report of daring to criticise an industry that represents a significant share of Italy’s GDP. We strongly disagree. When an industry operates—directly or indirectly—through sweatshop conditions, exposing it is not only legitimate, it is necessary.

Judicial administration and labour abuse


Several luxury brands have been placed under judicial administration over failures to monitor labour exploitation in their supply chains.

Valentino Bags—a company controlled by Valentino and responsible for producing bags for the brand—was among them, alongside Loro Piana, Armani and Dior. In one of the Chinese workshops producing Valentino bags, the Carabinieri found a child playing among fabrics and industrial machinery.

In July 2025, the Milan court ordered judicial administration for Loro Piana, the Italian high‑end clothing brand controlled by LVMH. Investigators found that production had been entrusted to companies that subcontracted work to Chinese workshops where workers were exploited.

Unfinished leather handbags in a sparse workshop, representing the hidden production behind luxury brands seeking a legal shield.

Della Valle: “The Chinese workshops are not our concern”


In October, the Milan Prosecutor’s Office requested preventive judicial administration for Tod’s SpA. The investigation uncovered serious violations of workers’ rights across the subcontracting chain responsible for producing the brand’s goods. Prosecutors stated that the company was aware of these practices, leading to an investigation for caporalato (the gangmaster system).

Following similar measures against multiple fashion brands, Milan prosecutor Paolo Storari also requested a six‑month advertising ban for Tod’s. Through an exclusive interview with Diego Della Valle, Report reconstructed the luxury supply chain: production is outsourced to Italian firms with no manufacturing facilities, which then subcontract to Chinese workshops.

Della Valle argued that responsibility should not extend beyond the first level of the supply chain. This position is deeply problematic. If a brand entrusts production to intermediaries that do not manufacture anything themselves, what does it expect to happen? And why do brands choose this model in the first place?

In the Tod’s case, one of the most serious issues to emerge was the failure to act on clear audit findings. Problems were identified, yet deliberately overlooked.

The attempted legal shield for luxury brands


Against this backdrop, Article 30 of the Small and Medium Enterprises Bill—approved by the Senate and debated in the Chamber of Deputies—attempted to exempt major fashion brands from liability for crimes committed along their production chains.

Widely described as a legal shield for luxury brands, the amendment was eventually withdrawn following protests by trade unions, workers and the Clean Clothes Campaign. It will now return to the Senate.

During his interview with Report, Minister Adolfo Urso stated that caporalato in Italy had been “brought by the Chinese”. A staggering statement that shifts blame away from the structural drivers.

Shifting blame to the lowest—and weakest—links in the chain conveniently ignores who sets prices, who designs supply chains and who ultimately benefits from lower production costs.

Made in Chitaly: the testimony that explains everything


One of the most powerful moments in Report was the testimony of Andrea Parisi, owner of Spectre Srl, a company specialising in the finishing of heels for luxury footwear.

Until recently, Spectre employed 34–35 people and worked for all the major luxury brands. Today, only three workers remain.

Parisi explained how brands outsource work to companies that possess no machinery, which then subcontract—unofficially—to Chinese workshops capable of producing tens of thousands of units at prices that are economically impossible under legal conditions.

A heel paid €0.80 per piece (€1.60 per pair), he explained, should cost at least twice that amount. This pricing mechanism drives law-abiding Italian manufacturers out of the market, depriving them of contracts, revenue, and skilled labour.

“The most serious loss,” Parisi said, “is our workforce.” Competing, he explained, is impossible unless one is willing to break the law.

Andrea Parisi’s most touching words:

“The fashion sector in Italy no longer exists. But at this moment we don’t even have the tools to fight anymore, how are we supposed to go forward? Must our workers be reduced to ‘Vietnam conditions’? What have we come to? Behind subcontracting, lies undeclared labour, lies precarious employment, exploitation. It must be abolished, full stop, and it must be done tomorrow morning. It’s Made in Italy if the workers’ ethics are respected. Otherwise, write on the products ‘Made in Italy 50%’, at least tell the truth.”

A structural system, not an anomaly


The idea of serving luxury products to everyone has generated this system. The so-called democratic luxury.

As Della Valle said: “We survive because people recognise in us an absolute quality. How many people buy a bag or a pair of shoes from me? Many have the money to do so, then there are those who love them, who perhaps don’t have the money, they make a sacrifice, and to those people you can’t say: ‘You’re working your arse off to buy this little thing, and these people are a bunch of wankers.’”

So brands serve entry price products while, at the same time, cut their costs as much as they can to maximise profits. Let’s clearly state this: the idea of democratic luxury is as contradictory as illiberal democracy: it does not exist. It is either one thing or the other.

As Luca Bertazzoni (Report) said: “The point is that those Chinese companies which President Meloni claims to be fighting are now an integral part of the system and continue to be sought by the major fashion brands to maximise profits. Take the case of Mr Yang, whom we had met a year ago after the Carabinieri found Dior bags inside his workshop in Opera, where workers were being exploited.”

Gian Gaetano Bellavia – expert in corporate criminal law, explained further: “The Italian who wins the contract always keeps his own margin, and it’s the Chinese contractor who has to cut his margin. So then the Chinese contractor perhaps goes to a Pakistani, right? Who is even more desperate than the Chinese.”

This system is not limited to handbags or footwear, nor is it an exception. Furthermore, it is not solely an Italian issue—is Dior an Italian brand? And doesn’t LVMH owns Loro Piana? The problem is structural and global. To be clear, it also exists beyond fashion. Yet, this breadth is not a mitigating factor but an aggravating one.

As Bellavia noted, it is a “war among the poor to serve the rich”. Those at the top remain silent, protected by distance, complexity and legal ambiguity.

Final thoughts


In conclusion, this operating system is not new. As young women working in fashion in the late 1990s, we witnessed its gradual consolidation. For over twenty years, opacity has prevailed. If we saw that, how did nobody question what was happening?

Today, instead of dismantling the system, the Italian government proposes a legal shield for luxury.

But when luxury products are made through exploitation, who is responsible? The last link in the chain? Really? Or those who decide to maximise profits by compressing production costs from the top down?

If Italian manufacturing has been decimated, responsibility lies with both political choices and brand strategies. Blaming labour exploitation solely on the weakest links in the chain is not only dishonest—it is shameful.

A legal shield is not the solution. These companies have money, power and structure. They must be responsible for workers’ conditions and for the reality behind their products. Choosing ignorance forfeits accountability.

Luca Bertazzoni offered a definitive direction:

“If high fashion were to abandon the subcontracting chain that allows it to make profits by producing at rock-bottom prices, Italian artisans could go back to work, with full respect for workers’ rights.”

So, forget a legal shield for luxury. The real solution is clear: dismantle the subcontracting chains that allow luxury brands to profit from cut‑price labour. Only then can Italian artisans return to work under conditions that respect dignity and rights.

Ethics. Fairness. A level playing field.

And hold the brands responsible.

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David Bowie prophecy: “I’m afraid of Americans” and what he tells us today

Reading Time: 4 minutes

The shape-shifter, the icon, the creative genius who lived everything ahead of his time


I’m afraid of Americans — on the anniversary of David Bowie’s death, his lyrics circle back in our minds not just as a memory, but as a living David Bowie prophecy. Actually, they never left.

Here, the wind blows cold—a chill that has nothing on the gunfire echoing across America. In Minneapolis, an ICE agent killed a woman, Renee Nicole Good. Unarmed. “That’s fine, dude. I’m not mad at you,” she said. Then he shot her three times in the face while she sat in her car. This is not a lyric. It’s a clear picture of a society — the soil where the prophecy grows.

Portrait of Renee Nicole Good, an unarmed woman shot by ICE officers in Minneapolis. David Bowie prophecy resonates: I'm afraid of Americans.
Renee Nicole Good shot by ICE in Minneapolis.


Bowie remains an immense inspiration, a necessary counterpoint. In the documentary Moonage Daydream, he brilliantly defined himself as a “personality collector.” Not just a musician, but a curator of characters; a synthesiser of art, sound, and thought. He was the ultimate autodidact — his mind a voracious, discerning sponge for philosophy, painting, literature, and the jagged edges of culture. This wasn’t mere affectation. It was a formidable creative acumen: a strategic intellect that built worlds and deconstructed personas with the precision of a master artist.

Today, we are pulled not to the androgynous alien of Ziggy or the sleek Thin White Duke, but to a later, colder prophet: the one who gave us “I’m Afraid of Americans.”

I’m afraid of Americans: David Bowie prophecy


Released in 1997 (on the album Earthling), but with roots in a 1995 collaboration with Brian Eno, the song is a snarling, industrial-groove beast. It feels less like a retro relic and more like a transmission from the past that has just now reached full signal strength. In it, Bowie adopts the role of an observer, haunted by a creeping, viral anxiety. The spoken-word bridge is a chilling centrepiece:

“Johnny’s in America…
Ah-ah-ah, ah-ah, ah-ah, ah-ah-ah
No-one needs anyone, they don’t even just pretend…
Ah-ah-ah, ah-ah, ah-ah
Johnny’s in America”

It’s a portrait of a society atomising. “Johnny” isn’t a person; he’s a condition. A state of being where connection is obsolete, where even the performance of caring — “they don’t even just pretend” — has been abandoned. Loneliness made systemic. And circling this stark observation is the addictive, terrified mantra of the chorus:

“I’m afraid of Americans
I’m afraid of the world
I’m afraid I can’t help it
I’m afraid I can’t…”

The lyrics as a mirror to today


This isn’t a geopolitical statement about a nationality. As Bowie often clarified, it’s about the fear of a certain exported ideology — a hyper-consumerist, culturally imperialist, “McWorld” anxiety that homogenises and devours, leaving behind Johnny’s existential isolation. It’s the fear of a world becoming a monoculture where the only sacred truth is the self. And the self is terrified of everything else. “No tax at the wheel,” he mutters in an earlier verse — a brilliant, oblique image of unregulated power, of a drive without responsibility, hurtling forward with no one steering and nothing paid back.

Bowie saw it then. The paranoid, pulsating rhythm of his track is the perfect soundtrack to our algorithmically fuelled tribalism, our performative outrage, and our deep, unspoken dread of one another. He diagnosed the spiritual malaise that would blossom into our current climate: the weaponisation of identity, the collapse of shared narratives, fear as a default setting.

The song’s prophecy curdles into our daily reality. It echoes in Trump’s political discourse, stripped of empathy. In the relentless horror of routine gun violence. In the brutal machinery of state power. Watching the modern American horror show, the refrain transforms from artistic expression to blunt testimony: 

I’m afraid of Americans.


That was his genius. The personality collector was also a future collector. He absorbed the faint signals of the coming zeitgeist, filtered them through his unparalleled artistic sensibility, and reflected them back to us as art — sometimes beautiful, sometimes grotesque, always prescient.

On this anniversary, we don’t just miss the man. We miss his antenna. We miss the fearless, intellectual shape-shifter who dared to look into the coming storm and set it to a beat. In “I’m Afraid of Americans,” he handed us a mirror. Decades later, we’re still staring into it. This is the David Bowie prophecy.

He saw Johnny. 
A dying system. 
A system without a soul.

In Minneapolis, Johnny pulled the trigger.

The prophecy is no longer a lyric.
It’s a headline. 
It’s an obituary.

I’m afraid of Americans.

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Christmas 2025: seeking light in deepening shadows

Reading Time: 2 minutes

Holding space for peace when the world is holding its breath


Seasonal greetings arrive again, wishing us a Merry Christmas 2025. They speak of joy, magic, and gratitude. Yet for many, these words echo against hunger, displacement, or the constant sound of artillery. The world feels increasingly unstable, and war has become part of our daily language.

So the question lingers: where do we look for light when the shadows stretch so long? And what does it mean to celebrate when celebration can feel fragile, even out of place?

This year, the distance between the festive image and global reality feels especially wide. Gaza continues to endure unspeakable devastation and starvation. The war in Ukraine grinds on, with renewed violence in recent days. Sudan, too, is sinking into catastrophe, forcing millions into hunger and exile. These are not distant tragedies; they are humanitarian failures unfolding in real time.

A girl wearing powder pink shorts, a red oversized wool sweater, and green elf-style long socks cuddles a white bear in a snowy background with a few trees, among which are one Palestinian and one Ukrainian flag. Santa Claus stands, sending light towards the flags. Wishing a Merry Christmas 2025.
Merry Christmas 2025


In such a landscape, the core questions of Christmas — peace, hope, goodwill — risk sounding naive. Yet perhaps they are not sentimental at all, but quietly radical.

Not as slogans. Not as forced cheer. But as choices.

Perhaps the light we seek is not found in denial or forced joy, but in attention. In the decision to pause, to stay present with what is painful, and to refuse indifference. To hold sorrow and still choose empathy. To recognise that caring, today, is an active choice.

This Christmas, holding space can be an act of resistance in itself. A pause. A listening. A willingness to remain human in the face of what dehumanises.

To support humanitarian workers, to advocate, to bear witness — these are small gestures measured against vast suffering, yet they matter. They are how peace survives not as a wish, but as a practice.

In solidarity, in sorrow, and in stubborn hope,

Merry Christmas 2025

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13 more brands under investigation in Milan for labour exploitation

Reading Time: 5 minutes

A crisis for the fashion industry, or a reflection of the economic system at large?


Authorities in Milan are cracking down on labour exploitation in the fashion supply chain, placing 13 more brands under investigation after a major operation revealed severe irregularities. A sweeping inquiry has uncovered new allegations of abusive conditions linked to several manufacturers, prompting prosecutors to widen the scope of the probe. The Milan Prosecutor’s Office has now demanded documentation from 13 major fashion brands to demonstrate their compliance with labour and safety laws. Garments tied to these companies were discovered in warehouses run by Chinese subcontractors, leading investigators to call for deeper scrutiny.

From D&G and Prada to Adidas, Versace, and Gucci, the Milan Prosecutor’s Office has sent documentation requests to verify compliance with safety and legal controls.

But is labour exploitation unique to fashion, and to Italy, or is it a feature of the economic system itself?

The Milan probe: fashion & illegal hiring


Once again, the fashion industry is in the spotlight. Another 13 major groups have come under the scrutiny of Milan prosecutors. Late on Tuesday, 2 December, labour protection officers of the Carabinieri, under the mandate of Prosecutor Paolo Storari, carried out raids at corporate offices, demanding documents proving that safety and legal compliance checks had been performed along the supply chain.

Within days, the companies must provide investigators with the requested materials. Based on this documentation, the prosecutor’s office will decide whether to seek judicial oversight—under Italy’s anti-mafia legislation—or bring formal charges related to illegal labour intermediation (the so-called caporalato system) under Law 231.

Milan: 13 more brands under investigation


13 more brands under investigation — who are they?
The brands required to submit documentation include Missoni, Off-White Operating, Adidas Italy, Yves Saint Laurent Manifatture, Givenchy Italy, Ferragamo, Versace, Gucci, Pinko, Prada, Coccinelle, Dolce & Gabbana, and Alexander McQueen.

Investigations have identified cases of “Chinese migrant labour being used under conditions of severe exploitation,” with work performed “on behalf of” the brands listed. Workshops visited across Lombardy, Tuscany, and Marche revealed hazardous conditions, extremely low pay, excessive hours, and workers without contracts, protective equipment, or overtime compensation—many threatened because of their irregular immigration status.

The documentation requested from the companies is extensive: registry extracts, contracts, organisational charts, role descriptions, board minutes from January 2023, internal control system reports, supplier accreditation procedures, internal audit plans and results, monitoring and traceability plans, supplier lists, and financial statements for 2023–2024, including sustainability reports.

The prosecution appears to be urging companies to regularise their operations.

Patterns of exploitation 


This investigation is part of a broader effort to dismantle subcontracting networks marked by severe labour exploitation. Previous cases involving Alviero Martini, Armani Operations, Loro Piana, Valentino Bags, and Manifatture Dior revealed similar dynamics. Tod’s was also investigated, although judicial oversight was denied due to jurisdictional and substantive considerations.

Except for the unusual Tod’s case, interventions have not begun from direct sweatshop conditions linked to major brands. Instead, they start from the observation that checks along supply chains were insufficient or ineffective, allowing illegal practices to persist.

Judicial administration—already implemented for certain companies—aims to establish transparent supplier registries. Separately, illegal labour charges may lead to managers being held personally accountable in court.

Made in “Chitaly”: Chinese workers operating in Italy


In a post dedicated to the contradictions of 1 May 2023, we discussed “Made in Chitaly” to illustrate how the abuses seen in Rana Plaza or in the forced labour of Uyghurs in China have parallels in Italy. Thus, we see a clear, global pattern.

To preserve high profit margins, brands outsource production to Chinese-run workshops, requesting the lowest possible prices. This keeps the mythology of “Made in Italy” alive. At least for those with no understanding of quality but who seek only a famous label. Minimum wage is nowhere to be found.

Yet major publications, including Business of Fashion, frame this as an Italian issue. But is it truly confined to Italy?

From subcontracting to the system: the wider mechanism


While these cases occur in Milan, the underlying pattern is not local but global. Labour exploitation involving Italian brands may describe the immediate facts, yet the mechanism extends far beyond Italy. Opaque, multilayered subcontracting chains are deliberately structured to reduce costs through distance and deniability. Each additional layer dilutes responsibility, making it easier for major groups to claim ignorance while benefiting from lower production costs.

Fashion is not unique in this respect. The same system is at work across logistics, agriculture, electronics, beauty, automotive manufacturing, and more. Wherever cost reduction becomes the primary objective, labour is the pressure point.

The real issue: capitalism as the underlying engine


The fashion industry is now deeply entrenched in global capitalism, shaped by conglomerates such as LVMH, Kering, and Richemont, as well as private equity. In fact, luxury giants and shareholder rule. Publicly traded empires prioritise profit margins, scalability, and acquisitions. Fashion is no longer about creativity—it is a financial asset.

Let’s be direct: sweatshops and fashion are connected, but fashion did not invent exploitation. It merely mirrors the logic of the economic system that governs it. What we see in these investigations is not an isolated malfunction but a structural feature of capitalism: extraction, exploitation, and the relentless pursuit of cheaper labour.

There is no fully ethical business under capitalism—only degrees of complicity.

We suggest reading this post: Behind the Seams: Fashion Industry & Forced Labour

Social washing as the final disguise


As public scrutiny increases, so do corporate campaigns emphasising social responsibility. This is social washing: the social counterpart of greenwashing. Marketing narratives multiply, while evidence remains scarce. Ethical imagery obscures extractive practices. The gap between branding and reality continues to widen.

In this context, social washing becomes the final layer of the system—an effort to reassure consumers while the underlying logic remains unchanged.

Final thoughts


The expansion of the probe, with 13 more brands under investigation in the Milan area, sends a clear signal. It’s a stark warning for the industry — but will shoppers take notice, or simply shop as usual?

Yet, this is not a uniquely Italian scandal, nor a flaw specific to the fashion industry. It reflects a global economic structure that treats labour as a cost to be minimised. Social responsibility campaigns may attempt to soften the narrative, but they cannot obscure the systemic logic that produces these outcomes. Read: capitalism.

Until that logic is questioned, cases like these will continue to surface—across fashion and every other industry built on the same foundations. And everyone will just say: we didn’t know…

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